Senki Zesshou Symphogear XV 戦姫絶唱シンフォギアXV

2019 summer | Episodes: 13 | Score: 8.2 (15210)

Updated every Sundays at 01:00 | Status: Finished Airing

Type: TV

Producers:Memory-Tech | Bushiroad | MAGES. | King Records | Kinyosha

Streaming: Crunchyroll

Synopsis

Humanity is finally confronted with the threat of the Custodians—the ancient, sentient species held responsible for cursing humanity to speak different languages thousands of years ago. The Symphogear wielders—Hibiki Tachibana, Tsubasa Kazanari, Chris Yukine, Maria Cadenzavna Eve, Kirika Akatsuki, and Shirabe Tsukuyomi—are sent to the Antarctic in order to retrieve an ancient relic. After securing it and rescuing the scientific staff present there from a Coffin, the automated defense mechanism protecting it, the relic is given to American researchers due to international agreements. The criminal organization Noble Red, a remnant of the previously fought Bavarian Illuminati, starts targeting the relic. Will the Symphogear wielders and their supporting organization S.O.N.G. be able to foil the plans of the organizations conspiring against them? [Written by MAL Rewrite]

Voice Actors

Kayano, Ai

Hikasa, Youko

Mizuki, Nana

Yuuki, Aoi

Nanjou, Yoshino

Takagaki, Ayahi

News

Reviews

TimeFerret
11/25/2024, 10:53 PM
This review covers my thoughts on all 5 seasons. Wow, This show saved me. It helped me realize the feelings within my heart. its not the most well written, or well animated, or anything in particular, but from start to finish, the passion of the story being told, and the true hopefulness of the message it has is like a blinding light. "A light the gods don't know" is such a fitting statement. I haven't felt this burning felling in my heart since watching Gurren laggan as a kid, but who know i would need that feeling to get over one of the most mentally challengingmoments of my life. I've lost 30 pounds in the first 3 months of finishing this show, i just put a spotify playlist of the anime's songs on repeat and reach for the sky. This show is everything i've wanted from a piece of media; Show, game, or otherwise. I made a promise to my self to never give up on my happiness, and with the song in my heart blaring, i plan to keep it. Thank you Symphogear. Thank you.
MythicalV
11/10/2023, 01:30 AM
Do not let the scores deceive you, watch it for yourself, heck just listen to its OST. Do anything else, the experience is everything. You are an individual, but that means that those around you will do their best to reach you with thier songs. This series holds a very special place in my heart, as not only was it basically my first hyper-obsession back in middle school, it also was the very first anime i went out of my way to watch on my own. This is also the show that brought Nana Mizuki to my attention, and many of her songs on this showare some of her greatest hits (ex. Synchrogazer, TESTAMENT). As of the time of writing, my respect of this show has gone on to be even higher, with so much of it's achievements being so novel, and unique even among the most popular shows out there. Every leading voice actresse in this show is capable of singing in an amazingly powerful yet unique voice, and every main character has a minimum of 2 unique songs, which is an unimaginable investment on the parts of the composers and the talents. Speaking of composition, the Music is also an amazing fusion of classic J-pop, synthwave, and rock, which occasionally combines with traditional instrumentality to create a wonderful tone that few other discographies have matched. Aesthetically, this show is also extremely ambitious and unique. The show takes the tried-and-tested formula of the classic Magical girl, and turns it on it's head by combining it with the two volatile ingredients of Sci-fi and mecha, resulting in the most Imaginative Costume designs i have seen, and will probably ever see. The sharp chrome edges combined with the glowing technostrips, as well as the frills generated in beautiful holography by the Ex-Drives are so memorable that even to this day, i have never forgotten any of the designs, and characters are so wonderfully accentuated by their Symphogears that they are engraved into my memory all the same. The Music still rings in my ears to this day, with the entire OST being warranted their own playlist within my daily listens. Alright. I've complimented the show enough, the following is to really drive home the score, as well as to address skeptic ideas. Symphogear is extremely generic when it comes to theming. All of its lessons boil down to essentially the following: Even as we struggle to understand one another, even as we hurt each other, we should continue to fight to reach each other with not only our words, but our actions. This lesson may seem mild and bland after all these years, but Now more than ever, with the internet's rise of Hatred and Social deconstruction, this lesson rings out more than ever before, that despite everything, no matter what, we should, and we must reach out to everyone. Secondarily, a bland story with many plot holes does not warrant disrespect against the show at all. Even with all of its contrivance, inconsistency, and unsolved plot threads, The things this show did to make it unique, as well as all the work put into the show to make its risks bring reward, should be respected, and with all the recent shows that simply recycle ideas, the unexpected fusion and production of new, out-of-nowhere ideas should be revered and looked up to. Ultimately, as this show says, we cannot understand each other, but I will still do my best to hope that my thoughts and feelings will reach those who read this, and will help them understand this show's merits, as well as to give this show a chance to capture their hearts as it has mine.
Razor_Eagle11
07/10/2021, 08:28 AM
Never thought I would made this far, but hear I am. It's been quite a journey from the horrible season 1 to this. The final season of Symphogear, and all I can say is... I still don't know what the fuck is going on in this anime But is it a bad thing? not exactly. Did I enjoyed it? hell yeah i did. With all the crazy, over-the-top stuffs that's happened in this anime, I enjoy every one of it, even tho i barely understand what's going on (LMAO). It's my guilty pleasure. It's fun, it's sad, and it's FUCKING HYPE. You don't need to understand shitif you have this type of hype the anime's got to offer. It's more bigger, more action packed and more insane than the previous season. Tachibana Hibiki grows from a Noise attack survivor to a symphogear-wielding, ass-kicking, god killing martial artist. Every episode delivers something insane and my jaw drops all the time. Also the transformation scenes, god that may be the most awesome transformation scene ever. I never got bored seeing it. The animation is top notch, the story is crazy, the characters are lovable and the villains are good. The songs are also great. I wouldn't really recommend this anime to everyone, but if you're willing to give it a chance, then go for it. It's been quite a journey, and I'll definitely gonna miss this anime. Thanks for reading.
cringeylazy
06/22/2021, 03:15 PM
Intro: Symphogear is a series I really enjoyed bingeing over two or three weeks. It's no masterpiece or anything special, but a really nice casual watch until you reach this season. Mini Review: This season really suddenly packs a punch out of nowhere; it's not perfectly executed. I mean, it's Symphogear; what do you expect? But it certainly was a shocker when I was watching it casually. I loved that it took such a drastic turn, and I can understand how that inflated this season's score much more than the other seasons. Unlike the last 3 seasons, the fights this season genuinely felt meaningful and felt more likethey had some consequence. Symphogear up until now was such a relaxed, fun watch, but this season was genuinely thrilling. Now we are attached to the characters, even the new ones that are introduced later in the series, and adding this very drama really made for a good watch in general. Negatives: Symphogear is littered with things that I believe could be improved upon with very little change. just small nitpicks like the pacing during some episodes going a little too fast or things being dragged out a little too long. But honestly, compared to other seasons, the nitpicks this season don't really matter since they improve on the largest problems. But I will admit the villains still aren't very interesting and aren't as standard as other seasons, but they massively improve on the last episode. Positives: Animation improvement in this season was a very welcome addition to the series, as were all the new moves and costumes that I've loved throughout the series as they evolved. The relationships between the characters feel more natural this season, especially during fights. The songs are still banging with new transformation animations for all the girls, which look sick with the start of them referencing season 1's transformation animations. The songs during the fights are just as fun, if not more fun, and towards the end are more hype than ever. The songs during the fights are what we're here for, and they deliver. Conclusion: Despite being cliche, Symphogear doesn't care that it is, embraces it, and just makes it good for what it is (I'm talking mostly about the ending and the series in general here). This season took an unexpected dark turn; it may not have been well developed, but it was a great change of pace for the series. The ending was also just a very good, feel-good ending that was a very nice conclusion to the series.
InoueOrihime
12/26/2020, 11:12 AM
So, I watched Symphogear for the first time before this season was out, time passed, then I found out this came out, so I rewatched all of it before I picked this up. I wanted to say a lot of things about it because Hibiki is a character I adore, Chris is dear to me, and I overall enjoyed the show up to this point. But then this came out and, hm, how to put it. I'm Jewish. I know not to expect too much about ethno-religion sensitivity when dealing with media from Japan but this was far and beyond what I'm used to as someone who'sconsumed anime, manga and game content for over two decades now. Setting aside how even using some of the names they did is outright sacrilege, everything about it was offensive, from who the big bad was, through their motivations, to how they 'spread' themselves, to the symbol they used when casting spells... I know a lot of people couldn't care less about this sort of thing, but after enjoying four seasons, this felt like stinging betrayal. Now, sure, I can't say whether or not they handled everything up to this point better, these are not my sensitivities so I can't comment about that. But this last season was nothing short of antisemitic. Judaism isn't a dead religion, it's not some ancient tradition and culture anime series can use however they want, least of all to vilify like this. Just really had to get that off my chest. A very bitter ending to a franchise I otherwise enjoyed, and I'm grateful it looks like it's over
JuneNephthys
12/04/2020, 08:19 PM
Following the panache of thrills and impassioned character-writing in AXZ, Symphogear XV had big shoes to fill. In my opinion, this season is a mixed bag. The beginning still carries in waves of residual oomph from the previous season, but the villains weren't as impactful and some of the plot fell in line with old narrative devices, that were implemented in past seasons. It didn't feel as fresh or inventive, but, it was an impressive feat, nonetheless! ⚠️ This review will have spoilers ⚠️ —Story/Characters This season starts out with a bang, when a beautifully animated concert-duet between Tsubasa and Maria goes awry! The crowd is mercilessly slaughteredand Tsubasa is thrown into a bind, having an intense PTSD episode, remembering how her girlfriend, Kanade, had died in a similar fashion! It doesn't help that the malicious Millaarc has the ability to implant hypnotic suggestions into her victim's psyches! While AXZ mostly focused on the struggles of Chris, Maria, and Hibiki... XV focuses on Tsubasa and Miku, as the spirit of the deadly artifact, Shem-Ha, takes control of the vulnerable Miku, once again! The grand conclusion to the franchise, starts out really strong! There's a powerful, inciting event that throws Tsubasa, and her relationship with Maria, for a loop; everyone gets lustrous, new transformations; and the build-up for the bad guys, makes it seem like they're the most menacing foes that the girls have had to face... but the velocity of XV's grand finale loses momentum, during the latter half of the series. I would say, that the show starts losing speed after Tsubasa comes to terms with her family's brainwashing, and accepts her foster father, as her "real" Dad. Throughout the season, there are hints at Tsubasa's struggle with the echelon of power in her family unit. This season really expounds upon that and reveals that Tsubasa's struggle to find validation from her illiberal, Japanese traditionalist of a grandfather... stems from the fact that he's actually her biological father. It seems that to ensure that their bloodline would remain untainted, Genjūrō Kazanari slept with his son's wife, in order to conceive Tsubasa. There's a nice moment, when Tsubasa's father protects her and she recognizes that it's okay to see someone, who is biologically her "nephew," as her actual parent. It was a sweet moment, even though Tsubasa has struggles with the expectations placed upon her by her grandfather and the subsequent mind control that Millaarc inflicts on her. As for the development with Miku, she feels turmoil, from being the outsider of the group... but in the last few episodes, her and Hibiki are able to vocalize how much they mean to one another. In this season, the villains and the journey to save Miku were the weakest aspects, by far! The "Custodians" are like the automatons in GX, they are written to be threatening, but any deeper characterization of these antoagonizers is thrown overboard! Speaking of the automatons, the weakest bad guys from Season 3, Carol Malus Dienheim and the gang get brought back, and while the throwback moment is as nice as the shout-out scenes in Fate/stay night: Heaven't Feel... it doesn't really do anything to advance the plot. Everything we needed to know about these four, is already in the archives of GX! Their cameo doesn't really serve a sufficient purpose.... —Technical Luna's Favorite Works by Each Respective Creator = ✅ Katsumi Ono (director), notable works: * Beast Saga * Girly Air Force ✅ * Hataraki Man * Hypnosis Mic: Division Rap Battle — Rhyme Anima * Isekai Izakaya: Koto Aitheria no Izakaya Nobu * Master Mosquiton '99 * Yū☆Gi☆Ō! 5D's * Yū☆Gi☆Ō! Arc-V Commentary: Haven't watched many of Mr. Ono's discography, but his choreography in the Symphogear series is awe-inspiring! After the first season, I was unsure of whether I could get attached to any of the characters, but the later seasons are a Herculean fusion of some of the coolest action scenes in "Dragon Ball Z" with sweet, saccharine shōjo-ai! I play the mobile game for "Hypnosis Mic: Division Rap Battle," so now, I'm super stoked to try out the anime adaptation! Brilliant director! Aoi Yūki as Hibiki Tachibana, notable roles: * Tōru Ichii, A-Channel * Nyx Megami, Accel World: Infinite∞Burst ✅ * Yoshiko Hanabatake, Aho Girl ✅ * Riko Mikogami, Anyamai Tantei Kiruminzū * Tsugumi Aozora, Asobi Asobase ✅ * Hana Oshiroi, Ben-To * Varel Jin, Blade & Soul * Kayo Hinazuki, Boku dake ga Inai Machi ("Erased") ✅ * Tsuyu Asui, Boku no Hero Academia ✅ * Akiho Kōsaka, Boku no Kanojo ga Majimesugiru Sho-bitch na Ken ("My Girlfriend is Shobitch") * Boogiepop and Tōka Miyashita, Boogiepop wa Warawanai (2019) ✅ * Mina Tepes, Dance in the Vampire Bund * Arisa, Death March kara Hajimaru Isekai Kyōsōkyoku ✅ * Couvert Eschenbach Pastillage, Dog Days * Tamaki Kotatsu, Enen no Shōbōtai ("Fire Force") * Victorique de Blois, Gosick ✅ * Mihoshi, Gundam Build Fighters ✅ * Mayoi Ayasato, Gyakuten Saiban: Sono "Shinjitsu", Igi Ari! ("Phoenix Wright: Ace Attorney") * John, Hakumei no Tsubasa * Konju, Kakumai to Mikochi ✅ * Nodoka Hanadera, Healin' Good PreCure ✅ * Jūbei Yagyū, Hyakka Ryōran: Samurai After * Korone, Ichiban Ushiro no Daimaō * Alice Blanche, Ikoku Meiro no Croisée ✅ * Serika Ginyūin, Kanojo ga Flag wo Oraretara ("If Her Flag Breaks") * Kiriya Ubuyashiki, Kimetsu no Yaiba ✅ * Kino, Kino no Tabi: The Beautiful World * Tomo Kunagisa, Kubikiri Cycle: Aoiro Savant to Zaregototsukai ("Zaregoto Series") ✅ * Murasaki Kuhōin, Kure-nai * Giselle Collette, Last Exile: Ginyoku no Fam ("Last Exile: Fam, the Silver Wing") ✅ * Madoka Kaname, Mahō Shōjo Madoka★Magica ✅ * Diane, Nanatsu no Taizai ✅ * Tatsumaki, One Punch Man ✅ * Clementine, Overlord ✅ * Krul Tepes, Owari no Seraph ✅ * Aika Nakamura, Persona 4 the Animation * Futaba Sakura, Persona 5 the Animation * Iris, Pokémon ✅ * Maihime Tenkawa, Qualidea Code * Mélie, Radiant * Kasumi Midō Barnett, Ragnastrike Angels * Fremy Speeddraw, Rokka no Yūsha ✅ * Shizuno Takakamo, Saki Achiga-hen: Episode of Side-A ✅ * Shizuno Urushibara, Seiken Tsukai no World Break * Sunako Kirishiki, Shiki * Noël Kannagi, So Ra No Wo To * Toshiko Tatsuno, Soredemo Machi wa Mawatteiru ("And Yet The Town Moves") ✅ * Meme Tatane, Soul Eater NOT! * Tika Blunche, Star Ocean: Anamnesis * Kayo Fujikawa, Stella no Mahō * Yūki Konno, Sword Art Online ✅ * Rino Tanaka, Tanaka-kun wa Itsumo Kedaruge ("Tanaka-kun is Always Listless") ✅ * Claire Cruz, Toaru Hikūshi e no Koiuta ("The Pilot's Love Song") * Yōmu Konpaku, 東方 Niji Sōsaku Dōjin Anime: Musō Kakyō ✅ * Komachi Hikigaya, Yahari Ore no Seishun Love Comedy wa Machigatteiru. ("My Teen Romantic Comedy SNAFU") ✅ * Loup, Yakimochi Caprice * Noa Takigawa, Yamada-kun to 7-nin no Majo ("Yamada-kun and the Seven Witches") * Tanya Degurechaff, Yōjo Senki ✅ * Inaho Misora, Yōkai Watch * Ichigo Amano, Yumeiro Pâtissière * Mitsuko Yurizono, Yuri Kuma Arashi ✅ * Yutori Tanaka, Yutori-chan Commentary: Ms. Yūki has become a strong amount of magnetism in the industry, even invoking a memorable presence in mobile games like Fate/Grand Order ("Shuten-Dōji") and Azur Lane ("Taiho")! I think that Ms. Yūki strong personality translates well in the case of Hibiki Tachibana, a cute girl that is strong-spirited and has a cosmic punch, that is practically unrivaled! Hibiki reminded me of my best girl in Girls und Panzer ("Miho Nishizumi") and for the most part, tries to her best to keep the peace. Aoi Yūki did a wonderful job at making her cute, charming, relatable, and a fighter! Excellent seiyū! Nana Mizuki as Tsubasa Kazanari, notable roles: * Nanase Kotobuki, "Bungaku Shōjo" * Allison Whittington and Lillianne Aicasia Corazón Whittington-Schultz, Allison to Lillia * Akiko, Aoi Bungaku Series * Oboro Iga, Basilisk * Kururu, Binzume Yōsei * Saya Kisaragi, Blood-C * Angelise Ikaruga Misurugi, Cross Ange: Tenshi to Ryū no Rondo * Misaki Kirihara, Darker Than Black: Kuro no Keiyakusha * Nanami Takatsuki and Ricotta Elmar, Dog Days * Hannah, Dragon's Dogma * Sieglinde Baumgarde, Dragonaut: The Resonance * Cisqua, Erementar Gerad * Wrath, Fullmetal Alchemist ✅ * Bi Fei, Gin no Guardian * Lydia Carlton, Hakushaku to Yōsei * Tsubomi Hanasaki, HeartCatch! PreCure! ✅ * Yu Minamoto, Ichigo 100% * Kotoko Aihara, Itazura na Kiss * Tsugumi Shibata, Jigoku Shōjo ("Hell Girl") ✅ * Sora Yamato, Jikū Tantei Genshi-kun * Tiz, Jū Ō Sei * Yin Fu, Ken En Ken: Aoki Kagayaki * Roya, Kiba * Yuno Rukina, Kiss Dum: Engage Planet * Alois Trancy, Kuroshitsuji II ✅ * Janice Quatlane, Layton Kyōju to Eien no Utahime ("Professor Layton and the Eternal Diva") * Nyamo Naamo, Love Hina * Sayaka Mizushiro, Magical Canan ("Magical Kanan") * Fate and Alicia Testarossa, Mahō Shōjo Lyrical Nanoha ✅ * Hotaru Shirakawa, Memories Off * Mizuki Hibara, Mokke * Magaret Liones, Nanatsu no Taizai ✅ * Hinata Hyūga, Naruto ✅ * Kaho Serizawa, Natsu-iro no Sunadokei ("Hourglass of Summer") ✅ * Shinobu, Ninin ga Shinobuden ✅ * Ann Takamaki, Persona 5 ✅ * Rue Kuroha, Princess Tutu ✅ * Yufa, Ragnarök the Animation * Rin Ogata, RideBack ✅ * Moka Akashiya, Rosario to Vampire * Pandora, Saint Seiya: The Lost Canvas ✅ * Mave, Sentō Yōsei Shōjo Tasukete! Mave-chan * Nana Suzuki, Shichinin no Nana * Kanon Seena, Shining Tears X Wind * Utau Hoshina, Shugo Chara! * Morinas, Simōn * Aria, Sister Princess * Suzu Edogawa, Tactics * Colette Brunel, Tales of Symphonia the Animation ✅ * Sylvette Suede, Tegamibachi ✅ * Neju Na Melmas, Tenchi Muyō! GXP * Chizuru, Tokyo Marble Chocolate * Sunao Konoe, Tsuyokiss * Matsuki Akino, Wakaokami wa Shougakusei! ✅ * Maria, Witchblade * Rina Ogata, White Album ✅ Commentary: Nana Mizuki is another very famous voice actress, having had lead roles in Mahō Shōjo Lyrical Nanoha ("Fate Testarossa") and HeartCatch! PreCure ("Tsubomi Hanasaki")! Ms. Mizuki conveys the anguished, yet distinguished nature of Tsubasa's character in a very charming and likable way! Over the span of the series, we deeply sympathize with her feelings of grief over her dead girlfriend, Kanade; as well as the struggle that she has, when pitted against the corrupt system that her wealthy family has implemented. Great character, great seiyū! Ayahi Takagaki as Chris Yukine, notable roles: * Kuro, Ao no Exorcist * Kotoha, Arata: The Legend * Suiren, Battle Spirits: Shōnen Toppa Bashin * Daina Kurogami, Beyblade Burst * Roana Dan, Blade & Soul * Nene, Canaan ✅ * Takuto Tatsunagi, Cardfight!! Vanguard * Nina Antalk, Chrome Shelled Regios * Otome Asakura, Da Capo * Jasmine, Deltora Quest * Ferris Eris, Densetsu no Yūsha no Densetsu ("The Legend of the Legendary Heroes") * Erika Karisawa, Durarara!! ✅ * Arrester Blanket, Fight Ippatsu! Jūden-chan!! * Shungo Ninomiya, Goshūshō-sama Ninomiya-kun * Manny Ambassada, Gundam: G no Reconguista ✅ * Hamiji, Hakkenden: Tōhō Hakken Ibun * Hiiragi, Hanamaru Yōchien ("Hanamaru Kindergarten") ✅ * Jade, Hōseki no Kuni ✅ * Larimer, Jewelpet Magical Change * Aoi Shindō, Koitabi: True Tours Nanto * Tsubasa Kawai, Kyō no Go no Ni * Henrietta, Log Horizon ✅ * Mitsuba Marui, Mitsudomoe * Feldt Grace, Kidō Senshi Gundam 00 * Saki Mizukoshi, Natsu-iro Kiseki * Mikoto Kuga, Norn 9 * Ein, Phantom: Requiem for a Phantom ✅ * Tobio Fūma, Sanjōgattai Transformers Go! * Sumika Murasame, Sasameki Koto ✅ * Ami Kuroki, Seikimatsu Occult Gakuin ("Occult Academy") * Mikako Satsukitane, Sora no Otoshimono * Megumi Yamamoto, Special A * Rika Shinozaki, Sword Art Online ✅ * Wakana Sakai, Tari Tari ✅ * Noe Isurugi, True Tears ✅ * Kira, Vampire Holmes Commentary: Although, she hasn't had as many roles as many of the other voice actresses on this list, Ms. Takagaki does a damned good job at making Chris immensely likable! I don't think I've ever met one person who has remotely disliked her character! While being a hardcore tsundere, she's also very caring, kind, and empathetic; despite, her backstory and immense trauma during her stead as a villainess, in the first season! In my opinion, Chris is one of the best examples of a reformed adversary, and she kicks a lot of butt, too! Wonderful character and a phenomenal job overall, on the part of the seiyū and the writing team! Yuka Iguchi as Miku Kohinata, notable roles: * Arisa Hoshigaoka, Arata naru Sekai: World's/Start/Load/End ("World's End") * Maria Takayama, Boku wa Tomodachi ga Sukunai ("Haganai: I don't have many friends") * Mako Nakarai, Bokura no ✅ * Honoka Sawada, Chibi☆Devi! * Yashiro Hoshimiya, Denpa Onna to Seishun Otoko ("Ground Control to Psychoelectric Girl") ✅ * Shima, Devidol! * Sherry and Chelia Blendy, Fairy Tail * Tamaki Irie, Ginga Kikōtai Majestic Prince * Mako Reizei, Girls und Panzer ✅ * Suwako Moriya, Hifū Katsudō Kiroku: The Sealed Esoteric History ✅ * Myne, Honzuki no Gekokujō: Shisho ni Naru Tame ni wa Shudan wo Erandeiraremasen ("Ascendance of a Bookworm") * Naeka Fujiwara, Kamen no Maid Guy * Kaga, Tenryū, Tatsuta, Tone, and Chikuma — Kantai Collection ("KanColle") ✅ * Shizume Seo, Kara no Kyōkai ✅ * Natsuko Ishikura, Koitabi: True Tours Nanto * Luea, Lady Jewelpet * Chinatsu Morikawa, Lostorage Incited WIXOSS * Rinna Fuwa, Mangaka-san to Assistant-san to the Animation * Subaru Konoe, Mayo Chiki! * Tsukihi Araragi, Monogatari (series) ✅ * Kaede Mizumo, Nyan Koi! * Mitsuba Sangū, Owari no Seraph * Crusch Karsten, Re:Zero kara Hajimeru Isekai Seikatsu ✅ * Maho Misawa, Rō-Kyū-Bu! ✅ * Yū Sonda, Sakura Trick * Hibari, Senran Kagura ✅ * Astarte, Strike the Blood * Norie Okazaki, Tamayura * Yuzuha Aigae, Tenshi no 3P! ✅ * Mea Kurosaki, To LOVEる ✅ * Librorum Prohibitorum Index, Toaru Majutsu no Index ("A Certain Magical Index") ✅ * Aiko Andō, True Tears * Mirei Shikishima, Valkyrie Drive: Mermaid * Aoi Yukimura, Yama no Susume ✅ Commentary: Despite everyone's dislike for Index's voice in "Toaru Majutsu no Index," I am a fan of Ms. Iguchi's discography! Her role as Miku Kohinata is doting and maternal, and it reminded me of her roles as Tsukihi Araragi in the "Monogatari" series! She has a very charming, earthly aura when she plays certain characters — when they're not ecstatic, they're often very practical like Crusch Karsten from "Re:Zero kara Hajimeru Isekai Seikatsu"! Magnificent job in making Miku stand out, even though she starts out as a side character! Superb seiyū! Yoko Hikasa as Maria Cadenzavna Eve, notable roles: * Hana Suguruno, 7 Seeds * Hibiki Tenshō, Aikatsu Friends!: Kagayaki no Jewel * Nanako Saeki, Aku no Hana ✅ * Tio Clarce, Arifureta Shokugyō de Sekai Saikyō ("Arifureta: From Commonplace to World's Strongest") * Tomoe Udagawa, BanG Dream ✅ * Farnese de Vandimion, Berserk ✅ * Fighter, Bikini Warriors * Erica Blandelli, Campione!: Matsurowanu Kamigami to Kamigoroshi no Maō ✅ * Kiyono Amahara, Chu-Bra!! * Ayano Kōsaka, Code Geass: Akito the Exiled ✅ * Sakura Sakurakōji, Code:Breaker * Kyōko Kirigiri, Danganronpa ✅ * Sakie Satō, Demi-chan wa Kataritai ("Interviews With Monster Girls") ✅ * Brioche d'Arquien, Dog Days * Hina Tachibana, Domestic no Kanojo * Freya, Dungeon ni Deai wo Motomeru no wa Machigatteiru Darō ka ("Is It Wrong to Try to Pick Up Girls in a Dungeon?") ✅ * Ao Gennai, Frame Arms Girl * Kei Kugimiya, Ginga Kikōtai Majestic Prince * Aya Akabane, Gokujo * Miu Osawa, Hagure Yūsha no Aesthetica * Kurumi, Hal * Emi Yusa, Hataraku Maō-sama! ("The Devil is a Part-Timer!") ✅ * Rias Gremory, High School DxD * Junko Hattori, Ichiban Ushiro no Daimaō * Inōnoshishi ("Warrior of the Boar"), Jūni Taisen ("Zodiac War") ✅ * Mio Akiyama, K-On! ✅ * Kyōko Sonan, Kenzen Robo Daimidaler ✅ * Seraphim, Kore wa Zombie Desu ka? ✅ * Diana Cavendish, Little Witch Academia ✅ * Saki Takamiya, Long Riders! * Emiru Hazaki, M3: Sono Kuroki Hagane ("M3: Mortal Metal Memories") * Sanae Mokuō ("Ruler"), Mahō Shōjo Ikusei Keikaku ("Magical Girl Raising Project") ✅ * Iris, Mahō Shōjo Lyrical Nanoha: Reflection ✅ * Angelina Kudō Shields, Mahōka Kōkō no Rettōsei ✅ * Anne, Manaria Friends ✅ * Folna, Merc Storia: Mukiryoku no Shōnen to Bin no Naka no Shōjo * Yua Nakabeni, Miru Tights * Lafter Frankland, Kidō Senshi Gundam: Iron-Blooded Orphans ✅ * Lucifer, Monster Strike * Minami Kawashima, Moshidora * Kō Yagami, New Game! ✅ * Stephanie Dola, No Game No Life ✅ * Jeanne Kaguya d'Arc, Nobunaga the Fool ✅ * Ruri Fujika, Piace: Watashi no Italian * Saitō, Pokémon (2019) ✅ * Seiten, Queen's Blade: Grimoire ✅ * Saki Nagatsuki, Rō-Kyū-Bu! ✅ * Nashetania Loei Piena Augustra, Rokka no Yūsha ✅ * Maya Kumashiro, Seikimatsu Occult Gakuin ("Occult Academy") * Hana Katsuragi, Seikon no Qwaser * Shino Amakusa, Seitokai Yakuindomo * Mitsuhide Akechi, Sengoku Collection ✅ * Maria Cadenzavna Eve, Senki Zesshō Symphogear ✅ * Ryōbi, Senran Kagura * Mammon, Sin: Nanatsu no Taizai ("Seven Mortal Sins") ✅ * Hiyori Kazane, Sora no Otoshimon ("Heaven's Lost Property") ✅ * Pitohui, Sword Art Online Alternative: Gun Gale Online * Mira Yamana, Trinity Seven * Satan, Umineko no Naku Koro ni ✅ * Izumi Takanashi, Working!! ✅ * Sayuri Muranushi, WWW.Working!! * Kaede Saitō, Yama no Susume ✅ Commentary: Ms. Hikasa is very good at creating a duality of good and evil in Maria Cadenzavna Eve. In the past, I have described Yoko Hikasa as a type of sexy, temptress archetype! She has often voiced demons, very evil characters (Nashetania Loei Piena Augustra in "Rokka no Yūsha" and Nanako Saeki in "Aku no Hana" are a couple of examples), and even representations of Satan herself! Maria starts out very much an anti-hero, she has a Spawn cloak, and an undying loyalty for her controllers; but, despite this, deep down... Maria is very caring, and the protectiveness that she feels for Kirika and Shirabe, eventually extends to her other friends, as well! Even in later seasons, Ms. Hikasa is alarmingly good at conveying Maria's fight between her newfound morality and her brainwashed upbringing! Great character, wonderful seiyū! Ai Kayano as Kirika Akatsuki, notable roles: * Akari Kawamoto, 3-Gatsu no Lion ✅ * Futaba Ōki, Amanchu! ✅ * Mikono Suzushiro, Aquarion Evol * Anya Dostoyevskaya, Aria the Avvenire * Kaga and Atago, Azur Lane * Hana Mutō, Captain Earth * Kanade Ōe, Chihayafuru ✅ * Ponoka, Choboraunyopomi Gekijō Ai Mai Mii ✅ * Anna Clément, Code Geass: Akito the Exiled ✅ * Mikan Tsumiki, Danganronpa 3 * Maihime Shirayuki, Dokyū Hentai HxEros * Mimi, Flip Flappers ✅ * Megumi Sakura, Gakkōgurashi! ("School Live") ✅ * Saori Takebe, Girls und Panzer ✅ * Moka Hoto, Gochūmon wa Usagi Desu ka? ("Is the Order a Rabbit?") ✅ * Nana Hayashida, Golden Time ✅ * Inori Yuzuriha, Guilty Crown ✅ * Yuyuko Saigyōji, Hifū Katsudō Kiroku: The Sealed Esoteric History ✅ * Diamond, Hōseki no Kuni ✅ * Mayaka Ibara, Hyōka ✅ * Emi Kaidō, Infinti-T Force ✅ * Aoi Sakurada, Jōkamachi no Dandelion ✅ * Hibino Shiba, Kamisama Dolls ✅ * Akane Mahōgasawa, Kanojo ga Flag wo Oraretara ("If Her Flag Breaks") * Kanae Kochō, Kimetsu no Yaiba ✅ * Juliet Persia, Kishuku Gakkō no Juliet ✅ * Lalatina Dustiness Ford, Kono Subarashii Sekai ni Shukufuku wo! ("God's Blessing on This Wonderful World!") * Millia il Velch Cutrettola Turan, Last Exile: Ginyoku no Fam ✅ * Mogana Kikaijima, Medaka Box ✅ * Zenna Zabi, Mobile Suit Gundam: The Origin ✅ * Chisaki Hiradaira, Nagi no Asu kara ✅ * Shiro, No Game No Life ✅ * Ai Fuyūmi, Ore no Kanojo to Osananajimi ga Shuraba Sugiru ("Oreshura") ✅ * Erika, Pokémon Masters ✅ * Chizuru Hishiro, ReLIFE * Muginami, Rinne no Lagrange * Akane Kajiya, Romantica Clock * Utaha Kasumigaoka, Saenai Heroine no Sodatekata ("How to Raise a Boring Girlfriend") ✅ * Kokomi Teruhashi, Saiki Kusuo no Ψ-nan ✅ * Mashiro Shiina, Sakura-sō no Pet na Kanojo ✅ * Leila, Sayonara no Asa ni Yakusoku no Hana wo Kazarō ("Maquia: When the Promised Flower Blooms") ✅ * Hitoe Uemura, Selector Infected WIXOSS * Kirika Akatsuki, Senki Zesshō Symphogear ✅ * Yomi, Senran Kagura ✅ * Ruki, Senryū. * Lucy Yagami, Servant x Service * Meili Zhou, Shin Chūka Ichiban! * Rinko Ogasawara, Shirobako ✅ * Ryōko Sakaki, Shokugeki no Sōma ✅ * Haru Estia, Soul Worker: Your Destiny Awaits * Karila Hatsuse, Stella Jogakuin Kōtō-ka C³-bu * Mei Tachibana, Sukitte Ii na yo. ("Say I Love You") * Mako Saitō, Super Seishūn Brothers * Alice Zuberg, Sword Art Online ✅ * Alisha Diphda, Tales of Zestiria ✅ * Kanae Mitani, Tamayura * Yuyuko Saigyōji, 東方 Niji Sōsaku Dōjin Anime: Musō Kakyō ✅ * Mamako Ōsuki, Tsūjō Kōgeki ga Zentai Kōgeki de Ni-kai Kōgeki no Okaasan wa Suki Desu ka? ("Do You Love Your Mom and Her Two-Hit Multi-Target Attacks?") ✅ * Sumire Kisaragi, Twin Angel Break * Kasumi Takamiya, Witch Craft Works * Anna, Yakusoku no Neverland ("The Promised Neverland") ✅ Commentary: Ai Kayano is known for having a sugary sweet voice and that translates well into Kirika's character. She's straight-forward and typically the most unassuming girl out of the group. She's simplistic and often even hard-headed, but she always means well, and she will risk her life for her partner, Shirabe! Ms. Kayano did an excellent job with this character, S-tier performance! Toshino Nanjō as Shirabe Tsukuyomi, notable roles: * Sonia, Berserk ✅ * Naoto Miura, Clockwork Planet * Koko Tsukishima, Da Capo * Gankyō Kūrubiyūtei, Joshiraku * Eri Ayase, Love Live! ✅ * Matsuri Sengen, Mahō Shōjo Taisen * Robu, Neko no Robu * Panpaka, Panpaka Pants Movie: Bananan Ōkoku no Hihō * Nene Kurio, Penguin Musume♥Heart * Akiho Senomiya, Robotics;Notes * Lise Hohenstein, Schwarzesmarken ✅ Commentary: Ms. Nanjō has less speaking roles with the archetypically kūdere, Shirabe, but when she does has a time to shine—she's sweet, smart, and insightful! Very good casting choice, Toshino Nanjō needs more roles! Noriko Hidaka as Shem-Ha Mephorash, notable roles: * Shiine, Akazukin Chacha * Terumi Amano, Ankoku Shindenshou Takegami * Constance Bonacieux, Anime Sanjūshi ("The Three Musketeers") * Kazumi Endo, Aoki Densetsu Shoot! * Retsuya Ichimoji, Bakuso Kyōdai Let's & Go!! MAX * Sumire, Baoh Raihōsha ✅ * Miwa Yamada, Chi's Sweet Home ✅ * Nate River ("Near"), Death Note ✅ * Masumi Sera, Detective Conan ✅ * Jean Roque Lartigue, Fushigi no Umi no Nadia ✅ * Kitarō, Gegege no Kitarō: Kitarō's Ghost Train * Ichigeki Danpei, Honō no Tōkyūji: Dodge Danpei * Kikyō, InuYasha ✅ * Kagetsu, Kashō no Tsuki ("Moon of The Fiery Night") * Ursula Callistis, Little Witch Academia ✅ * Mikage Matsunaga, Miracle☆Girls * Rene Ai, Ninja Senshi Tobikage * Usugumo, Oedo wa Nemurenai! * Bellemere, One Piece ✅ * Peter Pan, Peter Pan no Bōken * Dominator, Psycho-Pass ✅ * Akane Tendō, Ranma ½ ✅ * Mariko and Yuriko Ozono, Rockman.EXE * Sōjirō Seta, Rurōni Kenshin ✅ * Erica Fontaine, Sakura Taisen: École de Paris * Tomoko, Shin Kujakuō * Bakabon no Mama, Shinya! Tensai Bakabon * Sahari, Sōsei Kishi Gaiarth * China, Spirit of Wonder * Aphrodite, Suite PreCure♪ * Shibei Inue, The Hakkenden * Sōshi Yukimi, Tobe! Isami * Satsuki Kusakabe, Tonari no Totaro ("My Neighbor Totoro") ✅ * Noriko Takaya, Top wo Nerae! Gunbuster ✅ * Buburina, Totsuzen! Neko no Kuni Banipal Witt ("Catnapped") * Minami Asakura, Touch * Noriko Hakushika, Yūkan Club Commentary: It's kind of surreal that Akane Tendō ("Ranma ½") and Kikyō ("InuYasha") have the same voice 🤔 With that aside, Ms. Hidaka is talented veteran in the industry. It's clear from how many lengthy shows she's been apart of, that she's no new-comer to voice acting! Her performance as the main villain, Shem-Ha Mephorash, the spirit that possessed Miku... gives off a strong spiritual vibe. While the writing in this season, may have not made her not the most grandiose ne'er-do-well in Symphogear, especially when stacked against compared to some of her contemporaries... she is really able to invoke the ambience of a cosmic entity! Excellent voice actress! Aimi Terakawa as Millaarc Cranstoun, notable roles: * Kasumi Toyama, BanG Dream! ✅ * Kazumi Tokiwa, Futari wa Milky Holmes * Tomoya Mizuhara, Onee-chan ga Kita ("My Sister Came") * Moa Torii, Saikin Imōto no Yōsu ga Chotto Okashiinda ga. ("Recently, My Little Sister is Unusual") Commentary: I only know Ms. Terakawa as Kasumi Toyama ("BanG Dream!"), so I thought that her portrayal of Millaarc Cranstoun was the strongest that I had ever seen from her! Kasumi is a genki, cloud-cuckoolander... and while I do enjoy that character, it was nice to see her spread her wings and try her hand at a malevolent villainess, instead! Wonderful work! The "concert massacre" send cold shivers down my spine! M・A・O ("Mao Ichimiya") as Vanessa Diodati, notable roles: * Misaki Shirogane, Action Heroine Cheer Fruits * Fubuki, Azur Lane ✅ * Bela, Bem ✅ * Chiaki Sakata, Chūko Video-ya no Onna Tenin X ("Used Video Shop's Female Shop Clerk X") * Françoise Arnoul, Cyborg 009 VS Devilman ✅ * Lin, DD Hokuto no Ken ✅ * Hikari Yagami, Digimon Adventure tri. ✅ * Vorona, Durarara!! ✅ * Iris, Enen no Shōbōtai ("Fire Force") ✅ * Papika, Flip Flappers ✅ * Yūri Wakasa, Gakkōgurashi! ("School-Live!") ✅ * Anzu Yamasaki, Gantz:O ✅ * Doll, Gekidol * Kazumi Schlierenzauer, Gokukoku no Brynhildr ("Brynhildr in the Darkness") * Narmaya, Granblue Fantasy ✅ * Zero, Gunjō no Magmell ("Magmel of the Sea Blue") * Wilma Etol von Asgahan, Hachinan tte? Sore wa Nai deshō! ("The 8th son? Are you kidding me?") * Haru, Henki Shōjo * Dreamcast, Sega Hard Girls ("SeHa Girls") * Hinako Sakuragi, Hinako Note * Emilia, Hōkago Saikoro Club * Claire Harvey, Hundred ✅ * Koharu Hondōmachi, Id:Invaded * Akane Kōmoto, Jitsu wa Watashi wa * Sayaka Miyata, Keijo ✅ * Yukina Shirahane, Kuromukuro * Mutsumi Oribe, Kyochū Rettō * Aoko Nakamori, Magic Kaito 1412 ✅ * Naville, Monster Hunter Stories: Ride On ✅ * Melascula, Nanatsu no Taizai ✅ * Kyō Goshōin, Netoge no Yome wa Onnanoko ja Nai to Omotta? ("And you thought there is never a girl online?") ✅ * Yui Hanasaka, One Room ✅ * Haruna, Onsen Yōsei Hakone-chan ("Hot Springs Fairy Hakone-Chan") * Nicole Ascart, Otome Game no Hametsu Flag shika Nai Akuyaku Reijō ni Tensei shiteshimatta... ("My Next Life as a Villainess: All Routes Lead to Doom!") * Chiemi Honda, King's Game * Aika Suzuki, Phantasy Star Online 2 the Animation * Percorine, Princess Connect! Re: Dive ✅ * Kyōko Esumi, Re-Kan! * Mage Bilstein, RErideD: Tokigoe no Derrida * Imu Rifuta, Saiki Kusuo no Ψ-nan ✅ * Kyōko Eqūleus, Saint Seiya: Saintia Shō ✅ * Saraka Tsukai, Seikaisuru Kado * Saraato, Seisen Cerberus: Ryūkoku no Fatalités * Renge Komadori, Sekai Seifuku: Bōryaku no Zvezda ("World Conquest Zvezda Plot") ✅ * Azuzu Komagome, Senyoku no Sigrdrifa ("Warlords of Sigrdrifa") * Shion Kyōzuka, Slow Start ✅ * Homare Onishima, Sōnan Desu ka? ("Are You Lost?") ✅ * Shion, Tensei shitara Slime Datta Ken ("That Time I Got Reincarnated as a Slime") * Fumika Sagisawa, The iDOLM@STER Cinderella Girls ✅ * Suzuka Konohana, Toji no Miko ✅ * Meguru Amatsuki, Twin Angel Break * Luluco, Uchū Patrol Luluco ✅ * Mao Kurokawa, Wakaba*Girl * Fierté, Z/X: Ignition Commentary: Ms. Ichimiya is famous for being typecast as really attractive, bishōjo characters; and Vanessa was no exception to that rule. In fact, I thought she was the "best girl" character, out of the new trio. I couldn't bring myself to like Millaarc, after she brutally slaughtered all of those innocent people during Tsubasa and Maria's concert and Elsa was kind of plain, so, naturally Vanessa is the best option. She's beautiful, has a sultry voice and figure, and a teasing personality! What's not to love? Excellent seiyū! ※Bonus: I don't know if I'm the only one who conceptualized this idea but, to me, I thought that her android characteristics and costume were very similar to some of Shōtarō Ishinomori's (creator of "Cyborg 009") female characters! Kana Ichinose as Elsa Bete, notable roles: * Tuesday, Carole & Tuesday * Ichigo, Darling in the FranXX ✅ * Yuzuriha Ogawa, Dr. Stone ✅ * Marlya Noel, Fairy Gone * Myra, Grandblue Fantasy ✅ * Yutoria, Shachō, Battle no Jikan Desu! ("Shachibato! President, It's Time for Battle!") Commentary: Ms. Ichinose hasn't been cast in terribly roles, but I have enjoyed the few I've seen her in. Hers is not as distinctive as some of the other voices, but it's very cute. I would say that her best role, from what I've seen, is Ichigo ("Darling in the FranXX") because there was more depth and dimension to that character, compared to some of her other performances. Great job! Overall, Senki Zesshō Symphogear XV has a decent conclusion. The romantic moment with Hibiki and Miku holding hands under the Aurora Borealis, worked well as a touching epilogue to the franchise. The moments of introspection with Tsubasa and Miku is what made this season come together, so seeing Miku experience such a beautiful phenomenon with the person she cherishes the most, was a satisfying conclusion to her character arc. I rate Senki Zesshō Symphogear XV (Season Five) a 6/10, it's a series (among many others), that I plan to eventually purchase on Blu-ray! Rankings: Senki Zesshō Symphogear (Season One) ★★☆☆☆ Senki Zesshō Symphogear G (Season Two) ★★★★☆ Senki Zesshō Symphogear GX (Season Three) ★★★☆☆ Senki Zesshō Symphogear AXZ (Season Four) ★★★★★ Senki Zesshō Symphogear XV (Season Five) ★★★☆☆ From Best to Worst: 1. Senki Zesshō Symphogear AXZ 2. Senki Zesshō Symphogear G 3. Senki Zesshō Symphogear XV 4. Senki Zesshō Symphogear GX 5. Senki Zesshō Symphogear
jjohn333
09/20/2020, 09:05 AM
This is an overall review for all its seasons One can rate a series in many different ways, we can discuss its story, its plot, structure and pacing, we can talk about its characters, the way they are realistic / believable, their development or the impact they have on the overall story. There are many, many aspects one can use to rate an anime, those were just some of the very few most discussed ones, but sometimes they can be enough to decide, whether the series is “good” or “bad” Sometimes it doesn’t matter whether the anime is bad or even horrible though. Sometimes we find somethingwe know is not “good”... and yet we can enjoy it way more than some of the objectively better series, despite all its flaws - we call them the “Guilty pleasure” and Symphogear now belongs to one of them for me Plots are very repetitive, simple and sometimes can get immature, there’s lots of classic anime tropes and stereotypes, and the characters are often not realistically believable or one dimensional. And yet i still had an awesome experience like one of the few, all it took is a good concept and focus The said concept is very, very simple and yet very, very powerful one - It’s all about girls, singers, who gain their powers by singing. It sounds silly and it sure is, but watching a bunch of anime girls singing and fighting at the same time can get really awesome, especially when the lyrics change in most fights to fit the story and the character’s situation or mentality, which is something that had me sold quite quickly, because every episode is then quite a great audiovisual experience The whole series can be summarized with a single word - “Hype”. Hype is probably, together with the singing, its most important element throughout the whole 5 seasons, where both complement each other well, and the anime makes sure to prioritize the hype. Quick explanations, simple plots and characters, so that it can hold its fast pacing, power ups and transformation sequences, which are just awesome in the final season. The idea of a “Swan song”(=climax song) helped a lot as well, where they can get a really powerful boost, but for a deadly price. I still get goosebumps when I start hearing the first words, really great stuff. They can boast with their music overall though, as most of the openings and endings are bangers, thematic to the story and builds up the hype even more. Apart from music the whole series is really well animated too though, especially in the transformation sequences and battles, mainly in the climax ones, where together with the music it’s just bliss to watch Overall the series has many flaws, however in many ways it doesn’t take itself that seriously and delivers really well in what it tries to accomplish. It’s a really fun, action, pleasing, HYPE experience that is really hard to recommend, but it’s a great watch if you turn off your brain, especially the final season which was really lit. If anyone got interested, or wanted to try if he was interested, I can recommend trying the first 6 minutes of the 3rd season (Symphogear GX), where it’s a nice opening scene that shows they are not afraid start the season with a punch, as well as it shows some of its absurdity and it is relatively spoiler free, relatively. Thanks for reading
HetakuSoda
08/13/2020, 07:58 PM
(This is for all five seasons) All anime, really all stories, especially those whose main appeal is meant to be the fights, are simply a premise executed on with a series of tropes and subversions of tropes. It is thus those that have the best premise, but far more importantly those that execute and subvert said tropes the best, that shine the brightest. And in that regard, Symphogear does one of the best jobs I have ever seen. Symphogear is a magical girl battle anime with one main hook: the girls have to sing as they fight. What this allows, in its near-perfect execution of this concept, isa concert of visual and audio, in which the rhythm on the fight perfectly matches the rhythm of the song, the likes of which are seldom replicated. The result is an even greater capacity to affect the viewer's emotions and reach new levels of FUCKING HYPE. The eye-candy and ear-candy themselves are both fantastic. The seamless, beautiful sakuga combined with songs that almost feel wasted having sound effects and dialogue on top of them come together in perfect harmony in order to bring to life stories on a scale spanning the earth, the moon, and all of human history. The stories followed by each season take the A Certain Magical Index approach of drawing from history and mythology to use as elements and villains. A prime example is the recurring Curse of Babel, from the Christian Tower of Babel story, which is an element in the majority of seasons, including the first and last, both of which feature villains attempting to dispel it. As early as the first season a fragment of the moon is blown up and the moon gains rings, which pleases me because having a fragmented moon in the sky is just something I've always loved seeing in stuff. They've also got lunar ruins there, which I just love as a concept. Elements from each season are really nicely interconnected, both obviously and subtly. The threat of each subsequent season is something familiar from those previous, with I believe the exception of GX, which introduces alchemy. Characters. All of the girls are cute as fuck, especially Yukine Chris; she is the best. And there's also a lot of yuri which is great to see, even a couple lesbian kisses. But seriously they do actually have internal conflicts and shit that make them interesting and loveable, even the villains. I don't have much else to say about that fact other than all the stuff with the families is precious. Also precious is the ships; Tsubasa and Maria are a great pair but the connection between Hibiki and Miku is just the thing I love. (But ngl I'd rather see Hibiki and Chris together; they've got a thing going on and I like it) Somehow every season had me fucking hating the villains at the start (especially XV) but they always manage to endear me to them by the end, which they kind of cheat because they're all adorable girls. Genjuuro and Ogawa are cool. The two S.O.N.G. guys you constantly see at the computers commentating on battles don't really have personalities, but sometimes they'll sneer at something or say something that makes them endearing anyway. Every episode other than season finales ends on a huge cliffhanger that make Symphogear one of the hardest shows to put down. The transformation sequences/henshin are hands down the best I've ever seen, throughout all seasons but especially in XV. Symphogear is a new kind of musical; a battle anime that has made its fantastic music diegetic, containing five sci-fi plots that occasionally intertwine with daily life; threats ranging from your grandpa to the illuminati to gods, countered by 2-6 lesbians in exosuits who have to sing as they fight. And it is one of my favorite anime of all-time.
cameronrb24
07/20/2020, 10:05 PM
The final season of Symphogear very much follows the formula presented in previous seasons; introduce new antagonists, fight for a bit, and then they eventually join up with the protagonists to defeat the larger overarching threat. There's noticeably less filler/SoL content, which helps smooth out some of the pacing issues I thought past seasons had. It's still a bit hard to follow, mostly because Symphogear has always been focused on its action rather than fleshing out its story. This wouldn't be a problem if the fighting was interesting, but we're still seeing the same 30 second long transformations, nonstop explosions, the same music for themost part, and the same special moves. It became stale, and when there isn't a strong story-line to fall back on it makes boring to watch at times. The characters are mostly same. Some familiar faces reappear (only to leave just as fast they came). Most of the character development is focused on the antagonists, who I only found mildly interesting. Tsubasa has a moment where her mental state flux, but it gets resolved in an episode or so. I did mention that the action became somewhat stale, but I still think its where most of my enjoyment came. The flashy moves and high tempo music were still enjoyable at times even its stuff we've seen before. This season didn't change my overall view of the series, but I do think it got some things right. It's the most focused season, and I thought it closed off the series fairly well, but it still suffers from many of the issues I had with Symphogear up to this point.
Ellenwitch
06/15/2020, 06:21 AM
I'm gonna use this review to review not just this series, but the entire seasons of Symphogear in general. As I have a lot to say, and if you're looking at something within the recent anime in the past year or two, and are looking for something to watch. Please watch ALL of Symphogear, and here is why. Symphogear covers a lot of ground when it comes to the characters, and this season is no different from the first. Touching on subjects and having twists that always keep you engaged. Always a good point for a show to keep you hooked, is through it's progressivecharacters, to even 5 seasons in, and there is still so much to take in and enjoy. This is why the plot is always so good and entertaining to me. The characters themselves have always been lovely. Miku and Carol are my stand out favorites, but each character is wonderful in their own right. They're a mix of personalities that all mesh together, to keep the show not only engaging, but it makes you want to root for them. But even on the other end, it makes you want to punch some of them with the shit they pull. It's like in wrestling, if you're actually booing a heel(bad person) they're doing their job right. The same happens here. A good villain for sure. The op for sure is lit as hell. I'm gonna be listening to this for years to come, much like the songs within the show in general. Music is always top notch when it comes to Symphogear. The art is also smashing as always too. You cannot go wrong here. Everything looks so well, and looks so well done. You'll not go wrong with this season, and with Symphogear as a whole. Go watch it.
NekoEgi
02/15/2020, 04:55 PM
No spoilers within. This show has high ratings because its rated by people who like the franchise as a whole and from a perspective of great bias. The characters don't really change or evolve over the course of the show. And when a character changes their mind leading to any change of mindset it happens without any real coercion or believably. The dialogue and interactions between characters is very childish and breaks immersion. Then there's the music. Its a music based show, except the music isn't good. Its very generic but doesn't even hold your attention. Its like opening music to a low budget anime, except it keeps occurring. TL;DRthere is no real character development, the story is boilerplate and predictable, the dialogue is weak and unbelievable. Its a music based show and the music is also bad. Give it a miss.
Infatuate
10/12/2019, 09:00 AM
I'm always astonished at how big of a franchise this actually is. Not many anime series, especially as non-mainstream as this one, can proudly claim 5 seasons over the span of 7 years. Quite impressive for Senki Zessho Symphogear (Symphogear from now on), and that is precisely why, as the third season was airing at the time, I decided to check it out. [Review / opinion will cover all Symphogear seasons with really insignificant spoilers - but spoilers are irrelevant for this series] At first I had trouble grasping what this show was all about. Death, blood, hatred between cast members, new found powers and some music.An overall serious and why not, edgy, tone that quickly starts disappearing in the following seasons in favor of a more slice-of-lifey nature with a somewhat repetitive yet effective formula. I had the wrong idea, and from that misconception, it led me to put it on hiatus for 2 years after finishing the second season. I'm glad that I came back and I'm somewhat sad that it is now supposedly over. Symphogear is hard to label within certain tags. The official ones indicate sci-fi, music and action, yet there's also comedy, mecha, slice of life, mahou shoujo and a spoiler tag for this last season as well. It is important to understand that this is not a battle shonen let alone a show where things follow a logical path or conclusion. This is a hard point of understanding to come to, because of how misleading the first season is. What makes this show enjoyable is a combination of everything that constitutes what it is. This anime at some point tried to take itself seriously, but the more I watched, the more I realized that if you're here for the overarching story, you will probably hate it. Satelight also became self aware eventually and I thank them for that. Shoutouts to the fanbase as well, ever so persuading and incredibly devoted to their singing goddesses. So then, onto the actual review: SYMPHOGEAR SYNOPSIS: One (six) young girl(s) continuously saves the world by using the power granted by ancient relics in the form of shards hanging from a necklace. These rocks react to the girls' singing, and in return provide them with miraculous mecha-like armors that seemingly can increase their power level at will, using it to ultimately defeat the bad guys after having initially lost to them earlier in the season. -We have our main character, Hibiki, a girl with a troubled past that invoked the power of deus ex machina from the first episode of the first season! From that point onwards you should know that she's powerful as fuck, and that she will probably win fights with the flick of a finger... or a single punch if things get too heated. One Punch Woman, if you will. Despite having this serious advantage over others, she often questions whether she should use her gift in battle, because she also enjoys talking a lot, and you can't really talk while you fight singing. -The stoic and serious Tsubasa, a blade with no feelings that sometimes does concerts because singing is her thing. -The former enemy Chris, a boyish girl that loves raw firepower and has a backstory that involves losing both of her parents. -Maria, one of the main antagonists from the second season, a girl that lost her sister... see where I'm getting at? We have 2 freaking former enemies (so far) as part of the main character cast. -Lastly we have Kirika and Shirabe, unfortunately the former didn't get much of a personality while the latter had half an episode for her development in the 4th season. These 2 along with Maria share the same backstory of being lab rats looking for atonement for what they did. -Then there's Miku, a normal schoolgirl. Hibiki's best friend just because. The blandest character in the series perhaps as her only contribution boils down to being a damsel in distress and screaming Hibiki's name very loudly. Oh and she also fights sometimes. I guess I should mention that a new recruit and crucial member of the supporting characters is technically the main villain from one of the seasons. You see what I mean yet? This anime rivals DBZ with the whole turning enemies into good guys shtick. This is another reason why you shouldn't take this show too seriously. I mentioned comedy earlier. I legit have a hard time figuring out if most of the stuff I laughed at, was designed with comedic value in mind. All the times 2 of the girls joined their breasts together (with the subsequent zoom-in), all the times one of the girls got knocked the fuck out whilst singing so that her song abruptly stopped, all the times the command center asked themselves in awe about what they just witnessed and someone explained it with absolute certainty, or how about a ninja extending his prowess on inanimate objects... it doesn't happen often, but the delivery is always great. The voice actresses are all big names in the industry, and pretty much all of them have great songs at some point. This is a huge incentive to watch for some as the music is superb and core to Symphogear, and while not every song is remarkable and some are repeated at times, it's still the driving force of this show. Every opening was sung by Nana Mizuki (Tsubasa), much to everyone's delight while every ED had Ayahi Takagaki (Chris) in charge. It makes me think the existence of this animation is just as a mean to advertise the vast amount of songs that exist, much like the Love Live anime, and that probably is right and obvious to most, but I don't know it for sure. The animation is excellent as well as the now iconic transformation sequences. Studio Satelight really outdid themselves from the second season and onwards. Character designs are vibrant, the abilities and fighting styles each of the girls (and villains) have is unique as well as their facial expressions. I don't think I spotted any QUALITY animation frames after season 1 but there probably are some. One minor criticism is how they rehash the transformation sequences a bit too much throughout seasons to skip some runtime, but since they look good I'm willing to forgive them. At it's core, Symphogear is ultimately a show about young girls fighting the villain of the season with the power of deus ex machina transmuted into hype songs. The animation is great, the sound is great, the voice acting is top notch. That's all it really matters. Is it entertaining? Yes it is. Will you find several instances where you ask yourself "why didn't they do X earlier" or a similar sounding hypothetical thought? Yes you will, unless you're the kinda guy that enjoyed Mirai Nikki unironically and couldn't physically see anything wrong with it, then you will never notice anything. Should you care about this? No. Laugh it off dude, and this is coming from someone that can't stand asspulls in shows at all. Symphogear makes it enjoyable because of its self-awareness and because the value of the show is located elsewhere. Trying to make sense of why stuff happens or how something is solved will get you nowhere. This is one of these shows best watched with your brain turned off, a negative connotation that some anime get; the radical difference in this case is that Symphogear is not trying to be something more than it is. You're getting exactly what you signed up for (bar the 1st season). That's not to say things are completely random or 100% make no sense, there is some continuity and reasoning in the way all of this works, it just happens that most of the times it is too contrived and convenient to take as a valid explanation for the events on screen. This is -not- a serious anime that failed in its premise and therefore can only be enjoyed with your brain turned off so you can ignore the flaws. This is an anime DESIGNED to be watched with your brain turned off from the get-go. That is a huge difference, and it's not a bad thing. Sit back, and enjoy watching 6 mecha divas wreck havoc as they sing the cheesiest lyrics at the top of their lungs. It's the peak Symphogear experience, and it's one that I dare say not many other shows can replicate.
AnimeBW
10/08/2019, 03:09 PM
I’ve been writing about anime in various forms for about a year and a half, and it’s been pretty damn hectic at times. I’ve run into a lot of shows that challenged me in a multitude of different ways, moments and stories so jaw-dropping that I felt I could never do them justice with mere words. But there’s an extra bit of irony in that consideration now that I’m finally at the end of Symphogear. After all, this show’s entire thematic point has been about the inability of words to communicate what you’re feeling, and how desperately we fight to rise beyond that limitation regardless.Hell, you could argue that us weirdos who write anime reviews- or any reviews, really- are like gear wielders ourselves, communicating ethereal ideas and feelings and trying to put them in a form that people can understand and relate to. Maybe that’s part of the reason I’ve fallen so head-over-heels in love with it; I know firsthand how difficult the task before Hibiki and company really is. It’s hard to get across what you’re feeling with tools this imprecise, to connect with people when the nature of reality itself keeps us as separate entities. But like the great punch lesbian herself, I keep reaching out regardless, because I know there are feelings well worth sharing and building together. And Symphogear has made that task so, so rewarding. This ridiculous, uneven roller coaster ride has been, without a doubt, one of the most worthwhile shows I’ve analyzed since I started a tumblr blog dedicated to this nonsense. It inspires me in so many different ways, even when it falls short of its audacious ambitions. I love its kinetic energy and bombast. I love its unapologetic queer driving ethos. I love its bold-faced commitment to sincerity in the face of all odds. I love how it never stops trying new things, never stops finding new ways to express the countless exciting thoughts bouncing around in its brain. I don’t think it’s an exaggeration to say that Symphogear is one of the most important anime I’ve ever watched in terms of figuring out why I value this medium so much. Even this far into my anime craze, I’m still finding new reasons to love it, new reasons to appreciate its existence. Symphogear’s eclectic mashup of genre and tone could only ever come from the no-holds-barred, try-anything ethos of anime, from a willingness to be as stupid and weird and ridiculous as overblown as you need to be to get such operatic points across with the panache and courage they deserve. In the time since I first watched it, this franchise has come to represent why anime will always be worth fighting for. Any medium that can produce something so singularly worthy deserves to stick around. So what do I say now that it’s finally over? Well I guess I better start with the only thing that really deserves to be said: Thank you. Thank you, Symphogear. Thank you for one of the craziest, most invigorating experiences of my anime-watching career. Thank you for the ridiculous action setpieces and fantastic animation. Thank you for the stunning performances and killer soundtrack. Thank you for the bravado, the tenacity, the showmanship. Thank you for Kirika and Shirabe. Thank you for Hibiki and Miku. Seriously, THANK YOU for Hibiki and Miku. Thank you for the imagination, the conviction, the heart, the willingness to go above and beyond. But above all else, thank you for a finale that I will remember for the rest of my life. I cannot overstate what an incredible achievement XV has been. This isn’t just the best season of Symphogear yet, this is the culmination and perfection of every reason why it’s been so worth fighting for. The action is more dynamic and explosive than ever before, with stunning animation that regularly left me gasping in my seat. The storytelling is more thoughtful and resonant than ever before, with story threads and thematic undercurrents that gripped me down at the very base of my soul. The villains are the best villain team yet, posing a legitimate moral uncertainty that makes every clash with them a nerve-biting affair. The spark of understanding has never shone as strongly, with such colossal courage and such meaningful connections to make. Hibiki and Miku’s relationship, taking central stage like never before, only becomes even more beautiful and resonant. This is the apotheosis of everything that makes Symphogear great, every reason it’s been such a breath of fresh air for me over the past months, all delivered in the most rousing opera performance I’ll likely ever see. And if I’m still reeling from the impact tying up this review four hours after the fact, then that’s all the proof I need to stand up and applaud until my hands ache from the effort. Because above all else, beyond any points I could make about production quality or storytelling consistency, the reason Symphogear has lingered so long in my thoughts is that this show- this utterly bananas show- is what I want anime to BE. I want every show I watch to be this courageous, this heartfelt, this determined to break every barrier in its path and forge something beautiful through sheer force of will. I've compared it to Gurren Laggan in the past, and that comparison has never felt more justified, and that comparison has never felt more true. Symphogear is everything that I wanted Gurren Laggan to be, inspirational on a level that knocks me out of my complacency and convinces me that anything I want to accomplish is within my grasp. It makes me believe in the power of this medium with every confident step it takes. And with XV, it doesn’t just deliver on that promise a thousandfold, it pierces the heavens with that promise and sends it hurtling through space like a rocket-powered ship of dreams, exploding in rainbow firecrackers that spell out song lyrics in their wake. This is every last reason I love anime jacked up to titanic proportions and let loose to stupefy the world with its majesty. I bow before Symphogear with more conviction than I do before Death Note, or Attack on Titan, or My Hero Academia, or Yu Yu Hakusho, or most other big franchises you could name. And if I’ve been able to share even a fraction of its beauty with you over the course of writing about it, then I know its song is still going strong. So you know what? Fuck it. I don’t care if Tsubasa’s arc this season was awkward and kinda mishandled. I don’t care if the lore doesn’t make any goddamn sense. I don’t care if this franchise is still chronically averse to the idea of subtlety. The reasons we fall in love with shows don’t come from some objective idea of quality in construction. They come from the connections they forge with us, speaking in a language we can never hope to fully understand, yet still feel speaking to us all the same. And with XV’s colossal finish in tow, I value Symphogear about as highly as I possibly can. I value it for its outrageous entertainment value, for its unyielding spirit, for Hibiki’s gentle fist, for Tsubasa's iron sword, for Chris’ newfound family, for Shirabe and Kirika's yin and yang, for Maria's stoic beauty, for Genjirou’s paternal brilliance, for Miku’s blinding radiance, for one of the single best fictional relationships I’ve ever had the pleasure to experience. This is the reason anime is worth fighting for, writ large in stunning spectacle and a heart that beats louder than any other. Symphogear is good on a level that defies reason, so why bother trying to make sense of it? If there’s one thing this franchise proves, it’s that even when you don’t fully understand, you can still connect more deeply than you could ever dream. And the connection Symphogear has forged with me is one that I will cherish until my dying day. So thank you again, Symphogear, for every second of this crazy roller coaster ride. Here's to all the memories, and to the shining future we reached together, with a light that God doesn't know.
Estheliel-san
10/03/2019, 12:46 PM
THIS REVIEW IS SPOILER FREE. Ah Symphogear, one of the more popular franchises of recent years and a much anticipated final season has come to an end. This review will cover the franchise as whole instead of the final season as I believe there is very little variety as a whole. The story is a clear case of good versus evil, rather expected in the genre that is notorious for lack of grey areas, ultimately triumphed over with powers of love, friendship and understanding. It does offer a few side plots as a whole but unfortunately with very little substance and importance to the main plot. Asa positive it avoids an episodic approach and focuses on developing the story as puzzle pieces and this helps for a satisfying ending with decent pace to any of the seasons. The art is great - the transformation scenes, which are the combat modes of each character, are exceptional and there is very little detail shared in these scenes among the characters. It's simply put, the strongest aspect of the series and one that will most likely be remembered and used as a benchmark for similar titles. The combat is quite flashy and dynamic, and character designs are enjoyable. The sound department is on a high note as well. From the voice acting in battles, to the quality of battle music. The opening and ending songs of each season have been praised by the community and apparently worthy of a concert overseas from what I heard. The characters are unfortunately on a low note. You have a MC that has all the hero complex and the bland lines to push for more in a battle as is with every shounen, her friends that give her courage, the villains that hate the world and how it doesn't understand them and those caught in between that are mere tools for the advancement of the MC's power and hold little relevance on the screen. Overall, the enjoyment is there, it's certainly one of the anime that you should give a go when you feel down, if you prefer the genre or just simply have some time for a relaxing show. It has highs and downs, fortunately more of the former in a few seasons, but the series will at least give you some memorable moments. 6/10
ProtoDrive
10/02/2019, 07:16 AM
Now, if you're reading this you're either a Symphogear fan like me or someone completely clueless, wondering "why the hell is this thing rated so high?", "why the hell is this literally nothing anime topping the charts of Summer 2019 for almost every week?". Hell, at the time I'm writing this, it's even in the top #50! ...If you belong to the latter, then this spoiler-free review about the series as a whole is for you! With one of its taglines being something as cool (and dumb) as "Believe in justice and a determination to fist", this show's gotta be good, right? YOU'RE GODDAMN RIGHT ITIS. It’s got magical girls that kick ass, it’s got catchy as hell songs, it’s got concert choreography better than idol anime (and hell, even better than /real/ concerts), it’s got M A R T I A L A R T S, it’s got toku references, it’s got mechs, it’s got giant monsters, it’s got gay rights AND isn't subtle about any of these! tl;dr WATCH SYMPHOGEAR IT'S GOOD ---- Now, let's go to the basics. What the hell is Symphogear? I'm gonna try to explain it as simple as I can: It's an over-the-top show about magical girls punching the shit out of monsters with mecha fists while singing songs LIVE. Basically it's like if you're watching some hot-blooded shonen anime alongside Precure, Kamen Rider and also Gurren Lagann all at once. If that's still not enough to convince you then I don't know what will. Jokes aside, it's... exactly that. I know that sounds like an abomination of mix-and-matched genres at first, but trust me - Symphogear makes it work in the coolest possible way. Like its main character, God bless her, Symphogear is a show that always punches through its limits, and it does so in such a stylish and confident way that it's hard to not accept it. But that doesn't mean Symphogear is all style and zero substance. No, it's all style AND all substance. Great animation and amazing fight scenes aside, Symphogear is a roller coaster of emotions. I rarely, almost never, get moved to tears while watching stuff, but with Symphogear I've lost count of how many times I've shed tears. Either from the hype, the heartwarming scenes, or the legitimately sad ones... This show punches your heart HARD with a fist full of feels, covering the entire spectrum of emotions that a human being can experience. It's just THAT good. Let's get to the story. The plot is pretty typical - it's not anything groundbreaking, but it's nothing repetitive either. It /is/ dumb, for sure, but in a good way. It is, however, carried by the amazing character writing. I don't wanna spoil anything, obviously, but this show really goes out of its way to make you like every single one of the characters. The character development is also plain to see with each new season, and goddamn does it feel good to see your faves growing up as you continue to watch the show. You will cry with them, you will laugh with them, and you will love them in the end - even characters you thought you wouldn't like at first. Symphogear is pretty heavy on the music theme, and it shows. That said, it also delivers in the music department. I mean, freaking Nana Mizuki sings the openings. This show also has the best use of character songs out of any other anime I've seen in my life. I mentioned this earlier, but the characters sing their songs live during battle. As in, the songs they play aren't pre-recorded! You can hear their voices crack a bit when they take a hit, or you cry tears of hype when one of the girls just freaking screams the lyrics of her character song as she delivers the final blow to an opponent. With such great usage, there's also a variety of genres that the songs come in, each character having a unique one. From Celtic music, to traditional Japanese music, to techno darkwave, there's a lot of variety in here. Not all of them works, obviously, but most of the time they do and it freaking slaps. All five seasons of Symphogear cannot be rated individually, they have to be taken in as a whole. Yes, it's flawed, season 1 especially, but that's the toughest obstacle you have to overcome and power through. It's a slog, sure, but everything beyond it is so, /so/ worth it. Besides, whether something is a flaw or a strength, a curse of a blessing, that just depends on how you view it! But it's undeniably true that Symphogear has a strong message to convey, and it presents that message in such an entertaining and engaging away that it's hard to turn your eyes away from the screen even for a split second. XV is the final season, and while it didn't exactly give me what I wanted, ultimately it was a satisfying journey - one that I highly recommend to other people. If you're a fan of the magical girl genre or shows about Karate Bugmen, then that goes double! Fun fact: The only reason I decided to pick this show up was because a friend of mine promised to give me 60 bucks if I did. But you know what? Symphogear is worth way more than a mere 60 dollars. It's... an experience that just can't be valued in money. It's an amazing experience I urge you all to try.
Pimsan
09/28/2019, 12:46 PM
I would like to say that Symphogear was a truly amazing anime that everyone can enjoy. Although a lot of people are thinking that this is a yuri series, is kinda debatable. But this show tells us about connection with other and trying to understand one other and that love has many forms and shaped. And not to mention with the ending we saw in episode 13, i can rest easy now that i know it's an neutral ending, where people can ship the girls with and whoever they want since that is kinda the draw back of Symphogear since like i said before: halfof the fan base believe that it's a yuri show. So please, if anyone want to watch the show without having in a argument or want to avoid people who force you to believe that it's a yuri show, please just enjoy the show without worry.
Zerity
09/28/2019, 12:28 PM
"Even if that's true" -Hibiki That phrase, every time I hear that damn phrase in hibiki's annoying voice I just wanna take a gun load it with explosive bullets and shoot myself. After torturing myself through 65 episodes it finally comes to an end. It should be obvious I am not a fan of this series. With that said I do think this is the best season yet. However it's still by no means a good series. Throughout all the bs plot devices and cringy twists that they throw at you that seem to come out of nowhere it's hard to find anything good in thisseries. I will say the music is good, and the transformation scenes are amazing to watch and fun as hell. One of the main reasons I did not like this series or any of the series in general is because I knew nothing was gonna happen of importance. The only time I was actually hyped was when hibiki's arm was gonna be bitten off, but then she just regrows another one. Even in this series, Carol's minions make a cameo to help her out, they were just used to stir up hype and be used as fodder for Carol to make it to were she had to be. Many things like this happen throughout the series of convenient bs that just appears outa nowhere. I will say the main reason I liked this season better was because of the villains. This time they weren't overpowered at the start and then through the power of the series ending the main character end up beating them at the end because they need to. They were weak. They were getting whooped by the main characters. When they did lose or win it made sense, and seeing them grow in the series was really fun to watch. Beside that though everything else was still really bad. The plot twists were not exciting everything just felt dull and bland. When it comes to the characters I can't say I like them at all. Especially Hibiki, though I did like Maria and Kirika at the very least. They were all one dimensional, stereotypical, and boring. I don't wanna shit on them to much mainly because I care to little for them anyways to want to do that. In conclusion, there was really nothing of value I found while watching the 65 episodes this series has. There are a few good merits this series has but it was not worth the watch. If you can make it past season one and enjoy it I think you will honestly love this series, so give it a try if you haven't already, you'll either hate it or love it.
LegendAqua
09/28/2019, 11:54 AM
The shortest and fastest route, straight ahead!, In a straight line! LA FUCKING LOVES Symphogear and what a way to go out, Game of Thrones' Final Season WISHED it wanted something like this... Senki Zesshou Symphogear's FINAL season and LA is still sad that this series is ending but nonetheless goes out with a bang, righting wrongs from previous seasons, culminating everything from it's previous seasons and tying up loose plotlines in making this final season all the more worth it to this end making it not only LA's favourite anime of Summer 2019 but to this franchise to one the greatest animes of all time (noseriously). See LA only got into the Symphoghear series about 3 years ago when it BARELY known, but quickly over G, LA really got into Symphogear with GX being a stumbling block but still having it's batshit craziness, it wasn't until AXZ that LA was in deep in Symphogear, heck because of it, LA played XD Unlimited (the mobile game and STILL plays to this day) and with XV tying EVERYTHING together while servicing the fans with crazy scenarios that they wanted for YEARS, this final season REALLY drives home how far the Symphogear franchise has gotten to, it's an underrated Fool's Stone but DAMN does it pack a punch when it delivers! Nuff reminiscing, so XV as a final season wraps up everything the previous 4 season culminated in, everything from the Curse of Balal, Tsubasa's family issues, the newly notion of not only Hibiki but Miku being cleansed of the curse and ABLE TO HOUSE THE POWER OF THE GODS because of it and all the while the Symphogear team needs to deal with the remnants of the Bavarian Illumanati, Noble Red. The first thing to note is that Tsubasa's family issues with her grandfather was hinted at multiple times in previous season finally comes into the forefront and we see both a regressions and progression to Tsubasa's character development and it's not to knock it on Tsubasa's regression as it brought up Tsubasa's worries and "duty" over to the forefront as a result, how it was handled was..uhhh aggressive to say the least. The entire deal with Hibiki and Miku being cleansed with the Curse of Balal after Tsubasa's arc (though they are both in tandem with each other) afterwards becomes the central focus and MAN does the plot twist it gives us changes everything about Hibiki's mantra of "to the fastest route, in a straight line" with how complicated Hibiki's arc gets, it's still something fans wanted, just not in the way they wanted but nonetheless. The Curse of Balal or more or less get full world building from what was hinted at in the first season and obviously becomes a HUGE plot point latter on. The only character that really didn't get character development this season was Chris and LA thinks it's mostly because her arc was already resolved in AXZ and this season wanted to tackle the rest of the cast that still had lingering plotlines and yes Chris IS still LA's faovurite character from the series and her not getting enough screentime is COMPLETELY ok, considering how batshit crazy this season gets with it's cliffhangers and plot twists, THOSE sufficed. Now for the villains for this final season, well we have Noble Red, three Alchemists wanting to get their human bodies back and their under the command or a certain bastard father....yeah Tsubasa's father Fudou hired them. Now Noble Red themselves aren't exactly "noble" as they are actually weaker than MOST of the series villains and thus they use trickery and deception in their fights, the worst example being Millaarc voiced by Aimi Terakawa and she HEAVILY gives Tsubasa Cerberus Syndrome as a result of her presences, like Millaarc is an interesting villain, LA just didn't like her tactics. Elsa voiced by Kana Ichinose and Vanessa voiced by M.A.O were cool and were nice contrast to Caglistro and Saint-Germain from AXZ though out of the three, LA liked Vanessa the most. Fudou's purpose was the conflict and regress Tsubasa as a character but also the pinnacle of resolving the entire issue with Tsubasa's crazy family dealings, LA hated the asshole let alone his plans were wonky as hell in his extremist nationalist ideals and to this end, he was probably worse of a villain than Adam was, maybe the worst villain of the series, heck even Dr. Ver had SOME sense of dignity. Now for the "final boss", well without spoilers, it's actually the perfect wall for Hibiki to NOT be able to punch through let alone the final boss brings in plot elements from not only previous seasons but gives the leeway for other underdeveloped main characters to the forefront, mainly Maria , the aforementioned Tsubasa and Fudou who set it all up and Hibiki (since her involvement was slimmed down from AXZ, fighting NOT withstanding). But much like the Bavarian Illumanati, Noble Red for the most part were a nice dragon to the ACTUAL final boss as well as their notions of wanting to be human...Millaarc....ehhh she was fine. Plot twists, man to say that they brought plot elements back and MADE IT AMAZING for this season is an understatement and LA mainly says this for GX, since even LA had problem with that season but XV remedied it as well as the previous seasons (G for it's moon, AXZ with somehow bring back Saint-Germain and the first season with the Curse of Balal to be brought in more detail) in the most batshit crazy Symphogear way possible. GX got most of the redeeming treatment, from Carol, the Autoscorers and heck they even brought back Hibiki's father and actually showed that he's developed out of his asshole father phase and he started being a father to Hibiki!, the rest of the seasons more or less got cameos and callbacks and everyone of them were gloriously done. Nonetheless like SYmphogear's style with plot twists and cliffhangers, THEY DO MAKE sense and only drives the plot to even crazier and crazier scenarios. The callbacks don't even feel like it was pandering to us, as it was more like they wanted to give what the fans wanted all the while solidifying and making the story better in being just Symphogear. LA says this as they DO gives us what the fans what they want, but Symphogear does it in the most awesome but blindsided way possible while giving it that Symphogear flair to it. The plot twists and callbacks were fucking amazingly done. The animation once again done by Satelight is GODLY to say the least, everything from it's addrenaline-music-fueled fight scenes the updated character designs, it being even more bloodier than before and in the backgrounding even. Seriously Satelight gave it their own with XV, even to the point LA seeing this rivaling David Productions' Jojo works or a Bones work. Yes there are the few rare derps but once again it just can't compared to the heart and soul the animation was taken overall...it is seriously GODLY animation, excellent work Satelight. LA KNEW you'd obviously could do it and for a last hooray for the series, even better. Voice acting?, well does LA REALLY need to say?, well give Aoi Yuuki the MVP of the season and LA's favourite seiyuu of Summer 2019, with her focused and honed shouting, Nana Mizuki gets an standing ovation with her much more dramatic tone as Tsubasa and let alone her singing the OP Metanoia, just DAMN, Yoko Hikasa as Maria as result of Tsubasa's arc get something similar to Nana Mizuki and heck even Yuka Iguchi gets to show her multiple cadences thanks to the huge plot twist of the season and man it shows in this season even more so. Another standout is Misaki Kuno as Elfnein and Inori Minase as Carol gets her time to shine as well. Add in Yoshino Nanjo and Ai Kayano as Shirabe and Kirika on comedic relief duty and they both still have great cadences (especially Ai Kayano). Hell add in Noble Red's voice actresses of M.A.O, Kana Ichinose and Aimi as Vanessa, Elsa and Millaarc all have their major strengths, form Aimi really reveling in her smug genki-ish cadence to M.A.O being really moe even as a villain to Kana Ichinose being the calm and collected sisters to Elsa and Millaarc while also having that trickster cadences coming through to Vanessa as a character. Seriously much like it's animation, the voice cast just gets even better to GODLY status. And yes on speaking of the OP, the OP was great and easily took LA's favourite OP of Summer 2019 and maybe for the year, showing off it's the final season. To the ending being an impactful farewell sung by Ayahi Takagaki. THIS IS SYMPHOGEAR so it's a no brainer that LA would gush about the OST and most if not all the insert songs and music in Symphogear was GOD tier with Nana Mizuki and Ayahi Takagaki as always making both OP and ED's GODLY. Essentially if you want Aoi Yuuki, Yoko Hikasa, Nana Mizuki, Ayahi Takagaki, Ai Kayano, Yoshino Nanjo, Yuka Iguchi and Inori Minase singing their bloody hearts out while fighting let alone the awesome OST from their discography added along with the singing. Symphogear is GOD Tier anime music. To say that the majority of this season gives us cliffhangers upon cliffhangers as well as situations that becomes REALLY hard to get back to normal, great resolutions to the majority of the casts that also callbacks to the previous seasons and even giving us one the largest plotlines to rest, Symphogear XV is at it's best to say the least especially for a "Final Season" and for going out like a bang that it did, the moniker as "Final Season" is apt and impactful. The finale, well AXZ's was great in impact and foreshadowing, while GX and G's was it in scale, but XV?, well...it brought the small scale, but large impact of AXZ while bringing in the absurdity of G and GX's final fights all into one AND THEN they went over to an eleven heck TWENTY with it's finale, this finale was utterly glorious and stands for what Symphogear is, if there is anything Symphogear does right it's is climactic final fights and finales in general and this finale definitely delivered in all it's glory! Too say that Symphogear finished that way or not, LA IS sad that Symphogear is finishing but it needs to end to make this finale last, instead of going on forever so LA sees that sentiment and by all means XV went ALL out this season if LA's praying to the Custodians instead proof enough. But what a way to go, from that little anime about mecha girls beating the crap out of Noises with plenty of melodrama, into an anime where mecha girls beat the crap out of a power hungry corrupt GOD with Sentai references. Symphogear as a franchise was just a rollercoaster of a ride in ALL forms of batshit adrenaline pumping awesomeness and craziness is just an understatement but LA said this in LA's Jojo's Part 5 anime review, but Symphogear is one of the current animes to achieve the status of being one of the animes that was utterly jawdropping and stunned and just constantly wanting and waiting for more episodes, heck not only that but Symphogear's discography were such earworms they even became a staple in LA's daily life in listening to the Openings and endings (and some of the batshit crazy battles) on a daily basis (no seriously). Symphogear may be ending but as LA said again...no matter what, Symphogear was a bloody great, no GODLY anime. Maybe a movie but if Symphogear ends here LA is wholly, far exceedingly satisfied with XV nonetheless. Symphogear is anime, Symphogear is music itself, Symphogear is life, Symphogear is GOD...LA is gonna fucking miss ya... Croitzal ronzell Gungnir zizzl Balwisyall nescell Gungnir tron Imyuteus Ame no Habakiri Tron Killiter Ichaival tron Granzizel Bilfen Gungnir zizzl Seilien coffin Airgetlam tron Seiwoss Igalima Lyzen Tron Fallian Shul Shagana tron Rei Shenshoujing rei zizzl "The power to kill God exists within this hand that holds others."
SanaeK10
09/28/2019, 09:54 AM
[Note: This is a review that encompasses my feelings towards the entire series including XV] Meteoroid falling, burning, and disappear, then... In the distance, that day when the star became music... Believe in justice and hold a determination to fist. By shedding many tears, the reality you face is Create a history, with a light God could not know. What is Symphogear? For the longest time I've never bothered engaging myself in this franchise. I never understood what is was, and I was naturally repulsed by all things mecha. Now that the series is having its final season and its a dry season, I decided to finally give in and giveSymphogear a try from the very beginning. I wondered how have I missed out on the Anime of the Decade all these years. I honestly didn't know what to expect watching the very first episode knowing absolutely nothing about the franchise. The show toyed with my emotions so much in that opening setpiece. When Kanade bit it I thought would be a grimdark Madoka ripoff ended up being one of the most life-affirming shows out there. A stunning display of idiocy and action that is both charming and captivating. It's confident in its strengths and parades its weaknesses proudly, a show that is both all style and all substance. But most of all, it's a true roller coaster of emotions, and I don't use that term lightly. I laughed, I cried, I got frustrated at the ineptitude and stupidity of both the characters and the creators, but most of all, I loved. When the curse of Balal fell in place, songs still managed to bridge that gap and connect us all together. The one emotion the series never fails to deliver is Hype. The surge of adrenaline and endorphins and all those chemicals in your brain whenever something awesome is happening onscreen is a rare treat in most other anime, but a constant occurrence in this series. The hype does occasionally fail to deliver, the heightened expectations can sometimes be too much, but still, when you hear Hibiki scream DATOSHITEMOOOOOO, you know she means business and join her in song. And those songs are precisely what keeps Symphogear in the minds of many all this while. I'm not an idol anime person, I despise most idol anime and yet. And yet. The moment I hard Gyakko no Flugel for the first time right there on the idol concert, I was enthralled. I knew that regardless of how the series turned out, it would have great music. Covering many genres, the series has a diverse palette of songs ranging from Hibiki's celtic rock to Tsubasa's enka-inspired tracks, there's no shortage of variety. Yes there are songs that don't work well, but the ones that resonate far outweigh the occasional crap Ignite remix or whatever. XV is no exception to this, and, this is a rarity coming from me with regards to this series, but I actually fully enjoyed the OPs AND the EDs this time round. The plot and story are fairly typical, but they feel like they belong in a JRPG. Every beat you'd expect is there, mini boss, dungeons, rivals, all those stuff. It's not particularly fantastic, but it works well. Not surprising seeing as Kaneko was a JRPG writer. More specifically for XV, XV is mainly about redemption. Not just about the characters, but also in a meta sense. I certainly have had my gripes with GX and AXZ being particularly weak, but XV comes along and somehow redeems them both in my eyes and I just can't hate them anymore. Symphogear has to be taken in as a complete package. It truly is more than the sum of its parts. Looking back, yes I can agree on all the flaws (some major) the series has had. Yet in spite of it all, across 7 years and 5 seasons. It's why I ultimately decided in awarding it with one of my rare 9s. Something this special, this inspirational, this long-lasting is truly an experience to behold. For better for worse, it is the definitive anime that represents the 2010s. It may not have ended in the way I wanted, and it may not have that one kiss I was looking for, but it filled the hole in my heart, and with it ending, the gaping wound in my soul may never heal. Maybe, for now at least, I can say that the series ended with dignity. It wasn't perverted into a zombie franchise like Madoka or Fate, nor did it stumble hard in its final moments and is struggling to reclaim its past glory like Nanoha. It has its shortcomings, but thinking back, the journey to the end has been a satisfying romp throughout. So what is Symphogear? It is a mecha-mahou shoujo-idol hybrid anime. It is Mizuki Nana's autobiography. It is an anime about fisting. It is 5 seasons and 7 years long and has captivated the hearts of many. But most importantly, it is Believing in the Song of your Heart. 9/10
RiverRode
09/28/2019, 09:30 AM
“Kohinata Miku, you’re my sunshine. I feel warmest when I’m next to you, and I’ll always come back to you. It’s always been that way, and I’m sure that it’ll stay that way.” Symphogear is a series that’s not for everyone. In the words of ANN’s Nick Creamer, it’s “a singing idol mecha yuri romcom battle melodrama with JoJo's sense of irreverence and a lot of fanservice,” and that amalgamation is no doubt going to scare some people off. But considering that this is a review of the show’s fifth season, I’m assuming that everyone reading doesn’t need to be convinced that this combination is actuallythe coolest thing ever. And given that, rather than asking how Symphogear compares to other anime, I think the more important question is how XV stacks up against the other seasons of Symphogear. So then, what are the makings of a good Symphogear season? Through careful research, I’ve narrowed it down to three factors: coolness, escalation, and gayness. As a series, Symphogear is constantly punching past the limits of its internal plausibility, and it gets away with it because it does so confidently and with style. And somehow, it manages to continue to top itself with each consecutive season. And most importantly, it does all this without ever losing sight of its emotional core. I think the best seasons of this show are the ones that have maximized these elements, so let’s see how XV compares. In regards to our first criterion, Symphogear has never been cooler. XV is the final season of this franchise, and the Symphogear Project team didn’t pull any of their punches to make sure that it got the ending it deserved. There's a tangible passion behind every moment; the transformation and fight scenes are the franchise’s best, and basically every other episode was stunning enough to be the finale of a lesser show. What’s more, there’s a lot of fanservice in the form of callbacks to favorite characters from previous seasons, which helps to cement that this really is the end. Managing escalation can be difficult after five seasons. It’s important to continue to raise the stakes so that there’s still tension as to whether our heroes can prevail, but after you’ve already punched God, it’s really hard to do that without moving too far into the realm of abstraction. Fortunately, XV’s writers understand that even when it seems like you’ve reached the top, it’s still possible to escalate past that by changing the focus to more personal conflicts. Like sure, the fate of the world is on the line again this season, but Hibiki is fighting to save something far more important: her wife. Through all of the twists and turns that this series has gone through, the one constant has always been the bond between Hibiki and Miku. Despite that, Miku has far too often been relegated to the sidelines in past seasons, so I’m glad that the final season was created with this relationship at its core. These two have been through too much over the course of this series, and I hope they'll have the chance to be happy together after everything is over. They’re so soft. So Symphogear XV succeeds in all of the criteria I put out at the beginning of what constitutes a good Symphogear, but honestly, those are all arbitrary and don’t really matter. I could spend the rest of my life identifying factors and trying to explain why those are what make Symphogear work, but I think its essence is one that ultimately escapes explanation. It's not a perfect series, but it's one that is always unabashedly itself, and at max volume. It’s brought so much joy to both fans and staff alike, and though I’m sad to see it go, I’m also so happy that it even existed in the first place. Symphogear will always be special.

Senki Zesshou Symphogear XV 戦姫絶唱シンフォギアXV

2019 summer | Episodes: 13 | Score: 8.2 (15210)

Updated every Sundays at 01:00 | Status: Finished Airing

Type: TV

Producers:Memory-Tech | Bushiroad | MAGES. | King Records | Kinyosha

Streaming: Crunchyroll

Synopsis

Voice Actors

Kayano, Ai

Hikasa, Youko

Mizuki, Nana

Yuuki, Aoi

Nanjou, Yoshino

Takagaki, Ayahi

News

Reviews

TimeFerret
11/25/2024, 10:53 PM
This review covers my thoughts on all 5 seasons. Wow, This show saved me. It helped me realize the feelings within my heart. its not the most well written, or well animated, or anything in particular, but from start to finish, the passion of the story being told, and the true hopefulness of the message it has is like a blinding light. "A light the gods don't know" is such a fitting statement. I haven't felt this burning felling in my heart since watching Gurren laggan as a kid, but who know i would need that feeling to get over one of the most mentally challengingmoments of my life. I've lost 30 pounds in the first 3 months of finishing this show, i just put a spotify playlist of the anime's songs on repeat and reach for the sky. This show is everything i've wanted from a piece of media; Show, game, or otherwise. I made a promise to my self to never give up on my happiness, and with the song in my heart blaring, i plan to keep it. Thank you Symphogear. Thank you.
MythicalV
11/10/2023, 01:30 AM
Do not let the scores deceive you, watch it for yourself, heck just listen to its OST. Do anything else, the experience is everything. You are an individual, but that means that those around you will do their best to reach you with thier songs. This series holds a very special place in my heart, as not only was it basically my first hyper-obsession back in middle school, it also was the very first anime i went out of my way to watch on my own. This is also the show that brought Nana Mizuki to my attention, and many of her songs on this showare some of her greatest hits (ex. Synchrogazer, TESTAMENT). As of the time of writing, my respect of this show has gone on to be even higher, with so much of it's achievements being so novel, and unique even among the most popular shows out there. Every leading voice actresse in this show is capable of singing in an amazingly powerful yet unique voice, and every main character has a minimum of 2 unique songs, which is an unimaginable investment on the parts of the composers and the talents. Speaking of composition, the Music is also an amazing fusion of classic J-pop, synthwave, and rock, which occasionally combines with traditional instrumentality to create a wonderful tone that few other discographies have matched. Aesthetically, this show is also extremely ambitious and unique. The show takes the tried-and-tested formula of the classic Magical girl, and turns it on it's head by combining it with the two volatile ingredients of Sci-fi and mecha, resulting in the most Imaginative Costume designs i have seen, and will probably ever see. The sharp chrome edges combined with the glowing technostrips, as well as the frills generated in beautiful holography by the Ex-Drives are so memorable that even to this day, i have never forgotten any of the designs, and characters are so wonderfully accentuated by their Symphogears that they are engraved into my memory all the same. The Music still rings in my ears to this day, with the entire OST being warranted their own playlist within my daily listens. Alright. I've complimented the show enough, the following is to really drive home the score, as well as to address skeptic ideas. Symphogear is extremely generic when it comes to theming. All of its lessons boil down to essentially the following: Even as we struggle to understand one another, even as we hurt each other, we should continue to fight to reach each other with not only our words, but our actions. This lesson may seem mild and bland after all these years, but Now more than ever, with the internet's rise of Hatred and Social deconstruction, this lesson rings out more than ever before, that despite everything, no matter what, we should, and we must reach out to everyone. Secondarily, a bland story with many plot holes does not warrant disrespect against the show at all. Even with all of its contrivance, inconsistency, and unsolved plot threads, The things this show did to make it unique, as well as all the work put into the show to make its risks bring reward, should be respected, and with all the recent shows that simply recycle ideas, the unexpected fusion and production of new, out-of-nowhere ideas should be revered and looked up to. Ultimately, as this show says, we cannot understand each other, but I will still do my best to hope that my thoughts and feelings will reach those who read this, and will help them understand this show's merits, as well as to give this show a chance to capture their hearts as it has mine.
Razor_Eagle11
07/10/2021, 08:28 AM
Never thought I would made this far, but hear I am. It's been quite a journey from the horrible season 1 to this. The final season of Symphogear, and all I can say is... I still don't know what the fuck is going on in this anime But is it a bad thing? not exactly. Did I enjoyed it? hell yeah i did. With all the crazy, over-the-top stuffs that's happened in this anime, I enjoy every one of it, even tho i barely understand what's going on (LMAO). It's my guilty pleasure. It's fun, it's sad, and it's FUCKING HYPE. You don't need to understand shitif you have this type of hype the anime's got to offer. It's more bigger, more action packed and more insane than the previous season. Tachibana Hibiki grows from a Noise attack survivor to a symphogear-wielding, ass-kicking, god killing martial artist. Every episode delivers something insane and my jaw drops all the time. Also the transformation scenes, god that may be the most awesome transformation scene ever. I never got bored seeing it. The animation is top notch, the story is crazy, the characters are lovable and the villains are good. The songs are also great. I wouldn't really recommend this anime to everyone, but if you're willing to give it a chance, then go for it. It's been quite a journey, and I'll definitely gonna miss this anime. Thanks for reading.
cringeylazy
06/22/2021, 03:15 PM
Intro: Symphogear is a series I really enjoyed bingeing over two or three weeks. It's no masterpiece or anything special, but a really nice casual watch until you reach this season. Mini Review: This season really suddenly packs a punch out of nowhere; it's not perfectly executed. I mean, it's Symphogear; what do you expect? But it certainly was a shocker when I was watching it casually. I loved that it took such a drastic turn, and I can understand how that inflated this season's score much more than the other seasons. Unlike the last 3 seasons, the fights this season genuinely felt meaningful and felt more likethey had some consequence. Symphogear up until now was such a relaxed, fun watch, but this season was genuinely thrilling. Now we are attached to the characters, even the new ones that are introduced later in the series, and adding this very drama really made for a good watch in general. Negatives: Symphogear is littered with things that I believe could be improved upon with very little change. just small nitpicks like the pacing during some episodes going a little too fast or things being dragged out a little too long. But honestly, compared to other seasons, the nitpicks this season don't really matter since they improve on the largest problems. But I will admit the villains still aren't very interesting and aren't as standard as other seasons, but they massively improve on the last episode. Positives: Animation improvement in this season was a very welcome addition to the series, as were all the new moves and costumes that I've loved throughout the series as they evolved. The relationships between the characters feel more natural this season, especially during fights. The songs are still banging with new transformation animations for all the girls, which look sick with the start of them referencing season 1's transformation animations. The songs during the fights are just as fun, if not more fun, and towards the end are more hype than ever. The songs during the fights are what we're here for, and they deliver. Conclusion: Despite being cliche, Symphogear doesn't care that it is, embraces it, and just makes it good for what it is (I'm talking mostly about the ending and the series in general here). This season took an unexpected dark turn; it may not have been well developed, but it was a great change of pace for the series. The ending was also just a very good, feel-good ending that was a very nice conclusion to the series.
InoueOrihime
12/26/2020, 11:12 AM
So, I watched Symphogear for the first time before this season was out, time passed, then I found out this came out, so I rewatched all of it before I picked this up. I wanted to say a lot of things about it because Hibiki is a character I adore, Chris is dear to me, and I overall enjoyed the show up to this point. But then this came out and, hm, how to put it. I'm Jewish. I know not to expect too much about ethno-religion sensitivity when dealing with media from Japan but this was far and beyond what I'm used to as someone who'sconsumed anime, manga and game content for over two decades now. Setting aside how even using some of the names they did is outright sacrilege, everything about it was offensive, from who the big bad was, through their motivations, to how they 'spread' themselves, to the symbol they used when casting spells... I know a lot of people couldn't care less about this sort of thing, but after enjoying four seasons, this felt like stinging betrayal. Now, sure, I can't say whether or not they handled everything up to this point better, these are not my sensitivities so I can't comment about that. But this last season was nothing short of antisemitic. Judaism isn't a dead religion, it's not some ancient tradition and culture anime series can use however they want, least of all to vilify like this. Just really had to get that off my chest. A very bitter ending to a franchise I otherwise enjoyed, and I'm grateful it looks like it's over
JuneNephthys
12/04/2020, 08:19 PM
Following the panache of thrills and impassioned character-writing in AXZ, Symphogear XV had big shoes to fill. In my opinion, this season is a mixed bag. The beginning still carries in waves of residual oomph from the previous season, but the villains weren't as impactful and some of the plot fell in line with old narrative devices, that were implemented in past seasons. It didn't feel as fresh or inventive, but, it was an impressive feat, nonetheless! ⚠️ This review will have spoilers ⚠️ —Story/Characters This season starts out with a bang, when a beautifully animated concert-duet between Tsubasa and Maria goes awry! The crowd is mercilessly slaughteredand Tsubasa is thrown into a bind, having an intense PTSD episode, remembering how her girlfriend, Kanade, had died in a similar fashion! It doesn't help that the malicious Millaarc has the ability to implant hypnotic suggestions into her victim's psyches! While AXZ mostly focused on the struggles of Chris, Maria, and Hibiki... XV focuses on Tsubasa and Miku, as the spirit of the deadly artifact, Shem-Ha, takes control of the vulnerable Miku, once again! The grand conclusion to the franchise, starts out really strong! There's a powerful, inciting event that throws Tsubasa, and her relationship with Maria, for a loop; everyone gets lustrous, new transformations; and the build-up for the bad guys, makes it seem like they're the most menacing foes that the girls have had to face... but the velocity of XV's grand finale loses momentum, during the latter half of the series. I would say, that the show starts losing speed after Tsubasa comes to terms with her family's brainwashing, and accepts her foster father, as her "real" Dad. Throughout the season, there are hints at Tsubasa's struggle with the echelon of power in her family unit. This season really expounds upon that and reveals that Tsubasa's struggle to find validation from her illiberal, Japanese traditionalist of a grandfather... stems from the fact that he's actually her biological father. It seems that to ensure that their bloodline would remain untainted, Genjūrō Kazanari slept with his son's wife, in order to conceive Tsubasa. There's a nice moment, when Tsubasa's father protects her and she recognizes that it's okay to see someone, who is biologically her "nephew," as her actual parent. It was a sweet moment, even though Tsubasa has struggles with the expectations placed upon her by her grandfather and the subsequent mind control that Millaarc inflicts on her. As for the development with Miku, she feels turmoil, from being the outsider of the group... but in the last few episodes, her and Hibiki are able to vocalize how much they mean to one another. In this season, the villains and the journey to save Miku were the weakest aspects, by far! The "Custodians" are like the automatons in GX, they are written to be threatening, but any deeper characterization of these antoagonizers is thrown overboard! Speaking of the automatons, the weakest bad guys from Season 3, Carol Malus Dienheim and the gang get brought back, and while the throwback moment is as nice as the shout-out scenes in Fate/stay night: Heaven't Feel... it doesn't really do anything to advance the plot. Everything we needed to know about these four, is already in the archives of GX! Their cameo doesn't really serve a sufficient purpose.... —Technical Luna's Favorite Works by Each Respective Creator = ✅ Katsumi Ono (director), notable works: * Beast Saga * Girly Air Force ✅ * Hataraki Man * Hypnosis Mic: Division Rap Battle — Rhyme Anima * Isekai Izakaya: Koto Aitheria no Izakaya Nobu * Master Mosquiton '99 * Yū☆Gi☆Ō! 5D's * Yū☆Gi☆Ō! Arc-V Commentary: Haven't watched many of Mr. Ono's discography, but his choreography in the Symphogear series is awe-inspiring! After the first season, I was unsure of whether I could get attached to any of the characters, but the later seasons are a Herculean fusion of some of the coolest action scenes in "Dragon Ball Z" with sweet, saccharine shōjo-ai! I play the mobile game for "Hypnosis Mic: Division Rap Battle," so now, I'm super stoked to try out the anime adaptation! Brilliant director! Aoi Yūki as Hibiki Tachibana, notable roles: * Tōru Ichii, A-Channel * Nyx Megami, Accel World: Infinite∞Burst ✅ * Yoshiko Hanabatake, Aho Girl ✅ * Riko Mikogami, Anyamai Tantei Kiruminzū * Tsugumi Aozora, Asobi Asobase ✅ * Hana Oshiroi, Ben-To * Varel Jin, Blade & Soul * Kayo Hinazuki, Boku dake ga Inai Machi ("Erased") ✅ * Tsuyu Asui, Boku no Hero Academia ✅ * Akiho Kōsaka, Boku no Kanojo ga Majimesugiru Sho-bitch na Ken ("My Girlfriend is Shobitch") * Boogiepop and Tōka Miyashita, Boogiepop wa Warawanai (2019) ✅ * Mina Tepes, Dance in the Vampire Bund * Arisa, Death March kara Hajimaru Isekai Kyōsōkyoku ✅ * Couvert Eschenbach Pastillage, Dog Days * Tamaki Kotatsu, Enen no Shōbōtai ("Fire Force") * Victorique de Blois, Gosick ✅ * Mihoshi, Gundam Build Fighters ✅ * Mayoi Ayasato, Gyakuten Saiban: Sono "Shinjitsu", Igi Ari! ("Phoenix Wright: Ace Attorney") * John, Hakumei no Tsubasa * Konju, Kakumai to Mikochi ✅ * Nodoka Hanadera, Healin' Good PreCure ✅ * Jūbei Yagyū, Hyakka Ryōran: Samurai After * Korone, Ichiban Ushiro no Daimaō * Alice Blanche, Ikoku Meiro no Croisée ✅ * Serika Ginyūin, Kanojo ga Flag wo Oraretara ("If Her Flag Breaks") * Kiriya Ubuyashiki, Kimetsu no Yaiba ✅ * Kino, Kino no Tabi: The Beautiful World * Tomo Kunagisa, Kubikiri Cycle: Aoiro Savant to Zaregototsukai ("Zaregoto Series") ✅ * Murasaki Kuhōin, Kure-nai * Giselle Collette, Last Exile: Ginyoku no Fam ("Last Exile: Fam, the Silver Wing") ✅ * Madoka Kaname, Mahō Shōjo Madoka★Magica ✅ * Diane, Nanatsu no Taizai ✅ * Tatsumaki, One Punch Man ✅ * Clementine, Overlord ✅ * Krul Tepes, Owari no Seraph ✅ * Aika Nakamura, Persona 4 the Animation * Futaba Sakura, Persona 5 the Animation * Iris, Pokémon ✅ * Maihime Tenkawa, Qualidea Code * Mélie, Radiant * Kasumi Midō Barnett, Ragnastrike Angels * Fremy Speeddraw, Rokka no Yūsha ✅ * Shizuno Takakamo, Saki Achiga-hen: Episode of Side-A ✅ * Shizuno Urushibara, Seiken Tsukai no World Break * Sunako Kirishiki, Shiki * Noël Kannagi, So Ra No Wo To * Toshiko Tatsuno, Soredemo Machi wa Mawatteiru ("And Yet The Town Moves") ✅ * Meme Tatane, Soul Eater NOT! * Tika Blunche, Star Ocean: Anamnesis * Kayo Fujikawa, Stella no Mahō * Yūki Konno, Sword Art Online ✅ * Rino Tanaka, Tanaka-kun wa Itsumo Kedaruge ("Tanaka-kun is Always Listless") ✅ * Claire Cruz, Toaru Hikūshi e no Koiuta ("The Pilot's Love Song") * Yōmu Konpaku, 東方 Niji Sōsaku Dōjin Anime: Musō Kakyō ✅ * Komachi Hikigaya, Yahari Ore no Seishun Love Comedy wa Machigatteiru. ("My Teen Romantic Comedy SNAFU") ✅ * Loup, Yakimochi Caprice * Noa Takigawa, Yamada-kun to 7-nin no Majo ("Yamada-kun and the Seven Witches") * Tanya Degurechaff, Yōjo Senki ✅ * Inaho Misora, Yōkai Watch * Ichigo Amano, Yumeiro Pâtissière * Mitsuko Yurizono, Yuri Kuma Arashi ✅ * Yutori Tanaka, Yutori-chan Commentary: Ms. Yūki has become a strong amount of magnetism in the industry, even invoking a memorable presence in mobile games like Fate/Grand Order ("Shuten-Dōji") and Azur Lane ("Taiho")! I think that Ms. Yūki strong personality translates well in the case of Hibiki Tachibana, a cute girl that is strong-spirited and has a cosmic punch, that is practically unrivaled! Hibiki reminded me of my best girl in Girls und Panzer ("Miho Nishizumi") and for the most part, tries to her best to keep the peace. Aoi Yūki did a wonderful job at making her cute, charming, relatable, and a fighter! Excellent seiyū! Nana Mizuki as Tsubasa Kazanari, notable roles: * Nanase Kotobuki, "Bungaku Shōjo" * Allison Whittington and Lillianne Aicasia Corazón Whittington-Schultz, Allison to Lillia * Akiko, Aoi Bungaku Series * Oboro Iga, Basilisk * Kururu, Binzume Yōsei * Saya Kisaragi, Blood-C * Angelise Ikaruga Misurugi, Cross Ange: Tenshi to Ryū no Rondo * Misaki Kirihara, Darker Than Black: Kuro no Keiyakusha * Nanami Takatsuki and Ricotta Elmar, Dog Days * Hannah, Dragon's Dogma * Sieglinde Baumgarde, Dragonaut: The Resonance * Cisqua, Erementar Gerad * Wrath, Fullmetal Alchemist ✅ * Bi Fei, Gin no Guardian * Lydia Carlton, Hakushaku to Yōsei * Tsubomi Hanasaki, HeartCatch! PreCure! ✅ * Yu Minamoto, Ichigo 100% * Kotoko Aihara, Itazura na Kiss * Tsugumi Shibata, Jigoku Shōjo ("Hell Girl") ✅ * Sora Yamato, Jikū Tantei Genshi-kun * Tiz, Jū Ō Sei * Yin Fu, Ken En Ken: Aoki Kagayaki * Roya, Kiba * Yuno Rukina, Kiss Dum: Engage Planet * Alois Trancy, Kuroshitsuji II ✅ * Janice Quatlane, Layton Kyōju to Eien no Utahime ("Professor Layton and the Eternal Diva") * Nyamo Naamo, Love Hina * Sayaka Mizushiro, Magical Canan ("Magical Kanan") * Fate and Alicia Testarossa, Mahō Shōjo Lyrical Nanoha ✅ * Hotaru Shirakawa, Memories Off * Mizuki Hibara, Mokke * Magaret Liones, Nanatsu no Taizai ✅ * Hinata Hyūga, Naruto ✅ * Kaho Serizawa, Natsu-iro no Sunadokei ("Hourglass of Summer") ✅ * Shinobu, Ninin ga Shinobuden ✅ * Ann Takamaki, Persona 5 ✅ * Rue Kuroha, Princess Tutu ✅ * Yufa, Ragnarök the Animation * Rin Ogata, RideBack ✅ * Moka Akashiya, Rosario to Vampire * Pandora, Saint Seiya: The Lost Canvas ✅ * Mave, Sentō Yōsei Shōjo Tasukete! Mave-chan * Nana Suzuki, Shichinin no Nana * Kanon Seena, Shining Tears X Wind * Utau Hoshina, Shugo Chara! * Morinas, Simōn * Aria, Sister Princess * Suzu Edogawa, Tactics * Colette Brunel, Tales of Symphonia the Animation ✅ * Sylvette Suede, Tegamibachi ✅ * Neju Na Melmas, Tenchi Muyō! GXP * Chizuru, Tokyo Marble Chocolate * Sunao Konoe, Tsuyokiss * Matsuki Akino, Wakaokami wa Shougakusei! ✅ * Maria, Witchblade * Rina Ogata, White Album ✅ Commentary: Nana Mizuki is another very famous voice actress, having had lead roles in Mahō Shōjo Lyrical Nanoha ("Fate Testarossa") and HeartCatch! PreCure ("Tsubomi Hanasaki")! Ms. Mizuki conveys the anguished, yet distinguished nature of Tsubasa's character in a very charming and likable way! Over the span of the series, we deeply sympathize with her feelings of grief over her dead girlfriend, Kanade; as well as the struggle that she has, when pitted against the corrupt system that her wealthy family has implemented. Great character, great seiyū! Ayahi Takagaki as Chris Yukine, notable roles: * Kuro, Ao no Exorcist * Kotoha, Arata: The Legend * Suiren, Battle Spirits: Shōnen Toppa Bashin * Daina Kurogami, Beyblade Burst * Roana Dan, Blade & Soul * Nene, Canaan ✅ * Takuto Tatsunagi, Cardfight!! Vanguard * Nina Antalk, Chrome Shelled Regios * Otome Asakura, Da Capo * Jasmine, Deltora Quest * Ferris Eris, Densetsu no Yūsha no Densetsu ("The Legend of the Legendary Heroes") * Erika Karisawa, Durarara!! ✅ * Arrester Blanket, Fight Ippatsu! Jūden-chan!! * Shungo Ninomiya, Goshūshō-sama Ninomiya-kun * Manny Ambassada, Gundam: G no Reconguista ✅ * Hamiji, Hakkenden: Tōhō Hakken Ibun * Hiiragi, Hanamaru Yōchien ("Hanamaru Kindergarten") ✅ * Jade, Hōseki no Kuni ✅ * Larimer, Jewelpet Magical Change * Aoi Shindō, Koitabi: True Tours Nanto * Tsubasa Kawai, Kyō no Go no Ni * Henrietta, Log Horizon ✅ * Mitsuba Marui, Mitsudomoe * Feldt Grace, Kidō Senshi Gundam 00 * Saki Mizukoshi, Natsu-iro Kiseki * Mikoto Kuga, Norn 9 * Ein, Phantom: Requiem for a Phantom ✅ * Tobio Fūma, Sanjōgattai Transformers Go! * Sumika Murasame, Sasameki Koto ✅ * Ami Kuroki, Seikimatsu Occult Gakuin ("Occult Academy") * Mikako Satsukitane, Sora no Otoshimono * Megumi Yamamoto, Special A * Rika Shinozaki, Sword Art Online ✅ * Wakana Sakai, Tari Tari ✅ * Noe Isurugi, True Tears ✅ * Kira, Vampire Holmes Commentary: Although, she hasn't had as many roles as many of the other voice actresses on this list, Ms. Takagaki does a damned good job at making Chris immensely likable! I don't think I've ever met one person who has remotely disliked her character! While being a hardcore tsundere, she's also very caring, kind, and empathetic; despite, her backstory and immense trauma during her stead as a villainess, in the first season! In my opinion, Chris is one of the best examples of a reformed adversary, and she kicks a lot of butt, too! Wonderful character and a phenomenal job overall, on the part of the seiyū and the writing team! Yuka Iguchi as Miku Kohinata, notable roles: * Arisa Hoshigaoka, Arata naru Sekai: World's/Start/Load/End ("World's End") * Maria Takayama, Boku wa Tomodachi ga Sukunai ("Haganai: I don't have many friends") * Mako Nakarai, Bokura no ✅ * Honoka Sawada, Chibi☆Devi! * Yashiro Hoshimiya, Denpa Onna to Seishun Otoko ("Ground Control to Psychoelectric Girl") ✅ * Shima, Devidol! * Sherry and Chelia Blendy, Fairy Tail * Tamaki Irie, Ginga Kikōtai Majestic Prince * Mako Reizei, Girls und Panzer ✅ * Suwako Moriya, Hifū Katsudō Kiroku: The Sealed Esoteric History ✅ * Myne, Honzuki no Gekokujō: Shisho ni Naru Tame ni wa Shudan wo Erandeiraremasen ("Ascendance of a Bookworm") * Naeka Fujiwara, Kamen no Maid Guy * Kaga, Tenryū, Tatsuta, Tone, and Chikuma — Kantai Collection ("KanColle") ✅ * Shizume Seo, Kara no Kyōkai ✅ * Natsuko Ishikura, Koitabi: True Tours Nanto * Luea, Lady Jewelpet * Chinatsu Morikawa, Lostorage Incited WIXOSS * Rinna Fuwa, Mangaka-san to Assistant-san to the Animation * Subaru Konoe, Mayo Chiki! * Tsukihi Araragi, Monogatari (series) ✅ * Kaede Mizumo, Nyan Koi! * Mitsuba Sangū, Owari no Seraph * Crusch Karsten, Re:Zero kara Hajimeru Isekai Seikatsu ✅ * Maho Misawa, Rō-Kyū-Bu! ✅ * Yū Sonda, Sakura Trick * Hibari, Senran Kagura ✅ * Astarte, Strike the Blood * Norie Okazaki, Tamayura * Yuzuha Aigae, Tenshi no 3P! ✅ * Mea Kurosaki, To LOVEる ✅ * Librorum Prohibitorum Index, Toaru Majutsu no Index ("A Certain Magical Index") ✅ * Aiko Andō, True Tears * Mirei Shikishima, Valkyrie Drive: Mermaid * Aoi Yukimura, Yama no Susume ✅ Commentary: Despite everyone's dislike for Index's voice in "Toaru Majutsu no Index," I am a fan of Ms. Iguchi's discography! Her role as Miku Kohinata is doting and maternal, and it reminded me of her roles as Tsukihi Araragi in the "Monogatari" series! She has a very charming, earthly aura when she plays certain characters — when they're not ecstatic, they're often very practical like Crusch Karsten from "Re:Zero kara Hajimeru Isekai Seikatsu"! Magnificent job in making Miku stand out, even though she starts out as a side character! Superb seiyū! Yoko Hikasa as Maria Cadenzavna Eve, notable roles: * Hana Suguruno, 7 Seeds * Hibiki Tenshō, Aikatsu Friends!: Kagayaki no Jewel * Nanako Saeki, Aku no Hana ✅ * Tio Clarce, Arifureta Shokugyō de Sekai Saikyō ("Arifureta: From Commonplace to World's Strongest") * Tomoe Udagawa, BanG Dream ✅ * Farnese de Vandimion, Berserk ✅ * Fighter, Bikini Warriors * Erica Blandelli, Campione!: Matsurowanu Kamigami to Kamigoroshi no Maō ✅ * Kiyono Amahara, Chu-Bra!! * Ayano Kōsaka, Code Geass: Akito the Exiled ✅ * Sakura Sakurakōji, Code:Breaker * Kyōko Kirigiri, Danganronpa ✅ * Sakie Satō, Demi-chan wa Kataritai ("Interviews With Monster Girls") ✅ * Brioche d'Arquien, Dog Days * Hina Tachibana, Domestic no Kanojo * Freya, Dungeon ni Deai wo Motomeru no wa Machigatteiru Darō ka ("Is It Wrong to Try to Pick Up Girls in a Dungeon?") ✅ * Ao Gennai, Frame Arms Girl * Kei Kugimiya, Ginga Kikōtai Majestic Prince * Aya Akabane, Gokujo * Miu Osawa, Hagure Yūsha no Aesthetica * Kurumi, Hal * Emi Yusa, Hataraku Maō-sama! ("The Devil is a Part-Timer!") ✅ * Rias Gremory, High School DxD * Junko Hattori, Ichiban Ushiro no Daimaō * Inōnoshishi ("Warrior of the Boar"), Jūni Taisen ("Zodiac War") ✅ * Mio Akiyama, K-On! ✅ * Kyōko Sonan, Kenzen Robo Daimidaler ✅ * Seraphim, Kore wa Zombie Desu ka? ✅ * Diana Cavendish, Little Witch Academia ✅ * Saki Takamiya, Long Riders! * Emiru Hazaki, M3: Sono Kuroki Hagane ("M3: Mortal Metal Memories") * Sanae Mokuō ("Ruler"), Mahō Shōjo Ikusei Keikaku ("Magical Girl Raising Project") ✅ * Iris, Mahō Shōjo Lyrical Nanoha: Reflection ✅ * Angelina Kudō Shields, Mahōka Kōkō no Rettōsei ✅ * Anne, Manaria Friends ✅ * Folna, Merc Storia: Mukiryoku no Shōnen to Bin no Naka no Shōjo * Yua Nakabeni, Miru Tights * Lafter Frankland, Kidō Senshi Gundam: Iron-Blooded Orphans ✅ * Lucifer, Monster Strike * Minami Kawashima, Moshidora * Kō Yagami, New Game! ✅ * Stephanie Dola, No Game No Life ✅ * Jeanne Kaguya d'Arc, Nobunaga the Fool ✅ * Ruri Fujika, Piace: Watashi no Italian * Saitō, Pokémon (2019) ✅ * Seiten, Queen's Blade: Grimoire ✅ * Saki Nagatsuki, Rō-Kyū-Bu! ✅ * Nashetania Loei Piena Augustra, Rokka no Yūsha ✅ * Maya Kumashiro, Seikimatsu Occult Gakuin ("Occult Academy") * Hana Katsuragi, Seikon no Qwaser * Shino Amakusa, Seitokai Yakuindomo * Mitsuhide Akechi, Sengoku Collection ✅ * Maria Cadenzavna Eve, Senki Zesshō Symphogear ✅ * Ryōbi, Senran Kagura * Mammon, Sin: Nanatsu no Taizai ("Seven Mortal Sins") ✅ * Hiyori Kazane, Sora no Otoshimon ("Heaven's Lost Property") ✅ * Pitohui, Sword Art Online Alternative: Gun Gale Online * Mira Yamana, Trinity Seven * Satan, Umineko no Naku Koro ni ✅ * Izumi Takanashi, Working!! ✅ * Sayuri Muranushi, WWW.Working!! * Kaede Saitō, Yama no Susume ✅ Commentary: Ms. Hikasa is very good at creating a duality of good and evil in Maria Cadenzavna Eve. In the past, I have described Yoko Hikasa as a type of sexy, temptress archetype! She has often voiced demons, very evil characters (Nashetania Loei Piena Augustra in "Rokka no Yūsha" and Nanako Saeki in "Aku no Hana" are a couple of examples), and even representations of Satan herself! Maria starts out very much an anti-hero, she has a Spawn cloak, and an undying loyalty for her controllers; but, despite this, deep down... Maria is very caring, and the protectiveness that she feels for Kirika and Shirabe, eventually extends to her other friends, as well! Even in later seasons, Ms. Hikasa is alarmingly good at conveying Maria's fight between her newfound morality and her brainwashed upbringing! Great character, wonderful seiyū! Ai Kayano as Kirika Akatsuki, notable roles: * Akari Kawamoto, 3-Gatsu no Lion ✅ * Futaba Ōki, Amanchu! ✅ * Mikono Suzushiro, Aquarion Evol * Anya Dostoyevskaya, Aria the Avvenire * Kaga and Atago, Azur Lane * Hana Mutō, Captain Earth * Kanade Ōe, Chihayafuru ✅ * Ponoka, Choboraunyopomi Gekijō Ai Mai Mii ✅ * Anna Clément, Code Geass: Akito the Exiled ✅ * Mikan Tsumiki, Danganronpa 3 * Maihime Shirayuki, Dokyū Hentai HxEros * Mimi, Flip Flappers ✅ * Megumi Sakura, Gakkōgurashi! ("School Live") ✅ * Saori Takebe, Girls und Panzer ✅ * Moka Hoto, Gochūmon wa Usagi Desu ka? ("Is the Order a Rabbit?") ✅ * Nana Hayashida, Golden Time ✅ * Inori Yuzuriha, Guilty Crown ✅ * Yuyuko Saigyōji, Hifū Katsudō Kiroku: The Sealed Esoteric History ✅ * Diamond, Hōseki no Kuni ✅ * Mayaka Ibara, Hyōka ✅ * Emi Kaidō, Infinti-T Force ✅ * Aoi Sakurada, Jōkamachi no Dandelion ✅ * Hibino Shiba, Kamisama Dolls ✅ * Akane Mahōgasawa, Kanojo ga Flag wo Oraretara ("If Her Flag Breaks") * Kanae Kochō, Kimetsu no Yaiba ✅ * Juliet Persia, Kishuku Gakkō no Juliet ✅ * Lalatina Dustiness Ford, Kono Subarashii Sekai ni Shukufuku wo! ("God's Blessing on This Wonderful World!") * Millia il Velch Cutrettola Turan, Last Exile: Ginyoku no Fam ✅ * Mogana Kikaijima, Medaka Box ✅ * Zenna Zabi, Mobile Suit Gundam: The Origin ✅ * Chisaki Hiradaira, Nagi no Asu kara ✅ * Shiro, No Game No Life ✅ * Ai Fuyūmi, Ore no Kanojo to Osananajimi ga Shuraba Sugiru ("Oreshura") ✅ * Erika, Pokémon Masters ✅ * Chizuru Hishiro, ReLIFE * Muginami, Rinne no Lagrange * Akane Kajiya, Romantica Clock * Utaha Kasumigaoka, Saenai Heroine no Sodatekata ("How to Raise a Boring Girlfriend") ✅ * Kokomi Teruhashi, Saiki Kusuo no Ψ-nan ✅ * Mashiro Shiina, Sakura-sō no Pet na Kanojo ✅ * Leila, Sayonara no Asa ni Yakusoku no Hana wo Kazarō ("Maquia: When the Promised Flower Blooms") ✅ * Hitoe Uemura, Selector Infected WIXOSS * Kirika Akatsuki, Senki Zesshō Symphogear ✅ * Yomi, Senran Kagura ✅ * Ruki, Senryū. * Lucy Yagami, Servant x Service * Meili Zhou, Shin Chūka Ichiban! * Rinko Ogasawara, Shirobako ✅ * Ryōko Sakaki, Shokugeki no Sōma ✅ * Haru Estia, Soul Worker: Your Destiny Awaits * Karila Hatsuse, Stella Jogakuin Kōtō-ka C³-bu * Mei Tachibana, Sukitte Ii na yo. ("Say I Love You") * Mako Saitō, Super Seishūn Brothers * Alice Zuberg, Sword Art Online ✅ * Alisha Diphda, Tales of Zestiria ✅ * Kanae Mitani, Tamayura * Yuyuko Saigyōji, 東方 Niji Sōsaku Dōjin Anime: Musō Kakyō ✅ * Mamako Ōsuki, Tsūjō Kōgeki ga Zentai Kōgeki de Ni-kai Kōgeki no Okaasan wa Suki Desu ka? ("Do You Love Your Mom and Her Two-Hit Multi-Target Attacks?") ✅ * Sumire Kisaragi, Twin Angel Break * Kasumi Takamiya, Witch Craft Works * Anna, Yakusoku no Neverland ("The Promised Neverland") ✅ Commentary: Ai Kayano is known for having a sugary sweet voice and that translates well into Kirika's character. She's straight-forward and typically the most unassuming girl out of the group. She's simplistic and often even hard-headed, but she always means well, and she will risk her life for her partner, Shirabe! Ms. Kayano did an excellent job with this character, S-tier performance! Toshino Nanjō as Shirabe Tsukuyomi, notable roles: * Sonia, Berserk ✅ * Naoto Miura, Clockwork Planet * Koko Tsukishima, Da Capo * Gankyō Kūrubiyūtei, Joshiraku * Eri Ayase, Love Live! ✅ * Matsuri Sengen, Mahō Shōjo Taisen * Robu, Neko no Robu * Panpaka, Panpaka Pants Movie: Bananan Ōkoku no Hihō * Nene Kurio, Penguin Musume♥Heart * Akiho Senomiya, Robotics;Notes * Lise Hohenstein, Schwarzesmarken ✅ Commentary: Ms. Nanjō has less speaking roles with the archetypically kūdere, Shirabe, but when she does has a time to shine—she's sweet, smart, and insightful! Very good casting choice, Toshino Nanjō needs more roles! Noriko Hidaka as Shem-Ha Mephorash, notable roles: * Shiine, Akazukin Chacha * Terumi Amano, Ankoku Shindenshou Takegami * Constance Bonacieux, Anime Sanjūshi ("The Three Musketeers") * Kazumi Endo, Aoki Densetsu Shoot! * Retsuya Ichimoji, Bakuso Kyōdai Let's & Go!! MAX * Sumire, Baoh Raihōsha ✅ * Miwa Yamada, Chi's Sweet Home ✅ * Nate River ("Near"), Death Note ✅ * Masumi Sera, Detective Conan ✅ * Jean Roque Lartigue, Fushigi no Umi no Nadia ✅ * Kitarō, Gegege no Kitarō: Kitarō's Ghost Train * Ichigeki Danpei, Honō no Tōkyūji: Dodge Danpei * Kikyō, InuYasha ✅ * Kagetsu, Kashō no Tsuki ("Moon of The Fiery Night") * Ursula Callistis, Little Witch Academia ✅ * Mikage Matsunaga, Miracle☆Girls * Rene Ai, Ninja Senshi Tobikage * Usugumo, Oedo wa Nemurenai! * Bellemere, One Piece ✅ * Peter Pan, Peter Pan no Bōken * Dominator, Psycho-Pass ✅ * Akane Tendō, Ranma ½ ✅ * Mariko and Yuriko Ozono, Rockman.EXE * Sōjirō Seta, Rurōni Kenshin ✅ * Erica Fontaine, Sakura Taisen: École de Paris * Tomoko, Shin Kujakuō * Bakabon no Mama, Shinya! Tensai Bakabon * Sahari, Sōsei Kishi Gaiarth * China, Spirit of Wonder * Aphrodite, Suite PreCure♪ * Shibei Inue, The Hakkenden * Sōshi Yukimi, Tobe! Isami * Satsuki Kusakabe, Tonari no Totaro ("My Neighbor Totoro") ✅ * Noriko Takaya, Top wo Nerae! Gunbuster ✅ * Buburina, Totsuzen! Neko no Kuni Banipal Witt ("Catnapped") * Minami Asakura, Touch * Noriko Hakushika, Yūkan Club Commentary: It's kind of surreal that Akane Tendō ("Ranma ½") and Kikyō ("InuYasha") have the same voice 🤔 With that aside, Ms. Hidaka is talented veteran in the industry. It's clear from how many lengthy shows she's been apart of, that she's no new-comer to voice acting! Her performance as the main villain, Shem-Ha Mephorash, the spirit that possessed Miku... gives off a strong spiritual vibe. While the writing in this season, may have not made her not the most grandiose ne'er-do-well in Symphogear, especially when stacked against compared to some of her contemporaries... she is really able to invoke the ambience of a cosmic entity! Excellent voice actress! Aimi Terakawa as Millaarc Cranstoun, notable roles: * Kasumi Toyama, BanG Dream! ✅ * Kazumi Tokiwa, Futari wa Milky Holmes * Tomoya Mizuhara, Onee-chan ga Kita ("My Sister Came") * Moa Torii, Saikin Imōto no Yōsu ga Chotto Okashiinda ga. ("Recently, My Little Sister is Unusual") Commentary: I only know Ms. Terakawa as Kasumi Toyama ("BanG Dream!"), so I thought that her portrayal of Millaarc Cranstoun was the strongest that I had ever seen from her! Kasumi is a genki, cloud-cuckoolander... and while I do enjoy that character, it was nice to see her spread her wings and try her hand at a malevolent villainess, instead! Wonderful work! The "concert massacre" send cold shivers down my spine! M・A・O ("Mao Ichimiya") as Vanessa Diodati, notable roles: * Misaki Shirogane, Action Heroine Cheer Fruits * Fubuki, Azur Lane ✅ * Bela, Bem ✅ * Chiaki Sakata, Chūko Video-ya no Onna Tenin X ("Used Video Shop's Female Shop Clerk X") * Françoise Arnoul, Cyborg 009 VS Devilman ✅ * Lin, DD Hokuto no Ken ✅ * Hikari Yagami, Digimon Adventure tri. ✅ * Vorona, Durarara!! ✅ * Iris, Enen no Shōbōtai ("Fire Force") ✅ * Papika, Flip Flappers ✅ * Yūri Wakasa, Gakkōgurashi! ("School-Live!") ✅ * Anzu Yamasaki, Gantz:O ✅ * Doll, Gekidol * Kazumi Schlierenzauer, Gokukoku no Brynhildr ("Brynhildr in the Darkness") * Narmaya, Granblue Fantasy ✅ * Zero, Gunjō no Magmell ("Magmel of the Sea Blue") * Wilma Etol von Asgahan, Hachinan tte? Sore wa Nai deshō! ("The 8th son? Are you kidding me?") * Haru, Henki Shōjo * Dreamcast, Sega Hard Girls ("SeHa Girls") * Hinako Sakuragi, Hinako Note * Emilia, Hōkago Saikoro Club * Claire Harvey, Hundred ✅ * Koharu Hondōmachi, Id:Invaded * Akane Kōmoto, Jitsu wa Watashi wa * Sayaka Miyata, Keijo ✅ * Yukina Shirahane, Kuromukuro * Mutsumi Oribe, Kyochū Rettō * Aoko Nakamori, Magic Kaito 1412 ✅ * Naville, Monster Hunter Stories: Ride On ✅ * Melascula, Nanatsu no Taizai ✅ * Kyō Goshōin, Netoge no Yome wa Onnanoko ja Nai to Omotta? ("And you thought there is never a girl online?") ✅ * Yui Hanasaka, One Room ✅ * Haruna, Onsen Yōsei Hakone-chan ("Hot Springs Fairy Hakone-Chan") * Nicole Ascart, Otome Game no Hametsu Flag shika Nai Akuyaku Reijō ni Tensei shiteshimatta... ("My Next Life as a Villainess: All Routes Lead to Doom!") * Chiemi Honda, King's Game * Aika Suzuki, Phantasy Star Online 2 the Animation * Percorine, Princess Connect! Re: Dive ✅ * Kyōko Esumi, Re-Kan! * Mage Bilstein, RErideD: Tokigoe no Derrida * Imu Rifuta, Saiki Kusuo no Ψ-nan ✅ * Kyōko Eqūleus, Saint Seiya: Saintia Shō ✅ * Saraka Tsukai, Seikaisuru Kado * Saraato, Seisen Cerberus: Ryūkoku no Fatalités * Renge Komadori, Sekai Seifuku: Bōryaku no Zvezda ("World Conquest Zvezda Plot") ✅ * Azuzu Komagome, Senyoku no Sigrdrifa ("Warlords of Sigrdrifa") * Shion Kyōzuka, Slow Start ✅ * Homare Onishima, Sōnan Desu ka? ("Are You Lost?") ✅ * Shion, Tensei shitara Slime Datta Ken ("That Time I Got Reincarnated as a Slime") * Fumika Sagisawa, The iDOLM@STER Cinderella Girls ✅ * Suzuka Konohana, Toji no Miko ✅ * Meguru Amatsuki, Twin Angel Break * Luluco, Uchū Patrol Luluco ✅ * Mao Kurokawa, Wakaba*Girl * Fierté, Z/X: Ignition Commentary: Ms. Ichimiya is famous for being typecast as really attractive, bishōjo characters; and Vanessa was no exception to that rule. In fact, I thought she was the "best girl" character, out of the new trio. I couldn't bring myself to like Millaarc, after she brutally slaughtered all of those innocent people during Tsubasa and Maria's concert and Elsa was kind of plain, so, naturally Vanessa is the best option. She's beautiful, has a sultry voice and figure, and a teasing personality! What's not to love? Excellent seiyū! ※Bonus: I don't know if I'm the only one who conceptualized this idea but, to me, I thought that her android characteristics and costume were very similar to some of Shōtarō Ishinomori's (creator of "Cyborg 009") female characters! Kana Ichinose as Elsa Bete, notable roles: * Tuesday, Carole & Tuesday * Ichigo, Darling in the FranXX ✅ * Yuzuriha Ogawa, Dr. Stone ✅ * Marlya Noel, Fairy Gone * Myra, Grandblue Fantasy ✅ * Yutoria, Shachō, Battle no Jikan Desu! ("Shachibato! President, It's Time for Battle!") Commentary: Ms. Ichinose hasn't been cast in terribly roles, but I have enjoyed the few I've seen her in. Hers is not as distinctive as some of the other voices, but it's very cute. I would say that her best role, from what I've seen, is Ichigo ("Darling in the FranXX") because there was more depth and dimension to that character, compared to some of her other performances. Great job! Overall, Senki Zesshō Symphogear XV has a decent conclusion. The romantic moment with Hibiki and Miku holding hands under the Aurora Borealis, worked well as a touching epilogue to the franchise. The moments of introspection with Tsubasa and Miku is what made this season come together, so seeing Miku experience such a beautiful phenomenon with the person she cherishes the most, was a satisfying conclusion to her character arc. I rate Senki Zesshō Symphogear XV (Season Five) a 6/10, it's a series (among many others), that I plan to eventually purchase on Blu-ray! Rankings: Senki Zesshō Symphogear (Season One) ★★☆☆☆ Senki Zesshō Symphogear G (Season Two) ★★★★☆ Senki Zesshō Symphogear GX (Season Three) ★★★☆☆ Senki Zesshō Symphogear AXZ (Season Four) ★★★★★ Senki Zesshō Symphogear XV (Season Five) ★★★☆☆ From Best to Worst: 1. Senki Zesshō Symphogear AXZ 2. Senki Zesshō Symphogear G 3. Senki Zesshō Symphogear XV 4. Senki Zesshō Symphogear GX 5. Senki Zesshō Symphogear
jjohn333
09/20/2020, 09:05 AM
This is an overall review for all its seasons One can rate a series in many different ways, we can discuss its story, its plot, structure and pacing, we can talk about its characters, the way they are realistic / believable, their development or the impact they have on the overall story. There are many, many aspects one can use to rate an anime, those were just some of the very few most discussed ones, but sometimes they can be enough to decide, whether the series is “good” or “bad” Sometimes it doesn’t matter whether the anime is bad or even horrible though. Sometimes we find somethingwe know is not “good”... and yet we can enjoy it way more than some of the objectively better series, despite all its flaws - we call them the “Guilty pleasure” and Symphogear now belongs to one of them for me Plots are very repetitive, simple and sometimes can get immature, there’s lots of classic anime tropes and stereotypes, and the characters are often not realistically believable or one dimensional. And yet i still had an awesome experience like one of the few, all it took is a good concept and focus The said concept is very, very simple and yet very, very powerful one - It’s all about girls, singers, who gain their powers by singing. It sounds silly and it sure is, but watching a bunch of anime girls singing and fighting at the same time can get really awesome, especially when the lyrics change in most fights to fit the story and the character’s situation or mentality, which is something that had me sold quite quickly, because every episode is then quite a great audiovisual experience The whole series can be summarized with a single word - “Hype”. Hype is probably, together with the singing, its most important element throughout the whole 5 seasons, where both complement each other well, and the anime makes sure to prioritize the hype. Quick explanations, simple plots and characters, so that it can hold its fast pacing, power ups and transformation sequences, which are just awesome in the final season. The idea of a “Swan song”(=climax song) helped a lot as well, where they can get a really powerful boost, but for a deadly price. I still get goosebumps when I start hearing the first words, really great stuff. They can boast with their music overall though, as most of the openings and endings are bangers, thematic to the story and builds up the hype even more. Apart from music the whole series is really well animated too though, especially in the transformation sequences and battles, mainly in the climax ones, where together with the music it’s just bliss to watch Overall the series has many flaws, however in many ways it doesn’t take itself that seriously and delivers really well in what it tries to accomplish. It’s a really fun, action, pleasing, HYPE experience that is really hard to recommend, but it’s a great watch if you turn off your brain, especially the final season which was really lit. If anyone got interested, or wanted to try if he was interested, I can recommend trying the first 6 minutes of the 3rd season (Symphogear GX), where it’s a nice opening scene that shows they are not afraid start the season with a punch, as well as it shows some of its absurdity and it is relatively spoiler free, relatively. Thanks for reading
HetakuSoda
08/13/2020, 07:58 PM
(This is for all five seasons) All anime, really all stories, especially those whose main appeal is meant to be the fights, are simply a premise executed on with a series of tropes and subversions of tropes. It is thus those that have the best premise, but far more importantly those that execute and subvert said tropes the best, that shine the brightest. And in that regard, Symphogear does one of the best jobs I have ever seen. Symphogear is a magical girl battle anime with one main hook: the girls have to sing as they fight. What this allows, in its near-perfect execution of this concept, isa concert of visual and audio, in which the rhythm on the fight perfectly matches the rhythm of the song, the likes of which are seldom replicated. The result is an even greater capacity to affect the viewer's emotions and reach new levels of FUCKING HYPE. The eye-candy and ear-candy themselves are both fantastic. The seamless, beautiful sakuga combined with songs that almost feel wasted having sound effects and dialogue on top of them come together in perfect harmony in order to bring to life stories on a scale spanning the earth, the moon, and all of human history. The stories followed by each season take the A Certain Magical Index approach of drawing from history and mythology to use as elements and villains. A prime example is the recurring Curse of Babel, from the Christian Tower of Babel story, which is an element in the majority of seasons, including the first and last, both of which feature villains attempting to dispel it. As early as the first season a fragment of the moon is blown up and the moon gains rings, which pleases me because having a fragmented moon in the sky is just something I've always loved seeing in stuff. They've also got lunar ruins there, which I just love as a concept. Elements from each season are really nicely interconnected, both obviously and subtly. The threat of each subsequent season is something familiar from those previous, with I believe the exception of GX, which introduces alchemy. Characters. All of the girls are cute as fuck, especially Yukine Chris; she is the best. And there's also a lot of yuri which is great to see, even a couple lesbian kisses. But seriously they do actually have internal conflicts and shit that make them interesting and loveable, even the villains. I don't have much else to say about that fact other than all the stuff with the families is precious. Also precious is the ships; Tsubasa and Maria are a great pair but the connection between Hibiki and Miku is just the thing I love. (But ngl I'd rather see Hibiki and Chris together; they've got a thing going on and I like it) Somehow every season had me fucking hating the villains at the start (especially XV) but they always manage to endear me to them by the end, which they kind of cheat because they're all adorable girls. Genjuuro and Ogawa are cool. The two S.O.N.G. guys you constantly see at the computers commentating on battles don't really have personalities, but sometimes they'll sneer at something or say something that makes them endearing anyway. Every episode other than season finales ends on a huge cliffhanger that make Symphogear one of the hardest shows to put down. The transformation sequences/henshin are hands down the best I've ever seen, throughout all seasons but especially in XV. Symphogear is a new kind of musical; a battle anime that has made its fantastic music diegetic, containing five sci-fi plots that occasionally intertwine with daily life; threats ranging from your grandpa to the illuminati to gods, countered by 2-6 lesbians in exosuits who have to sing as they fight. And it is one of my favorite anime of all-time.
cameronrb24
07/20/2020, 10:05 PM
The final season of Symphogear very much follows the formula presented in previous seasons; introduce new antagonists, fight for a bit, and then they eventually join up with the protagonists to defeat the larger overarching threat. There's noticeably less filler/SoL content, which helps smooth out some of the pacing issues I thought past seasons had. It's still a bit hard to follow, mostly because Symphogear has always been focused on its action rather than fleshing out its story. This wouldn't be a problem if the fighting was interesting, but we're still seeing the same 30 second long transformations, nonstop explosions, the same music for themost part, and the same special moves. It became stale, and when there isn't a strong story-line to fall back on it makes boring to watch at times. The characters are mostly same. Some familiar faces reappear (only to leave just as fast they came). Most of the character development is focused on the antagonists, who I only found mildly interesting. Tsubasa has a moment where her mental state flux, but it gets resolved in an episode or so. I did mention that the action became somewhat stale, but I still think its where most of my enjoyment came. The flashy moves and high tempo music were still enjoyable at times even its stuff we've seen before. This season didn't change my overall view of the series, but I do think it got some things right. It's the most focused season, and I thought it closed off the series fairly well, but it still suffers from many of the issues I had with Symphogear up to this point.
Ellenwitch
06/15/2020, 06:21 AM
I'm gonna use this review to review not just this series, but the entire seasons of Symphogear in general. As I have a lot to say, and if you're looking at something within the recent anime in the past year or two, and are looking for something to watch. Please watch ALL of Symphogear, and here is why. Symphogear covers a lot of ground when it comes to the characters, and this season is no different from the first. Touching on subjects and having twists that always keep you engaged. Always a good point for a show to keep you hooked, is through it's progressivecharacters, to even 5 seasons in, and there is still so much to take in and enjoy. This is why the plot is always so good and entertaining to me. The characters themselves have always been lovely. Miku and Carol are my stand out favorites, but each character is wonderful in their own right. They're a mix of personalities that all mesh together, to keep the show not only engaging, but it makes you want to root for them. But even on the other end, it makes you want to punch some of them with the shit they pull. It's like in wrestling, if you're actually booing a heel(bad person) they're doing their job right. The same happens here. A good villain for sure. The op for sure is lit as hell. I'm gonna be listening to this for years to come, much like the songs within the show in general. Music is always top notch when it comes to Symphogear. The art is also smashing as always too. You cannot go wrong here. Everything looks so well, and looks so well done. You'll not go wrong with this season, and with Symphogear as a whole. Go watch it.
NekoEgi
02/15/2020, 04:55 PM
No spoilers within. This show has high ratings because its rated by people who like the franchise as a whole and from a perspective of great bias. The characters don't really change or evolve over the course of the show. And when a character changes their mind leading to any change of mindset it happens without any real coercion or believably. The dialogue and interactions between characters is very childish and breaks immersion. Then there's the music. Its a music based show, except the music isn't good. Its very generic but doesn't even hold your attention. Its like opening music to a low budget anime, except it keeps occurring. TL;DRthere is no real character development, the story is boilerplate and predictable, the dialogue is weak and unbelievable. Its a music based show and the music is also bad. Give it a miss.
Infatuate
10/12/2019, 09:00 AM
I'm always astonished at how big of a franchise this actually is. Not many anime series, especially as non-mainstream as this one, can proudly claim 5 seasons over the span of 7 years. Quite impressive for Senki Zessho Symphogear (Symphogear from now on), and that is precisely why, as the third season was airing at the time, I decided to check it out. [Review / opinion will cover all Symphogear seasons with really insignificant spoilers - but spoilers are irrelevant for this series] At first I had trouble grasping what this show was all about. Death, blood, hatred between cast members, new found powers and some music.An overall serious and why not, edgy, tone that quickly starts disappearing in the following seasons in favor of a more slice-of-lifey nature with a somewhat repetitive yet effective formula. I had the wrong idea, and from that misconception, it led me to put it on hiatus for 2 years after finishing the second season. I'm glad that I came back and I'm somewhat sad that it is now supposedly over. Symphogear is hard to label within certain tags. The official ones indicate sci-fi, music and action, yet there's also comedy, mecha, slice of life, mahou shoujo and a spoiler tag for this last season as well. It is important to understand that this is not a battle shonen let alone a show where things follow a logical path or conclusion. This is a hard point of understanding to come to, because of how misleading the first season is. What makes this show enjoyable is a combination of everything that constitutes what it is. This anime at some point tried to take itself seriously, but the more I watched, the more I realized that if you're here for the overarching story, you will probably hate it. Satelight also became self aware eventually and I thank them for that. Shoutouts to the fanbase as well, ever so persuading and incredibly devoted to their singing goddesses. So then, onto the actual review: SYMPHOGEAR SYNOPSIS: One (six) young girl(s) continuously saves the world by using the power granted by ancient relics in the form of shards hanging from a necklace. These rocks react to the girls' singing, and in return provide them with miraculous mecha-like armors that seemingly can increase their power level at will, using it to ultimately defeat the bad guys after having initially lost to them earlier in the season. -We have our main character, Hibiki, a girl with a troubled past that invoked the power of deus ex machina from the first episode of the first season! From that point onwards you should know that she's powerful as fuck, and that she will probably win fights with the flick of a finger... or a single punch if things get too heated. One Punch Woman, if you will. Despite having this serious advantage over others, she often questions whether she should use her gift in battle, because she also enjoys talking a lot, and you can't really talk while you fight singing. -The stoic and serious Tsubasa, a blade with no feelings that sometimes does concerts because singing is her thing. -The former enemy Chris, a boyish girl that loves raw firepower and has a backstory that involves losing both of her parents. -Maria, one of the main antagonists from the second season, a girl that lost her sister... see where I'm getting at? We have 2 freaking former enemies (so far) as part of the main character cast. -Lastly we have Kirika and Shirabe, unfortunately the former didn't get much of a personality while the latter had half an episode for her development in the 4th season. These 2 along with Maria share the same backstory of being lab rats looking for atonement for what they did. -Then there's Miku, a normal schoolgirl. Hibiki's best friend just because. The blandest character in the series perhaps as her only contribution boils down to being a damsel in distress and screaming Hibiki's name very loudly. Oh and she also fights sometimes. I guess I should mention that a new recruit and crucial member of the supporting characters is technically the main villain from one of the seasons. You see what I mean yet? This anime rivals DBZ with the whole turning enemies into good guys shtick. This is another reason why you shouldn't take this show too seriously. I mentioned comedy earlier. I legit have a hard time figuring out if most of the stuff I laughed at, was designed with comedic value in mind. All the times 2 of the girls joined their breasts together (with the subsequent zoom-in), all the times one of the girls got knocked the fuck out whilst singing so that her song abruptly stopped, all the times the command center asked themselves in awe about what they just witnessed and someone explained it with absolute certainty, or how about a ninja extending his prowess on inanimate objects... it doesn't happen often, but the delivery is always great. The voice actresses are all big names in the industry, and pretty much all of them have great songs at some point. This is a huge incentive to watch for some as the music is superb and core to Symphogear, and while not every song is remarkable and some are repeated at times, it's still the driving force of this show. Every opening was sung by Nana Mizuki (Tsubasa), much to everyone's delight while every ED had Ayahi Takagaki (Chris) in charge. It makes me think the existence of this animation is just as a mean to advertise the vast amount of songs that exist, much like the Love Live anime, and that probably is right and obvious to most, but I don't know it for sure. The animation is excellent as well as the now iconic transformation sequences. Studio Satelight really outdid themselves from the second season and onwards. Character designs are vibrant, the abilities and fighting styles each of the girls (and villains) have is unique as well as their facial expressions. I don't think I spotted any QUALITY animation frames after season 1 but there probably are some. One minor criticism is how they rehash the transformation sequences a bit too much throughout seasons to skip some runtime, but since they look good I'm willing to forgive them. At it's core, Symphogear is ultimately a show about young girls fighting the villain of the season with the power of deus ex machina transmuted into hype songs. The animation is great, the sound is great, the voice acting is top notch. That's all it really matters. Is it entertaining? Yes it is. Will you find several instances where you ask yourself "why didn't they do X earlier" or a similar sounding hypothetical thought? Yes you will, unless you're the kinda guy that enjoyed Mirai Nikki unironically and couldn't physically see anything wrong with it, then you will never notice anything. Should you care about this? No. Laugh it off dude, and this is coming from someone that can't stand asspulls in shows at all. Symphogear makes it enjoyable because of its self-awareness and because the value of the show is located elsewhere. Trying to make sense of why stuff happens or how something is solved will get you nowhere. This is one of these shows best watched with your brain turned off, a negative connotation that some anime get; the radical difference in this case is that Symphogear is not trying to be something more than it is. You're getting exactly what you signed up for (bar the 1st season). That's not to say things are completely random or 100% make no sense, there is some continuity and reasoning in the way all of this works, it just happens that most of the times it is too contrived and convenient to take as a valid explanation for the events on screen. This is -not- a serious anime that failed in its premise and therefore can only be enjoyed with your brain turned off so you can ignore the flaws. This is an anime DESIGNED to be watched with your brain turned off from the get-go. That is a huge difference, and it's not a bad thing. Sit back, and enjoy watching 6 mecha divas wreck havoc as they sing the cheesiest lyrics at the top of their lungs. It's the peak Symphogear experience, and it's one that I dare say not many other shows can replicate.
AnimeBW
10/08/2019, 03:09 PM
I’ve been writing about anime in various forms for about a year and a half, and it’s been pretty damn hectic at times. I’ve run into a lot of shows that challenged me in a multitude of different ways, moments and stories so jaw-dropping that I felt I could never do them justice with mere words. But there’s an extra bit of irony in that consideration now that I’m finally at the end of Symphogear. After all, this show’s entire thematic point has been about the inability of words to communicate what you’re feeling, and how desperately we fight to rise beyond that limitation regardless.Hell, you could argue that us weirdos who write anime reviews- or any reviews, really- are like gear wielders ourselves, communicating ethereal ideas and feelings and trying to put them in a form that people can understand and relate to. Maybe that’s part of the reason I’ve fallen so head-over-heels in love with it; I know firsthand how difficult the task before Hibiki and company really is. It’s hard to get across what you’re feeling with tools this imprecise, to connect with people when the nature of reality itself keeps us as separate entities. But like the great punch lesbian herself, I keep reaching out regardless, because I know there are feelings well worth sharing and building together. And Symphogear has made that task so, so rewarding. This ridiculous, uneven roller coaster ride has been, without a doubt, one of the most worthwhile shows I’ve analyzed since I started a tumblr blog dedicated to this nonsense. It inspires me in so many different ways, even when it falls short of its audacious ambitions. I love its kinetic energy and bombast. I love its unapologetic queer driving ethos. I love its bold-faced commitment to sincerity in the face of all odds. I love how it never stops trying new things, never stops finding new ways to express the countless exciting thoughts bouncing around in its brain. I don’t think it’s an exaggeration to say that Symphogear is one of the most important anime I’ve ever watched in terms of figuring out why I value this medium so much. Even this far into my anime craze, I’m still finding new reasons to love it, new reasons to appreciate its existence. Symphogear’s eclectic mashup of genre and tone could only ever come from the no-holds-barred, try-anything ethos of anime, from a willingness to be as stupid and weird and ridiculous as overblown as you need to be to get such operatic points across with the panache and courage they deserve. In the time since I first watched it, this franchise has come to represent why anime will always be worth fighting for. Any medium that can produce something so singularly worthy deserves to stick around. So what do I say now that it’s finally over? Well I guess I better start with the only thing that really deserves to be said: Thank you. Thank you, Symphogear. Thank you for one of the craziest, most invigorating experiences of my anime-watching career. Thank you for the ridiculous action setpieces and fantastic animation. Thank you for the stunning performances and killer soundtrack. Thank you for the bravado, the tenacity, the showmanship. Thank you for Kirika and Shirabe. Thank you for Hibiki and Miku. Seriously, THANK YOU for Hibiki and Miku. Thank you for the imagination, the conviction, the heart, the willingness to go above and beyond. But above all else, thank you for a finale that I will remember for the rest of my life. I cannot overstate what an incredible achievement XV has been. This isn’t just the best season of Symphogear yet, this is the culmination and perfection of every reason why it’s been so worth fighting for. The action is more dynamic and explosive than ever before, with stunning animation that regularly left me gasping in my seat. The storytelling is more thoughtful and resonant than ever before, with story threads and thematic undercurrents that gripped me down at the very base of my soul. The villains are the best villain team yet, posing a legitimate moral uncertainty that makes every clash with them a nerve-biting affair. The spark of understanding has never shone as strongly, with such colossal courage and such meaningful connections to make. Hibiki and Miku’s relationship, taking central stage like never before, only becomes even more beautiful and resonant. This is the apotheosis of everything that makes Symphogear great, every reason it’s been such a breath of fresh air for me over the past months, all delivered in the most rousing opera performance I’ll likely ever see. And if I’m still reeling from the impact tying up this review four hours after the fact, then that’s all the proof I need to stand up and applaud until my hands ache from the effort. Because above all else, beyond any points I could make about production quality or storytelling consistency, the reason Symphogear has lingered so long in my thoughts is that this show- this utterly bananas show- is what I want anime to BE. I want every show I watch to be this courageous, this heartfelt, this determined to break every barrier in its path and forge something beautiful through sheer force of will. I've compared it to Gurren Laggan in the past, and that comparison has never felt more justified, and that comparison has never felt more true. Symphogear is everything that I wanted Gurren Laggan to be, inspirational on a level that knocks me out of my complacency and convinces me that anything I want to accomplish is within my grasp. It makes me believe in the power of this medium with every confident step it takes. And with XV, it doesn’t just deliver on that promise a thousandfold, it pierces the heavens with that promise and sends it hurtling through space like a rocket-powered ship of dreams, exploding in rainbow firecrackers that spell out song lyrics in their wake. This is every last reason I love anime jacked up to titanic proportions and let loose to stupefy the world with its majesty. I bow before Symphogear with more conviction than I do before Death Note, or Attack on Titan, or My Hero Academia, or Yu Yu Hakusho, or most other big franchises you could name. And if I’ve been able to share even a fraction of its beauty with you over the course of writing about it, then I know its song is still going strong. So you know what? Fuck it. I don’t care if Tsubasa’s arc this season was awkward and kinda mishandled. I don’t care if the lore doesn’t make any goddamn sense. I don’t care if this franchise is still chronically averse to the idea of subtlety. The reasons we fall in love with shows don’t come from some objective idea of quality in construction. They come from the connections they forge with us, speaking in a language we can never hope to fully understand, yet still feel speaking to us all the same. And with XV’s colossal finish in tow, I value Symphogear about as highly as I possibly can. I value it for its outrageous entertainment value, for its unyielding spirit, for Hibiki’s gentle fist, for Tsubasa's iron sword, for Chris’ newfound family, for Shirabe and Kirika's yin and yang, for Maria's stoic beauty, for Genjirou’s paternal brilliance, for Miku’s blinding radiance, for one of the single best fictional relationships I’ve ever had the pleasure to experience. This is the reason anime is worth fighting for, writ large in stunning spectacle and a heart that beats louder than any other. Symphogear is good on a level that defies reason, so why bother trying to make sense of it? If there’s one thing this franchise proves, it’s that even when you don’t fully understand, you can still connect more deeply than you could ever dream. And the connection Symphogear has forged with me is one that I will cherish until my dying day. So thank you again, Symphogear, for every second of this crazy roller coaster ride. Here's to all the memories, and to the shining future we reached together, with a light that God doesn't know.
Estheliel-san
10/03/2019, 12:46 PM
THIS REVIEW IS SPOILER FREE. Ah Symphogear, one of the more popular franchises of recent years and a much anticipated final season has come to an end. This review will cover the franchise as whole instead of the final season as I believe there is very little variety as a whole. The story is a clear case of good versus evil, rather expected in the genre that is notorious for lack of grey areas, ultimately triumphed over with powers of love, friendship and understanding. It does offer a few side plots as a whole but unfortunately with very little substance and importance to the main plot. Asa positive it avoids an episodic approach and focuses on developing the story as puzzle pieces and this helps for a satisfying ending with decent pace to any of the seasons. The art is great - the transformation scenes, which are the combat modes of each character, are exceptional and there is very little detail shared in these scenes among the characters. It's simply put, the strongest aspect of the series and one that will most likely be remembered and used as a benchmark for similar titles. The combat is quite flashy and dynamic, and character designs are enjoyable. The sound department is on a high note as well. From the voice acting in battles, to the quality of battle music. The opening and ending songs of each season have been praised by the community and apparently worthy of a concert overseas from what I heard. The characters are unfortunately on a low note. You have a MC that has all the hero complex and the bland lines to push for more in a battle as is with every shounen, her friends that give her courage, the villains that hate the world and how it doesn't understand them and those caught in between that are mere tools for the advancement of the MC's power and hold little relevance on the screen. Overall, the enjoyment is there, it's certainly one of the anime that you should give a go when you feel down, if you prefer the genre or just simply have some time for a relaxing show. It has highs and downs, fortunately more of the former in a few seasons, but the series will at least give you some memorable moments. 6/10
ProtoDrive
10/02/2019, 07:16 AM
Now, if you're reading this you're either a Symphogear fan like me or someone completely clueless, wondering "why the hell is this thing rated so high?", "why the hell is this literally nothing anime topping the charts of Summer 2019 for almost every week?". Hell, at the time I'm writing this, it's even in the top #50! ...If you belong to the latter, then this spoiler-free review about the series as a whole is for you! With one of its taglines being something as cool (and dumb) as "Believe in justice and a determination to fist", this show's gotta be good, right? YOU'RE GODDAMN RIGHT ITIS. It’s got magical girls that kick ass, it’s got catchy as hell songs, it’s got concert choreography better than idol anime (and hell, even better than /real/ concerts), it’s got M A R T I A L A R T S, it’s got toku references, it’s got mechs, it’s got giant monsters, it’s got gay rights AND isn't subtle about any of these! tl;dr WATCH SYMPHOGEAR IT'S GOOD ---- Now, let's go to the basics. What the hell is Symphogear? I'm gonna try to explain it as simple as I can: It's an over-the-top show about magical girls punching the shit out of monsters with mecha fists while singing songs LIVE. Basically it's like if you're watching some hot-blooded shonen anime alongside Precure, Kamen Rider and also Gurren Lagann all at once. If that's still not enough to convince you then I don't know what will. Jokes aside, it's... exactly that. I know that sounds like an abomination of mix-and-matched genres at first, but trust me - Symphogear makes it work in the coolest possible way. Like its main character, God bless her, Symphogear is a show that always punches through its limits, and it does so in such a stylish and confident way that it's hard to not accept it. But that doesn't mean Symphogear is all style and zero substance. No, it's all style AND all substance. Great animation and amazing fight scenes aside, Symphogear is a roller coaster of emotions. I rarely, almost never, get moved to tears while watching stuff, but with Symphogear I've lost count of how many times I've shed tears. Either from the hype, the heartwarming scenes, or the legitimately sad ones... This show punches your heart HARD with a fist full of feels, covering the entire spectrum of emotions that a human being can experience. It's just THAT good. Let's get to the story. The plot is pretty typical - it's not anything groundbreaking, but it's nothing repetitive either. It /is/ dumb, for sure, but in a good way. It is, however, carried by the amazing character writing. I don't wanna spoil anything, obviously, but this show really goes out of its way to make you like every single one of the characters. The character development is also plain to see with each new season, and goddamn does it feel good to see your faves growing up as you continue to watch the show. You will cry with them, you will laugh with them, and you will love them in the end - even characters you thought you wouldn't like at first. Symphogear is pretty heavy on the music theme, and it shows. That said, it also delivers in the music department. I mean, freaking Nana Mizuki sings the openings. This show also has the best use of character songs out of any other anime I've seen in my life. I mentioned this earlier, but the characters sing their songs live during battle. As in, the songs they play aren't pre-recorded! You can hear their voices crack a bit when they take a hit, or you cry tears of hype when one of the girls just freaking screams the lyrics of her character song as she delivers the final blow to an opponent. With such great usage, there's also a variety of genres that the songs come in, each character having a unique one. From Celtic music, to traditional Japanese music, to techno darkwave, there's a lot of variety in here. Not all of them works, obviously, but most of the time they do and it freaking slaps. All five seasons of Symphogear cannot be rated individually, they have to be taken in as a whole. Yes, it's flawed, season 1 especially, but that's the toughest obstacle you have to overcome and power through. It's a slog, sure, but everything beyond it is so, /so/ worth it. Besides, whether something is a flaw or a strength, a curse of a blessing, that just depends on how you view it! But it's undeniably true that Symphogear has a strong message to convey, and it presents that message in such an entertaining and engaging away that it's hard to turn your eyes away from the screen even for a split second. XV is the final season, and while it didn't exactly give me what I wanted, ultimately it was a satisfying journey - one that I highly recommend to other people. If you're a fan of the magical girl genre or shows about Karate Bugmen, then that goes double! Fun fact: The only reason I decided to pick this show up was because a friend of mine promised to give me 60 bucks if I did. But you know what? Symphogear is worth way more than a mere 60 dollars. It's... an experience that just can't be valued in money. It's an amazing experience I urge you all to try.
Pimsan
09/28/2019, 12:46 PM
I would like to say that Symphogear was a truly amazing anime that everyone can enjoy. Although a lot of people are thinking that this is a yuri series, is kinda debatable. But this show tells us about connection with other and trying to understand one other and that love has many forms and shaped. And not to mention with the ending we saw in episode 13, i can rest easy now that i know it's an neutral ending, where people can ship the girls with and whoever they want since that is kinda the draw back of Symphogear since like i said before: halfof the fan base believe that it's a yuri show. So please, if anyone want to watch the show without having in a argument or want to avoid people who force you to believe that it's a yuri show, please just enjoy the show without worry.
Zerity
09/28/2019, 12:28 PM
"Even if that's true" -Hibiki That phrase, every time I hear that damn phrase in hibiki's annoying voice I just wanna take a gun load it with explosive bullets and shoot myself. After torturing myself through 65 episodes it finally comes to an end. It should be obvious I am not a fan of this series. With that said I do think this is the best season yet. However it's still by no means a good series. Throughout all the bs plot devices and cringy twists that they throw at you that seem to come out of nowhere it's hard to find anything good in thisseries. I will say the music is good, and the transformation scenes are amazing to watch and fun as hell. One of the main reasons I did not like this series or any of the series in general is because I knew nothing was gonna happen of importance. The only time I was actually hyped was when hibiki's arm was gonna be bitten off, but then she just regrows another one. Even in this series, Carol's minions make a cameo to help her out, they were just used to stir up hype and be used as fodder for Carol to make it to were she had to be. Many things like this happen throughout the series of convenient bs that just appears outa nowhere. I will say the main reason I liked this season better was because of the villains. This time they weren't overpowered at the start and then through the power of the series ending the main character end up beating them at the end because they need to. They were weak. They were getting whooped by the main characters. When they did lose or win it made sense, and seeing them grow in the series was really fun to watch. Beside that though everything else was still really bad. The plot twists were not exciting everything just felt dull and bland. When it comes to the characters I can't say I like them at all. Especially Hibiki, though I did like Maria and Kirika at the very least. They were all one dimensional, stereotypical, and boring. I don't wanna shit on them to much mainly because I care to little for them anyways to want to do that. In conclusion, there was really nothing of value I found while watching the 65 episodes this series has. There are a few good merits this series has but it was not worth the watch. If you can make it past season one and enjoy it I think you will honestly love this series, so give it a try if you haven't already, you'll either hate it or love it.
LegendAqua
09/28/2019, 11:54 AM
The shortest and fastest route, straight ahead!, In a straight line! LA FUCKING LOVES Symphogear and what a way to go out, Game of Thrones' Final Season WISHED it wanted something like this... Senki Zesshou Symphogear's FINAL season and LA is still sad that this series is ending but nonetheless goes out with a bang, righting wrongs from previous seasons, culminating everything from it's previous seasons and tying up loose plotlines in making this final season all the more worth it to this end making it not only LA's favourite anime of Summer 2019 but to this franchise to one the greatest animes of all time (noseriously). See LA only got into the Symphoghear series about 3 years ago when it BARELY known, but quickly over G, LA really got into Symphogear with GX being a stumbling block but still having it's batshit craziness, it wasn't until AXZ that LA was in deep in Symphogear, heck because of it, LA played XD Unlimited (the mobile game and STILL plays to this day) and with XV tying EVERYTHING together while servicing the fans with crazy scenarios that they wanted for YEARS, this final season REALLY drives home how far the Symphogear franchise has gotten to, it's an underrated Fool's Stone but DAMN does it pack a punch when it delivers! Nuff reminiscing, so XV as a final season wraps up everything the previous 4 season culminated in, everything from the Curse of Balal, Tsubasa's family issues, the newly notion of not only Hibiki but Miku being cleansed of the curse and ABLE TO HOUSE THE POWER OF THE GODS because of it and all the while the Symphogear team needs to deal with the remnants of the Bavarian Illumanati, Noble Red. The first thing to note is that Tsubasa's family issues with her grandfather was hinted at multiple times in previous season finally comes into the forefront and we see both a regressions and progression to Tsubasa's character development and it's not to knock it on Tsubasa's regression as it brought up Tsubasa's worries and "duty" over to the forefront as a result, how it was handled was..uhhh aggressive to say the least. The entire deal with Hibiki and Miku being cleansed with the Curse of Balal after Tsubasa's arc (though they are both in tandem with each other) afterwards becomes the central focus and MAN does the plot twist it gives us changes everything about Hibiki's mantra of "to the fastest route, in a straight line" with how complicated Hibiki's arc gets, it's still something fans wanted, just not in the way they wanted but nonetheless. The Curse of Balal or more or less get full world building from what was hinted at in the first season and obviously becomes a HUGE plot point latter on. The only character that really didn't get character development this season was Chris and LA thinks it's mostly because her arc was already resolved in AXZ and this season wanted to tackle the rest of the cast that still had lingering plotlines and yes Chris IS still LA's faovurite character from the series and her not getting enough screentime is COMPLETELY ok, considering how batshit crazy this season gets with it's cliffhangers and plot twists, THOSE sufficed. Now for the villains for this final season, well we have Noble Red, three Alchemists wanting to get their human bodies back and their under the command or a certain bastard father....yeah Tsubasa's father Fudou hired them. Now Noble Red themselves aren't exactly "noble" as they are actually weaker than MOST of the series villains and thus they use trickery and deception in their fights, the worst example being Millaarc voiced by Aimi Terakawa and she HEAVILY gives Tsubasa Cerberus Syndrome as a result of her presences, like Millaarc is an interesting villain, LA just didn't like her tactics. Elsa voiced by Kana Ichinose and Vanessa voiced by M.A.O were cool and were nice contrast to Caglistro and Saint-Germain from AXZ though out of the three, LA liked Vanessa the most. Fudou's purpose was the conflict and regress Tsubasa as a character but also the pinnacle of resolving the entire issue with Tsubasa's crazy family dealings, LA hated the asshole let alone his plans were wonky as hell in his extremist nationalist ideals and to this end, he was probably worse of a villain than Adam was, maybe the worst villain of the series, heck even Dr. Ver had SOME sense of dignity. Now for the "final boss", well without spoilers, it's actually the perfect wall for Hibiki to NOT be able to punch through let alone the final boss brings in plot elements from not only previous seasons but gives the leeway for other underdeveloped main characters to the forefront, mainly Maria , the aforementioned Tsubasa and Fudou who set it all up and Hibiki (since her involvement was slimmed down from AXZ, fighting NOT withstanding). But much like the Bavarian Illumanati, Noble Red for the most part were a nice dragon to the ACTUAL final boss as well as their notions of wanting to be human...Millaarc....ehhh she was fine. Plot twists, man to say that they brought plot elements back and MADE IT AMAZING for this season is an understatement and LA mainly says this for GX, since even LA had problem with that season but XV remedied it as well as the previous seasons (G for it's moon, AXZ with somehow bring back Saint-Germain and the first season with the Curse of Balal to be brought in more detail) in the most batshit crazy Symphogear way possible. GX got most of the redeeming treatment, from Carol, the Autoscorers and heck they even brought back Hibiki's father and actually showed that he's developed out of his asshole father phase and he started being a father to Hibiki!, the rest of the seasons more or less got cameos and callbacks and everyone of them were gloriously done. Nonetheless like SYmphogear's style with plot twists and cliffhangers, THEY DO MAKE sense and only drives the plot to even crazier and crazier scenarios. The callbacks don't even feel like it was pandering to us, as it was more like they wanted to give what the fans wanted all the while solidifying and making the story better in being just Symphogear. LA says this as they DO gives us what the fans what they want, but Symphogear does it in the most awesome but blindsided way possible while giving it that Symphogear flair to it. The plot twists and callbacks were fucking amazingly done. The animation once again done by Satelight is GODLY to say the least, everything from it's addrenaline-music-fueled fight scenes the updated character designs, it being even more bloodier than before and in the backgrounding even. Seriously Satelight gave it their own with XV, even to the point LA seeing this rivaling David Productions' Jojo works or a Bones work. Yes there are the few rare derps but once again it just can't compared to the heart and soul the animation was taken overall...it is seriously GODLY animation, excellent work Satelight. LA KNEW you'd obviously could do it and for a last hooray for the series, even better. Voice acting?, well does LA REALLY need to say?, well give Aoi Yuuki the MVP of the season and LA's favourite seiyuu of Summer 2019, with her focused and honed shouting, Nana Mizuki gets an standing ovation with her much more dramatic tone as Tsubasa and let alone her singing the OP Metanoia, just DAMN, Yoko Hikasa as Maria as result of Tsubasa's arc get something similar to Nana Mizuki and heck even Yuka Iguchi gets to show her multiple cadences thanks to the huge plot twist of the season and man it shows in this season even more so. Another standout is Misaki Kuno as Elfnein and Inori Minase as Carol gets her time to shine as well. Add in Yoshino Nanjo and Ai Kayano as Shirabe and Kirika on comedic relief duty and they both still have great cadences (especially Ai Kayano). Hell add in Noble Red's voice actresses of M.A.O, Kana Ichinose and Aimi as Vanessa, Elsa and Millaarc all have their major strengths, form Aimi really reveling in her smug genki-ish cadence to M.A.O being really moe even as a villain to Kana Ichinose being the calm and collected sisters to Elsa and Millaarc while also having that trickster cadences coming through to Vanessa as a character. Seriously much like it's animation, the voice cast just gets even better to GODLY status. And yes on speaking of the OP, the OP was great and easily took LA's favourite OP of Summer 2019 and maybe for the year, showing off it's the final season. To the ending being an impactful farewell sung by Ayahi Takagaki. THIS IS SYMPHOGEAR so it's a no brainer that LA would gush about the OST and most if not all the insert songs and music in Symphogear was GOD tier with Nana Mizuki and Ayahi Takagaki as always making both OP and ED's GODLY. Essentially if you want Aoi Yuuki, Yoko Hikasa, Nana Mizuki, Ayahi Takagaki, Ai Kayano, Yoshino Nanjo, Yuka Iguchi and Inori Minase singing their bloody hearts out while fighting let alone the awesome OST from their discography added along with the singing. Symphogear is GOD Tier anime music. To say that the majority of this season gives us cliffhangers upon cliffhangers as well as situations that becomes REALLY hard to get back to normal, great resolutions to the majority of the casts that also callbacks to the previous seasons and even giving us one the largest plotlines to rest, Symphogear XV is at it's best to say the least especially for a "Final Season" and for going out like a bang that it did, the moniker as "Final Season" is apt and impactful. The finale, well AXZ's was great in impact and foreshadowing, while GX and G's was it in scale, but XV?, well...it brought the small scale, but large impact of AXZ while bringing in the absurdity of G and GX's final fights all into one AND THEN they went over to an eleven heck TWENTY with it's finale, this finale was utterly glorious and stands for what Symphogear is, if there is anything Symphogear does right it's is climactic final fights and finales in general and this finale definitely delivered in all it's glory! Too say that Symphogear finished that way or not, LA IS sad that Symphogear is finishing but it needs to end to make this finale last, instead of going on forever so LA sees that sentiment and by all means XV went ALL out this season if LA's praying to the Custodians instead proof enough. But what a way to go, from that little anime about mecha girls beating the crap out of Noises with plenty of melodrama, into an anime where mecha girls beat the crap out of a power hungry corrupt GOD with Sentai references. Symphogear as a franchise was just a rollercoaster of a ride in ALL forms of batshit adrenaline pumping awesomeness and craziness is just an understatement but LA said this in LA's Jojo's Part 5 anime review, but Symphogear is one of the current animes to achieve the status of being one of the animes that was utterly jawdropping and stunned and just constantly wanting and waiting for more episodes, heck not only that but Symphogear's discography were such earworms they even became a staple in LA's daily life in listening to the Openings and endings (and some of the batshit crazy battles) on a daily basis (no seriously). Symphogear may be ending but as LA said again...no matter what, Symphogear was a bloody great, no GODLY anime. Maybe a movie but if Symphogear ends here LA is wholly, far exceedingly satisfied with XV nonetheless. Symphogear is anime, Symphogear is music itself, Symphogear is life, Symphogear is GOD...LA is gonna fucking miss ya... Croitzal ronzell Gungnir zizzl Balwisyall nescell Gungnir tron Imyuteus Ame no Habakiri Tron Killiter Ichaival tron Granzizel Bilfen Gungnir zizzl Seilien coffin Airgetlam tron Seiwoss Igalima Lyzen Tron Fallian Shul Shagana tron Rei Shenshoujing rei zizzl "The power to kill God exists within this hand that holds others."
SanaeK10
09/28/2019, 09:54 AM
[Note: This is a review that encompasses my feelings towards the entire series including XV] Meteoroid falling, burning, and disappear, then... In the distance, that day when the star became music... Believe in justice and hold a determination to fist. By shedding many tears, the reality you face is Create a history, with a light God could not know. What is Symphogear? For the longest time I've never bothered engaging myself in this franchise. I never understood what is was, and I was naturally repulsed by all things mecha. Now that the series is having its final season and its a dry season, I decided to finally give in and giveSymphogear a try from the very beginning. I wondered how have I missed out on the Anime of the Decade all these years. I honestly didn't know what to expect watching the very first episode knowing absolutely nothing about the franchise. The show toyed with my emotions so much in that opening setpiece. When Kanade bit it I thought would be a grimdark Madoka ripoff ended up being one of the most life-affirming shows out there. A stunning display of idiocy and action that is both charming and captivating. It's confident in its strengths and parades its weaknesses proudly, a show that is both all style and all substance. But most of all, it's a true roller coaster of emotions, and I don't use that term lightly. I laughed, I cried, I got frustrated at the ineptitude and stupidity of both the characters and the creators, but most of all, I loved. When the curse of Balal fell in place, songs still managed to bridge that gap and connect us all together. The one emotion the series never fails to deliver is Hype. The surge of adrenaline and endorphins and all those chemicals in your brain whenever something awesome is happening onscreen is a rare treat in most other anime, but a constant occurrence in this series. The hype does occasionally fail to deliver, the heightened expectations can sometimes be too much, but still, when you hear Hibiki scream DATOSHITEMOOOOOO, you know she means business and join her in song. And those songs are precisely what keeps Symphogear in the minds of many all this while. I'm not an idol anime person, I despise most idol anime and yet. And yet. The moment I hard Gyakko no Flugel for the first time right there on the idol concert, I was enthralled. I knew that regardless of how the series turned out, it would have great music. Covering many genres, the series has a diverse palette of songs ranging from Hibiki's celtic rock to Tsubasa's enka-inspired tracks, there's no shortage of variety. Yes there are songs that don't work well, but the ones that resonate far outweigh the occasional crap Ignite remix or whatever. XV is no exception to this, and, this is a rarity coming from me with regards to this series, but I actually fully enjoyed the OPs AND the EDs this time round. The plot and story are fairly typical, but they feel like they belong in a JRPG. Every beat you'd expect is there, mini boss, dungeons, rivals, all those stuff. It's not particularly fantastic, but it works well. Not surprising seeing as Kaneko was a JRPG writer. More specifically for XV, XV is mainly about redemption. Not just about the characters, but also in a meta sense. I certainly have had my gripes with GX and AXZ being particularly weak, but XV comes along and somehow redeems them both in my eyes and I just can't hate them anymore. Symphogear has to be taken in as a complete package. It truly is more than the sum of its parts. Looking back, yes I can agree on all the flaws (some major) the series has had. Yet in spite of it all, across 7 years and 5 seasons. It's why I ultimately decided in awarding it with one of my rare 9s. Something this special, this inspirational, this long-lasting is truly an experience to behold. For better for worse, it is the definitive anime that represents the 2010s. It may not have ended in the way I wanted, and it may not have that one kiss I was looking for, but it filled the hole in my heart, and with it ending, the gaping wound in my soul may never heal. Maybe, for now at least, I can say that the series ended with dignity. It wasn't perverted into a zombie franchise like Madoka or Fate, nor did it stumble hard in its final moments and is struggling to reclaim its past glory like Nanoha. It has its shortcomings, but thinking back, the journey to the end has been a satisfying romp throughout. So what is Symphogear? It is a mecha-mahou shoujo-idol hybrid anime. It is Mizuki Nana's autobiography. It is an anime about fisting. It is 5 seasons and 7 years long and has captivated the hearts of many. But most importantly, it is Believing in the Song of your Heart. 9/10
RiverRode
09/28/2019, 09:30 AM
“Kohinata Miku, you’re my sunshine. I feel warmest when I’m next to you, and I’ll always come back to you. It’s always been that way, and I’m sure that it’ll stay that way.” Symphogear is a series that’s not for everyone. In the words of ANN’s Nick Creamer, it’s “a singing idol mecha yuri romcom battle melodrama with JoJo's sense of irreverence and a lot of fanservice,” and that amalgamation is no doubt going to scare some people off. But considering that this is a review of the show’s fifth season, I’m assuming that everyone reading doesn’t need to be convinced that this combination is actuallythe coolest thing ever. And given that, rather than asking how Symphogear compares to other anime, I think the more important question is how XV stacks up against the other seasons of Symphogear. So then, what are the makings of a good Symphogear season? Through careful research, I’ve narrowed it down to three factors: coolness, escalation, and gayness. As a series, Symphogear is constantly punching past the limits of its internal plausibility, and it gets away with it because it does so confidently and with style. And somehow, it manages to continue to top itself with each consecutive season. And most importantly, it does all this without ever losing sight of its emotional core. I think the best seasons of this show are the ones that have maximized these elements, so let’s see how XV compares. In regards to our first criterion, Symphogear has never been cooler. XV is the final season of this franchise, and the Symphogear Project team didn’t pull any of their punches to make sure that it got the ending it deserved. There's a tangible passion behind every moment; the transformation and fight scenes are the franchise’s best, and basically every other episode was stunning enough to be the finale of a lesser show. What’s more, there’s a lot of fanservice in the form of callbacks to favorite characters from previous seasons, which helps to cement that this really is the end. Managing escalation can be difficult after five seasons. It’s important to continue to raise the stakes so that there’s still tension as to whether our heroes can prevail, but after you’ve already punched God, it’s really hard to do that without moving too far into the realm of abstraction. Fortunately, XV’s writers understand that even when it seems like you’ve reached the top, it’s still possible to escalate past that by changing the focus to more personal conflicts. Like sure, the fate of the world is on the line again this season, but Hibiki is fighting to save something far more important: her wife. Through all of the twists and turns that this series has gone through, the one constant has always been the bond between Hibiki and Miku. Despite that, Miku has far too often been relegated to the sidelines in past seasons, so I’m glad that the final season was created with this relationship at its core. These two have been through too much over the course of this series, and I hope they'll have the chance to be happy together after everything is over. They’re so soft. So Symphogear XV succeeds in all of the criteria I put out at the beginning of what constitutes a good Symphogear, but honestly, those are all arbitrary and don’t really matter. I could spend the rest of my life identifying factors and trying to explain why those are what make Symphogear work, but I think its essence is one that ultimately escapes explanation. It's not a perfect series, but it's one that is always unabashedly itself, and at max volume. It’s brought so much joy to both fans and staff alike, and though I’m sad to see it go, I’m also so happy that it even existed in the first place. Symphogear will always be special.

Senki Zesshou Symphogear XV 戦姫絶唱シンフォギアXV

North American Anime & Manga Releases for February

'Senki Zesshou Symphogear' Franchise Announces New Project

Summer 2019 Simulcast List [Update 7/25]

Summer 2019 Preview

'Senki Zesshou Symphogear XV' Adds More Cast

Broadcast of 'Senki Zesshou Symphogear XV' TV Anime Postponed

Series Continuation of 'Senki Zesshou Symphogear' Announced [Update 2/28]

Senki Zesshou Symphogear XV 戦姫絶唱シンフォギアXV

North American Anime & Manga Releases for February

'Senki Zesshou Symphogear' Franchise Announces New Project

Summer 2019 Simulcast List [Update 7/25]

Summer 2019 Preview

'Senki Zesshou Symphogear XV' Adds More Cast

Broadcast of 'Senki Zesshou Symphogear XV' TV Anime Postponed

Series Continuation of 'Senki Zesshou Symphogear' Announced [Update 2/28]