Shingeki no Kyojin Season 2 進撃の巨人 Season2

2017 spring | Episodes: 12 | Score: 8.5 (1942029)

Updated every Saturdays at 22:00 | Status: Finished Airing

Type: TV

Streaming: Crunchyroll | Netflix | Shahid

Synopsis

For centuries, humanity has been hunted by giant, mysterious predators known as the Titans. Three mighty walls—Wall Maria, Rose, and Sheena—provided peace and protection for humanity for over a hundred years. That peace, however, was shattered when the Colossal Titan and Armored Titan appeared and destroyed the outermost wall, Wall Maria. Forced to retreat behind Wall Rose, humanity waited with bated breath for the Titans to reappear and destroy their safe haven once more. In Shingeki no Kyojin Season 2, Eren Yeager and others of the 104th Training Corps have just begun to become full members of the Survey Corps. As they ready themselves to face the Titans once again, their preparations are interrupted by the invasion of Wall Rose—but all is not as it seems as more mysteries are unraveled. As the Survey Corps races to save the wall, they uncover more about the invading Titans and the dark secrets of their own members. [Written by MAL Rewrite]

Voice Actors

Ishikawa, Yui

Inoue, Marina

Kaji, Yuuki

News

Reviews

Dislexic_Potato
05/11/2024, 03:03 PM
My god what a snoozefest. The first season of this show was overrated enough but the fact that this season is almost in the top 100 highest rated anime of all time is hilarious. Eren's whining is as insufferable as ever, the few cool characters like Mikasa and Levi don't get enough screentime and scenes feel severely dragged out. Nevermind that, the show expects you to care about characters that haven't been fleshed out which is the greatest sin of all. I might force myself to watch season 3 since people hype it up so much but man I'm begging AoT fans to watch their 2ndanime.
degenburneracct
08/05/2022, 02:17 PM
Def the weakest season in the series. While it kicks off at a pace so fast that the plot literally starts before the end of season 1, it kind of grinds to a halt quickly. Sure it's cool that there's a few eps filling out minor characters, but I don't think you have to sacrifice plot development to do this. Season 2 disagrees. While the first arc develops the show's mystery by going "hey check this thing out, that's weird huh?", the second arc does what the show does best: answering questions you wanted to know with more confusing questions until you're just sitting there like"wtf is going on" and then a bunch of big dudes punch each other in the face. The season worked a lot better for me on my second watch. Scenes have a lot more weight when you actually understand the importance of the info they're dumping on you. The "hints" are honestly more like easter eggs than foreshadowing. Not ideal when trying to piece together a story the first time around, but it's a good fun time to try and catch the five Hundred billion little details connected to future plot points.
Graine
10/18/2021, 01:46 PM
Season 2 of Attack on Titan is a mess. I'm tempted to say, "this is where the show jumps the shark", but I have not yet experienced the later seasons. I guess, season 2 is about that point in the story where the creator decided that his story should have some more twists to it. Unfortunately, Attack on Titan seems to only be able to pull off two kinds of twists: Type A) The twists that are painfully obvious. Type B) The twists that end up deflating the weight of the story and almost ruin the wonderful setting of the show. The writing in general seems awfully sloppyhere and very much gives off the feel of "just making shit up as I go". Lots of "do you remember that one life defining moment we had? Here's a flashback sequence of it, because we haven't actually established it (aka the writer only just now came up with it)". The lack of patience and proper buildup is astounding. If a thing is set up, it will either pay off immediately during the span of one episode or it will be brushed aside and left unresolved for the rest of the season. I wonder why the story went out of it's way to prevent Annie from acting as the source of our exposition by having her encased in crystal. It basically made the victory at the end of season 1 feel hollow and bitter. But the exposition Annie could have organically delivered gets dumped on us very soon afterwards (in manga release timeframe anyways) by other characters, so her whole cocoon maneuver seems like a net negative for the flow of the story. At the time, I thought the Season 1 ending was bold. "There are no real victories in war" -kinda thing. Now, I think it's painfully obvious that it was just the writer stalling for some more time to scramble together some sort of plan. I am almost certain that Rainer's split personality was an afterthought that had to be worked into the story in order for the character's actions to make any kind of sense in hindsight. Ymir turns her coat so many times in such a short period of time that the coat is basically just flickering on her. I suppose she is supposed to come off as volatile, to keep the audience on the edge of their seats, but it just comes across illogical and frustrating instead. Attack on Titan still has a lot of great things going for it. The art style and animation is still gorgeous and the Hiroyuki Sawano soundtrack is still A+ quality. The setting, despite season 2's best efforts, is still excellent and the titans are still one of the most horrific monsters I've ever seen in any media. All of this the show still has. But what is actually happening on the screen, in the present, is so tremendously stupid at times that the positive qualities almost don't matter. That is what makes AOT season 2 so frustrating, it completely fumbles with handling the fantastic framework for an epic story that it built for itself during season 1.
themegamancave
08/18/2017, 09:59 AM
Attack on Titan has an unfortunate truth surrounding it. Critics and fanboys surmise their opinions, incessantly hurling them at each other in hopes of smothering people into submission. One thing not present enough with this anime is a middle ground. In Season 2 we saw a surprising 12 episodes, a missing producer and a far different plot direction. The question is, did these things work for or against the franchise, and is it still the same old AoT that millions of viewers addictively engulfed several years ago? I feel it’s time to address the elephant in the room and provide a brutally honest review ofthe anime, and stop populating MAL with reviews embellished with buzzworthy absolutes like “the show is shit” or “arguably the best written series of all time”. DISCLAIMER- This is a very honest review. You’ve been warned. Right off the bat, the viewers are thrown into the second season with one of the worst transitions I can remember. I actually went back and watched the final episode of Season 1 followed by the first of Season 2 and was blown away by how disjointed it flows. So many unanswered questions (the walls, what exactly happened to Annie, how Eren feels about the whole thing) filled the air that I honestly couldn’t keep up with them all. It was a complete trainwreck. Possibly part of the issue is due to some changes in staffing regarding the anime, but it’s evident something went wrong. In this season, the viewers experience some short, but detailed backstory on Connie, Sasha, Ymir and others. Unfortunately, with the evident time pressure, it detracted largely from the story. The pacing is lethargic, often focusing on key battle scenes in order to create the facade that the plot is moving forward. It’s extremely hard to tell how much time is elapsing between various events, and as the final episode concluded, to have waited 4 years for what we got is embarrassing. Possibly the most glaring inadequacy is the truncated 12 episodes this season. In an anime with such a large cast as this, it really isn't enough time to get the job done. For the sake of metaphoric comparisons I could equate Attack on Titan’s short run time to my own high school reunion. In essence you have two hours to talk to about 50 people, and before you know it you've relinquished a bulk of your time catching up with one or two people. This results in a speedy greeting for the remainder, or you possibly not talking to them at all. This is precisely what the writers were forced to do with much of the anime’s cast. Characters like Levi and Armin make mere cameos, and the season spends most of its time progressing a short amount of actual story. The plot also suffers, as events can’t be properly explained within the amount of time 12 episodes allots. WARNING- SPOILERS IN THE NEXT PARAGRAPH The one aspect I can’t forgive from a writing perspective is how sloppy the Bertolt and Reiner reveal was. Similar to some complaints I had about Kabaneri of the Iron Fortress, it seemed to come so far out of left field that it felt reactionary. I understand the manga already contained this part of the story, but the appearance in the anime seemed sporadic and unexplained. It’s one thing to leave your audience questioning and on suspense, but another to come off as contrived or “simply doing things because the manga had it here in the timeline”. I felt much more surprised at Ymir’s titan introduction since I completely forgot she even existed. She was made to be a one-off character in my eyes, but as she transformed, her relationship with Krista and ghostly appearances all started to click. Bertolt and Reiner just doesn’t make sense to me. Hopefully, this gets cleaned up in Season 3 but it would’ve been a lot more cohesive without as much perceived randomness. OKAY, NO MORE SPOILERS! YOU’RE SAFE NOW! The more Attack on Titan progresses, the bigger issues I develop for Eren. In the anime’s infancy I thought Eren could become more than the trope he seems to currently be fitting. Ah, the revenge-blinded hero that will do anything to stop his foes… I can’t say I’ve ever heard of this before! He’s transforming into an angstier version of Kirito. Instead of just being the best at everything he does, Eren often gets beat, whines about it, recovers and then Leroy Jenkins’ his way back into combat again. There’s no internal dilemmas, no monologues about how he’s feeling (sans one instance in this seasons when everyone’s getting attacked at the end), just a vanilla-scripted MC. At least Mikasa maintains some enigmatic qualities by not continuously shooting her mouth off with an angry case of tourettes. If there is one thing the producer got right, it’s the action. Attack on Titan features some of the best choreographed fight scenes in anime, and Season 2 dials up the gore to 11. The emotions of the characters in battle are raw and realistic, with each spurt of adrenaline properly conveyed to the viewer. However, by saying this I also acknowledge how much the series is lacking in almost every other facet. It’s becoming that flashy toy kids play with for 5 minutes until they realize it only does about one thing. There’s no thinking involved, the foreshadowing is haphazard or non-existent, and it’s really unfortunate to see. With the budget this franchise has, it could easily hold the same uniform public praise as a show like Game of Thrones. The animation, story and characters COULD ALL BE EXCELLENT. But alas, we are left with luke-warm excitement and thoughts of how it could be better. I hope I’m not the only one that noticed the cringeworthy CGI involving the colossal titan during the 5th or 6th episode. Certainly an example of CG done wrong. However, while omitting this error, the anime’s art style seems relatively intact. The color palette still consists of opaque shades of brown, gray and green, with special attention given to character expressions and action scenes. The shots of a parade of Survey Corps members stampeding on horseback, or the ominous backdrop of roaming titans still launches AoT into a league of its own in the art direction category. Action scenes are fluid and suspenseful, and the gore is still as ubiquitous as the first season. I can only hope that as the series continues and media technology advances, the art directors stay true to their roots in this series, because a style that so accurately emulates its subject matter can be hard to come by. The music is epic once again. Linked Horizon returns to delight us with their fanfarish ballad to open the anime. “Sasageyo, sasageyo!” The remaining OST is fitting and seeks to emphasize the emotion present within its corresponding scene. Though, I will admit that I didn’t get the same sense of urgency or fear the background music portrayed during some of the more chaotic instances in Season 1. Nothing extremely offputting, but noticeable nonetheless. AoT’s seiyuus continue to impress with their grit and raw, emotional talent. Yuki Kaji’s resounding screams as Eren are evidence of his talent, and Hiroshi Kamiya is always smug and serious as Levi. I can only imagine how much fun the actors had when making this series, in terms of being able to use their full abilities. With any anime, my level of enjoyment is the most important factor when determining whether or not I’d recommend something. For the bulk of AoT fans, the second season will “partially” fill the void that the last 4 years since the anime’s debut has left. For some of you, possibly the more analytical types, the flaws begin to pile up. An extremely short runtime, half-assed character development and transition issues from the first season all work against AoT in this installment. Personally I enjoy the series, the world it exists in and the action, but Studio Wit is going to have to give the next season a much better effort if it wants to ensure its fans stay hungry for more, and have a more consistent adaptation schedule. Delaying one of the most popular anime in history for the trainwreck (pun intended) Kabaneri of the Iron Fortress in 2016 isn’t a good place to start. AoT always gets my blood pumping with its suspense and enthralling fight scenes, but can it keep the consistency? Hopefully Season 2 is not a precursor for things to come... Story-3 Characters-4 Art-8 Sound-10 Enjoyment-7 Overall-6.0
AlexPaulLEWZ
06/27/2017, 06:44 PM
"Sasageyo! Sasageyo! Shinzou wo sasageyo!" ("Dedicate, oh, dedicate! For this cause, your heart you must dedicate!") You are in a world where Titans, giant humanlike creatures that prey upon humans continue to exist, driving humanity to the brink of extinction. You only have one choice: to fight. You now already have some kind of advantage: A Titan enraged against other Titans, a soldier whom Titans have no chance winning against, hope of territory reclaiming and a very beautiful woman named Krista (the latter seems to be a joke). Will you still be satisfied and keep on living life like caged animals? Or you continue to fight? Fightingfor your freedom you long hope? (Even though there's a large chance you got killed by the Female Titan.) And thus continues the events in Shingeki no Kyojin (Again, I won't be using Attack on Titan because Shingeki no Kyojin doesn't translate to this) in its second season. Again, I wonder: Is the story any good? Or is it better than the first season? Maybe even worse? Maybe so horrible you wouldn't want to watch it? I wouldn't know. In order to fully enjoy Shingeki no Kyojin, I waited for the second season to be completed and watched it along the first season. I completed it in six days because it was so good. The story still centers around Eren Jaeger, a kid who've joined the Survey Corps with his best friends Mikasa Ackerman and Armin Arlert, along with the remaining Top 10 members of the 104th Cadet Training Squad: Jean, Ymir, Krista, Connie, Reiner, Bertolt, etc.. He also has the ability to turn into a Titan with the capacity of intelligence and immense strength, shown when he plugged up the wall in Trost District. As usual, being a second season, new characters and new revelations surround it. Many shocking things happened while at the the same time, unforgettable and awesome. Many of the battle scenes were well-played by the characters along with the deaths I didn't want to happen. Why!? Why should the characters who are supposed to be omega-strong died? Maybe because it's natural for they have a race far superior to them, preying them? That oppresion must not prevail! At least that's my opinion. Again, the art was so great that I can't get over it. The battle scenes that portray humans defending against Titans with their lives was again so spectacular that, again, I can't get over it. Especially the Levi scenes on the first season, which were very well-drawn. A mere 24-minute episode got extended to about 35 minutes because of constant rewinding. After all, who wouldn't like someone killing monstrous giants with blades shaped like cutter blades while simultaneously balancing on two detractable ropes with gas fuel? I want it too. The character designs was to die for, even more highlighting than the first season. The character designs for Eren and the other seems to have remained as it is, but in my perspective...is it me or Mikasa and Krista's designs were far too improved I finally lost my wits? Am I too biased? I hope not. MIKASA AND KRISTA FOR LIFE! AGAIN! The OSTs and music was also beautiful. What really piqued my attention was the opening, which didn't have German lyrics, but really bedazzled me on its bridge. Care to read some? "Sugishi hi wo aragau mono, yatsura ha kuchiku subeki teki da." I really can't get over it. Once again, I commend the ways and styles of Nippon's music industry in making music to be used in anime. Too great to be hated. At least to me. Characters. The human poulation is in decline because of the Titans. More than two hundred thousand died trying to recapture Wall Maria, even though I think that that plan was kind of a cover up, for the government is trying to suppress human population due to depleting resources. Such unfairness. Nevertheless, I really liked the characters, main, side and the members of the Survey Corps. Need I say more? The overall enjoyment I experienced watching Shingeki no Kyojin Season 2 is a bit low compared to the first season, but still high, even though it has a cliffhanger at the end and raised many to ask many questions. Why is that? I don't know. Overall, this anime is to be commended for its complex storyline, great art, music, battle scenes and characters, but not forgetting the meaning it holds within. At least there's one. Kudos. Watch the second season. It'll be worth your time. Now I'll be waiting for the third season.
Inferno792
06/22/2017, 12:33 AM
The sequel to Attack on Titan or Shingeki no Kyoujin was probably the most awaited anime series of the decade. I don't think I'm exaggerating when I say that because the first season just made a stupendous impact on the anime industry. Fans waited, and waited, and waited, for a second season to come and after four long years(God knows what the studio was doing for this long), we finally got a second season to one of our favorite, or for some people, one of their most hated anime. And let me tell you, as a huge fan of the first season and the seriesin general, Attack on Titan Season 2 is a colossal disappointment. The hype that most people had, or at least that I had, was already dissipated when a few days before the anime was to begin, it was announced that this season was going to be one cour. This wasn't just because it was a kick in the backside for those who've patiently waited for four years to only get 12 episodes, but also because those who've read the manga knew that 12 episodes would only let the plot hanging and would move the story nowhere. Unless they skipped lots of details, there was no way we were going to get the action and excitement that we'd longed for after having finished season 1. I put this behind me, like a lot of others, and made up my mind that 12 episodes were better than nothing. The season started in an explosive way and made me remember once again why I loved season 1 so much. The titans, the screams, the expressions of terror on the faces of characters, the fear that one of the characters that I liked might die. All these things along with the amazing battles were the reason why Season 1 had become one of my favorites. And we were thrown into it right away. As the season progressed though, the story began to stagnate and the fears that I held before the season began surfaced. The story just went nowhere. By the time I was at episode 10, I was already not following the series weekly. There were episodes in between that gave me the chills and the feels of the first season and I couldn't help but crave for more when I watched those episodes/scenes. But they were far too little. And I knew that this would be the case for most of the season. The manga content that was adapted for Season 2 was mostly exposition and the action was nowhere near enough to satisfy my thirst. It just had those long minutes of silence, which to be honest isn't what Attack on Titan is, or what made it so successful in the first season. On to the characters, this is an area that was probably the most disappointing for me along with the lack of action. If they could've had character development done well through the course of the 12 episodes, I think that might've made up for the lack of action. For me though, this didn't happen. Our protagonists Eren and Mikasa don't change. They didn't change much throughout Season 1, but you could excuse that. However, the utter lack of character development for anyone, even our protagonists is extremely disappointing. Eren never grows out of his "I'll erase every titan off the face of the earth" shit, and he doesn't really even try to think of reasons why Titans exist. He's just obsessed with killing them and that's all there is to him in the season. Mikasa doesn't get too much screentime but even she's the same "Eren I'll protect you from the world". The only characters that did get somewhere were Krista Lenz and Ymir. I thought they were fleshed out pretty well and had their past revealed a little bit. Having said all that, the animation of Season 2 just went up a notch from Season 1, and Season 1 was done pretty darn well. The art was detailed and the animation fluid. The OST was similar to season 1 with some differences added. They let us get a feel of the events happening extremely well and help up immerse in the world of titans. Both of these get almost a perfect score. Now, I did enjoy certain parts of Attack on Titan Season 2, but overall, it was a real disappointment for a fan. It had its moments when it caught me in the scene and had an effect similar to that of Season 1, however those moments were far too sparse. I'm predicting and hoping that Season 3 will be much more action packed and have our characters develop more. Even if the season was 2 cour, we were always going to have these episodes where the world was explained to us in the first cour, but we wouldn't have to wait another ......so many years to get to the real stuff. Anyway, if you liked the first Season, you must watch this(as you will, haha), because I'm sure whatever they have in store for Season 3 is going to be better than this, at least for me.
BemusedFrog
06/19/2017, 08:47 PM
When Attack on Titan originally aired, the anime community was thrust into disarray as we experienced something that rarely happens: Everyone was watching. The show had managed to permeate the mainstream, and the hype was nearly immeasurable. Four years later, it's safe to say its sequel isn't garnering nearly as much attention. Thus it may come as a surprise to hear that AoT season 2 addresses nearly all of the flaws of the first season, and in only half the length of its predecessor, managed to entirely outdo itself. The season starts out with a fundamental shift in tone from what we had become accustomedto. Instead of the high octane, action packed nature of the show which had become its primary driving force, season 2 sets the stage by introducing a mysterious new threat into the fray. In addition, it reinstates the primal threat of the titans that the first season started to lose sight of. Titans are terrifying creatures, beasts that indiscriminately dismember and devour humans; it's important that the viewer fears them as well, or else what we're watching is oddly deformed giant humanoids flailing about the walls. Thankfully, It accomplishes this through its delivery of one of the most gruesomely horrific opening scenes I've seen in Attack on Titan's history. And after that, it doesn't shy away from that instilled fear, or back off to give us a break. As I alluded to, this season slows down a lot. But, it's better off for it. AoT S2 explores and expands upon its more mysterious and somewhat overlooked cast of characters, unraveling their underlying motivations, vulnerabilities, desires, conflicts, and secrets in intimate detail. In half the length, S2 manages to develop its cast much more impressively than its prequel. The first season had some issues with balancing high-paced action with substance. These problems have been rectified. Moreover, it capitalizes on this fine writing by granting the characters the opportunity to make significant decisions that affect the plot. Needless to say, the various revelations and developments that occur within this season would not have had nearly the same weight had the characters remained underdeveloped. As far as the story goes, I was pleasantly surprised by its compactness. In my less optimistic moments, I expected the short 12 episode season to be marred by a rushed, incoherent, plot-hole filled mess of a plot. However, the slower-paced and more grounded approach of this season played to the advantages of its single cour run. It is unrealistic to expect real "closure" as there is too much left in the story to be told, so the key takeaway for me was seeing how season 2 could wrap all the ideas it presented into 12 episodes in a satisfactory way. I have to commend the studio for this point. You don't get this level of refinement without a hell of a lot of prep work. One of the most impressive aspects of AoT, for me, is how well crafted the scenes typically are. Sometimes a specific anime, for whatever reason, brings out the absolute best a studio can deliver. We saw it happen with Shaft and the Monogatari series. The same thing seems to be happening here. And season 2 somehow manages to raise the bar on this point as well. As a frame of reference, one scene in particular simply has a group of people riding on the backs of slowly moving horses at night. Initial interpretations of this synopsis would probably read as follows: "Boring." Yet my hands were sweating as I watched. The show seems to be able to craft scenes that hit all of the right notes in all of the right spots, and I believe this largely comes down to the studio's intense passion for this series and a keen attention to detail. Even the most subtle of cues, such as the precise moment of when to play a specific track in the background, or none at all, is not overlooked. As such, it comes as no surprise that AoT S2 presents one of the most beautifully sculpted fight scenes I've had the pleasure of watching (upon viewing I trust you'll be able to tell which scene this is). Attack on Titan was special. It amassed a level of popularity that transcended it atop all other competition in its medium. After four years, I had forgotten much about it. Attack on Titan season 2 reminded me of its quality, and taught me that it is indeed more special than I originally surmised.
Artrill
06/18/2017, 06:17 PM
[5.0/10] _____________________________________________________________________________________________________ For a series that's all about a plethora of characters yelling loudly, Attack on Titan definitely finds itself whining a lot this season. Even with the aptly titled final episode, "Scream", AoT rarely finds breathing room to develop its scenario or characters past bluntly exposited backstory or nauseatingly boring dialogue. For everything it lacks in subtlety, it thankfully makes up for in bravado, as this season, even in its shorter length, is louder, dumber, and more abrasive than the last. Don't get me wrong, I actually prefer shorter seasons in anime and I was happy to see that we won't be sitting through twentyfour episodes of Attack on Titan. Especially if Season 1 is any example, there would most likely be a very tedious air about it all. With a shorter, more compact season, AoT had the opportunity to tell a more impactful story with better animation, presentation, and a tighter narrative. Unfortunately, I can't say that it succeeded. Much like the first season, Attack on Titan feels incredibly inconsistent in presentation and narrative. One episode feels like it is totally inconsequential while another feels like everything is moving by at lightning pace. I rather have the pacing be fast, rather than crawling to the finish line like some abnormal titan, but this constant rubber-banding can become tedious. Season 2's shortened length definitely proves beneficial to the short narrative being told. _____________________________________________________________________________________________________ [Story, character, and resolution] There is a distant focus on our protagonist as the writers adapt a more wide scope of characters onto the screen, trying their best to create sympathetic and morally intriguing humans that pepper this sprawling landscape. I very much enjoyed this change, since our protagonists, Eren, Mikasa, and Armin aren't very interesting or charismatic. There's a squeaky blond kid who shouts a lot, the main protagonist Eren, fueled by revenge, who shouts a lot, and Mikasa, who's soft spoken but also totally insipid as a character. They're a complete bore. Although the first half of the season really struggled to maintain my interest, I still appreciated them trying to develop a vast array of characters. I will unfortunately say that they don't do this too well. A lot of the episodes focused on certain characters, especially our favorite potato-lover, Sasha, feel totally redundant and misplaced. Her conflict or specific idiosyncrasies don't come off as clear or well-thought out and she gets completely sidelined as the season continues. On the other hand, Reiner and Bernholdt get a lot more attention and end up providing much of the shows fast-paced narrative, which is welcome. Although their characters and motivations are left so vague that it often feels stilted, as in, I don't find the way they speak to be realistic of the situation they are in. They purposefully keep things vague which makes it sound like they are hiding from the viewer, rather than the characters. The last group of characters that gets the most focus is Christa and Ymir, who are responsible for probably the most compelling, albeit cheesy story of the season. Spurned lovers and the like. Some of their choices made them seem stupider than what the writers may have wanted, however, in the end, at least there was some emotion there. Comparing that to our protagonist and their motivations, that is a major positive. ... As the season progresses, there is an obvious escalation happening, and Erin is unfortunately at the center of it. While I will say that the latter half of the season is more entertaining from a popcorn fun perspective, it is also where the show becomes completely off the rails as a story. More on that in later sections. There are constant monologues during the fights, which create for tension-less encounters that are often back-ended by meaningless cliffhangers that lead to nothing. Each episode ends on a cliffhanger and each cliffhanger rings less and less true or interesting. It's a crutch that most Shounen action series have. Erin is often praised by the characters, however, I never felt as though he should be. He is painted as completely bullheaded, yet that is a positive. In one scene one character monologues to another about how Erin would charge into a fight against five people all stronger than him and risk his life, but that's a good thing, apparently. To me, it just comes off as stupid. It doesn't make me like this already shallow, revenge-driven character more. Mikasa is virtually just the girl who's a badass during the inconsequential action scenes and then is reserved to just yelling "Erin" really loudly during the parts that yield narrative results. Of course during the climax she gets sidelined because god forbid these characters ever work together. The entire climax felt cheap. _____________________________________________________________________________________________________ [Presentation] I'm getting the boring parts out of the way before I talk about some of the more interesting elements of the series and what comparisons I can draw from it. The presentation here is fine. Much like the rest of the series it is horribly uneven, drifting from impressive animation to some really hokey and pathetic CG filler scenes that pepper most of the series. Every episode we got one or two filler cuts where a bunch of characters ride their horses along a texture wrap, and they're horses look really stiff and lifeless. The entire thing gives me flashbacks to Berserk(2016). It looks awful. On the other hand, when WIT decides to put in some time there are some pretty engaging and fun action scenes, albeit poorly choreographed, as most of the time I really didn't understand the distance between objects. Coming off the heels of Kabaneri, I really was hoping for more in terms of animated fidelity here. Kabaneri, the last, and probably equally mediocre series that WIT worked on had significantly more impressive animation, character design, and set pieces, which made Attack on Titan feel like a pale imitation, which is all the more strange since Kabaneri was the actual imitation. It was really clear that most of the effort was put into the first episode and the last few, since those are the episodes with the most consistent level of animation. As I said, when WIT decides to put that work in, it looks great. There are plenty of spectacularly designed and perhaps unintentionally hilarious Titans that waddle about on screen, and I maintain the notion that the titans are perhaps one of the coolest baddies I've seen. There are some genuinely fun designs here and those are often backed up by funny animation cycles which makes some of these abnormal creatures more memorable than many of the human characters. ... The music is about as solid as ever. The OP is a shadow of season 1's initial opening, but it is still fine. The ED is better, and I appreciate that these openings and ending credits are actually attempting to be relevant, rather than just a super-cut of the characters flying through the air and posing. The musical cues are amazing. From the electric guitar riffs to the awesome distorted violins, each one is memorable and never fails to bring your attention back to what is happening on screen. The shift into the orchestral themes of the series are alright, although I can't say they are as engaging. _____________________________________________________________________________________________________ [Character death and you] Oh man, I remember having an argument with someone on reddit about the character deaths in the series. They, for some absurd reason were set on the notion that Attack on Titan was successful due to its characters being in constant threat of dying. He compared it to the likes of Game of Thrones, which I found preposterous since I don't believe Attack on Titan's characters are under any threat whatsoever. Game of Thrones has revolutionary narrative structure, visuals, and compelling character motivations, dialogue, and so on. Attack on Titan doesn't really have any of that, but more important, GoT truly excels with keeping you on the edge of your seat with character deaths solely because it lacks a protagonist. There is no "plot armor" here because there is no main character. Attack on Titan obviously has main characters which are obviously in no real danger, so that fear is coming from nowhere but from the viewers mind. So with this in mind, none of that concept ends up ringing true. Characters in Attack on Titan do die, and I appreciate the length of which the director and animators go to show that death in this show is brutal. But it really doesn't feel as though everyone is at risk. With that being said, the violence here is actually pretty entertaining. I say that with the idea that violence in television and film is inherently entertaining and anime really kind of sucks at violence. Attack on Titan is far from what I'd call a "gory" series, however, it is definitely a few nice steps above what I'd say is a "regularly bloody anime". The censorship rules in Japanese television, which are unfortunately in affect for most anime, are really disheartening, since nothing really feels spectacularly gory. All the blood here looks like ketchup and there are no guts or bones or anything like that. All the humans can get dismembered with a spurt of ketchup and that's that. This is surprising to me since Japan is definitely a body-horror oriented audience, with the "horror" genre being huge in Manga and some of the greatest horror films in Japan having these elements. But that's a problem for another day. Attack on Titan at least tries to shock its audience with the horrors transpiring, and while they aren't really that effective when compared to the likes of, once again Game of Thrones, or even a significantly inferior and somewhat awful series like The Walking Dead. Even through all these unfortunate restrictions I still found myself enjoying some of the more horrific elements in the series, which is definitely a positive since not many anime really impress me in that aspect. _____________________________________________________________________________________________________ [Shounen action cliches] Inevitably, we have to touch on Shounen action shows and the cliches that come with them. Attack on Titan is undoubtedly a Shounen action series with the target demographic of boys ages thirteen through seventeen. Which is expected, as by definition Shounen is a teenage-oriented show. With that said, Attack on Titan is far from a mature series, despite it's 17+ rating. Sure there is blood and a hint of moral gray, but it really never strays any further than that. The themes are blunt, the story is clear, and there isn't much depth beyond man-eating titans and the crazy plot-twists that end up coming with that. Which leads me to my next point, and a trope of Shounen action that I call "escalation". Where the show starts at one point in terms of situation and narrative, and then as the story progresses it escalates the drama and action to the point of absurdity. When Attack on Titan started it was a series oriented around survival. Man versus beast, and that was the show at its best. For the first five episodes of the series, I really loved it. However, as it progressed and that escalation started occurring it shifted from survival to flat-out action and became more of a flesh-mecha. That unfortunately cheapened a lot of elements from the show, and I personally just don't find that concept all too interesting. It continued like this and as the season 2 finale shows, it really isn't stopping this escalation. I'm convinced that in a few seasons we'll have the moon reveal itself to be a titan and crash down into the earth as Eren becomes an amalgamation of all the titans to fight it. Or something like that. It really could go anywhere, and that escalation unfortunately ruined a lot of potentially good shows. For example, Full Metal Alchemist:Brotherhood became absurd towards the end, breaking any and all verisimilitude and left me disappointed. As the series progresses, AoT feels as though it will begin to do the same. The plot developments are all either really obvious or so hilarious ridiculous that you can't help but laugh at them. Which isn't a big positive for a show that is incredibly devoid of humor through much of its run-time. _____________________________________________________________________________________________________ [Conclusion] I have a natural bias against superhero programming. I'm going to be honest here. That doesn't mean I don't enjoy some or fully avoid others, it just means that by concept, superhero shows rarely interest me in concept. The idea that some random kid gets insane powers without even trying is lame to me. I much rather see people work to get where they are. Attack on Titan became a superhero show the second Erin got this ridiculous power out of nowhere and now is, as plenty of characters made it clear, the "last hope of humanity." It really plays as generic and uninteresting. Even the moral conflicts are all just cliches at this point. So with Erin inhabiting this role, I find myself with a blase ideology when watching this series. I have absolutely no interest in this escalation specifically because I know it will escalate. However, Attack on Titan still manages to keep things fresh by throwing some decently engaging fight scenes and some characters that I find myself a little more interested in than our protagonists. Christa and Ymir's story this season was definitely cheesy, but it was a nice kind of cheese, like a fine a ricotta, rather than the stale american that this show often forces down my throat. Attack on Titan is a shounen through and through, and that occasionally prevents me from really just enjoying it for its action. It is the little things, here. For example, when a character is in a scary situation with Titans piling on top of them and then another character tries to speak to them, all the titans just kind of stop moving to let them finish talking. These blatant over-sites aren't as innocuous as you may think, since each moment that rips you out of the scene adds up to you not treating this show with any respect or care, making for a fake experience. The finale continues to elevate the series' stakes without managing to create a world in which those stakes feel feasible. The twist was obvious, however, the implications of it are yet to be explained and I'm sure they'll need another thirteen episodes of the already announced third season to do so. A lot was supposedly happening this season, and some of it was pretty fun, however, the plethora of honestly disorienting flashbacks and blunt, repetitive dialogue created a lack of interest that continued through the season. This made the entire experience feel grand, yet completely mediocre at the same time. Unless it really fumbles, I feel like this is the kind of attitude Attack on Titan will have for its run-time. It is undoubtedly carried by its genuinely creative premise and spectacular monsters, however, it falls short in the narrative and dialogue, making the entire experience palatable, but not something you'd want to eat every day.
Thevsamovies
06/17/2017, 06:23 PM
Updated version of my previous top review: SnK season 2 has been a rough ride. As a fan of season 1, I really wanted this season to be good. On one hand, the latter half of the season was action packed and full of great development - just what I wanted. On the other, the first half of the season was extremely poorly written. So I'll separate this review into two halves. 1st half (ep 1-6) First of all, don't expect the world to be well built or realistic. After all, there are absolutely no men guarding the wall, as the entire ordeal within the first few episodesrevolves around them trying to find a hole in the wall, even though there should be men constantly guarding the wall in case of a surprise titan invasion. If there weren't men guarding the wall, then that would mean that they thought it was impossible for the titans to break through the wall - which would mean their first thoughts shouldn't have been that the titans just broke straight through the wall with a huge hole. In fact, the only men you really get to see this season are those from the recon corps. I, personally, like to believe that everyone else has been wiped out by some sort of plague or meteor shower. The plot progresses so messily this season that it's certainly possible; but I'll cover that later. For the first time we also get to explore the land outside of the enclosed town districts, and it isn't really what you'd expect. Do you remember that food shortage from season 1? Well, rest assured, it makes perfect sense - considering there is absolutely NO farmland present at all; so of course they wouldn't be able to get food. You'd imagine that inside the walls, with such limited space that the humans have, there would be loads of farms and towns - but you're wrong. There are no towns, or cities, and the only places we do see are remote villages for some reason. In addition, the only time farmland is actually addressed is when Sasha's village forest is going to be destroyed and replaced with farmland, because apparently no one can use the wide open fields with absolutely NOTHING on them. Speaking of Sasha, prepare for a bunch of random background character backstories to be thrown in for no reason. I watched the entire second season and I still don't know what the purpose of Sasha's backstory was, and I don't know what an entire episode was dedicated just to focus on her. Actually, to be honest, I don't even know why Sasha exists as a character. The constantly-eating gimmick isn't even funny. I've heard a lot of people talk about how they enjoyed the fact that more of the background characters were focused on this season - mostly because they hate Eren as a protagonist. First of all, to those types, I recommend you abandon the show all together because Eren will never develop as a protagonist. The entire season 2 went by and Eren received no character development as far as I could tell. He's still the same "kill all titans!" kinda guy he was last season. The side characters aren't any better though. If you expect proper character development, suspense, and gradually building up towards climactic scenes full of emotion, then throw your dreams out the window. Character development is done almost exclusively through flashbacks, and those flashbacks happen right during the most important reveals and climactic scenes they could manage. There are quite a few times where entire scenes will be ruined by an disruptive flashback or "12 hours ago" message because the writers seemingly FORGOT to develop the characters or information leading up to the scenes. Reveals lack any subtlety or suspense in this show. They throw information at you in an extremely rushed and disorderly fashion. Also, you end up feeling nothing towards the side characters because the only time they're developed is through very unoriginal events like a FLASHBACK TO TRAINING CAMP WHERE TWO GIRLS GOT LOST IN A BLIZZARD. You DEFINITELY haven't heard of something like that before. Oh, by the way, for all of you who took an interest in Annie - forget about her. They do nothing with her the entire season and just forget about her. So, yeah, for the first six episodes the story is a complete mess. There's a concerning absence of people in the universe and the flow of the story has killed all momentum. Don't expect any of the good aspects of season 1 to be present. Now, as for the rest of the season? Well, it gets a lot better. Suddenly the authors remember how to do unobtrusive flashbacks and character development. The characters are cool and a lot of the nice aspects from season one are able to be seen, along with a new mix of more fleshed out side characters. Plus, the art is WAY upgraded. There has been some great scenes in this show. As for the sound? The opening isn't actually good, though you get used to it after a while. The ED, which I accidentally ended up listening to when I forgot to click onto the next episode, was terrible. The regular OST is cool as usual. So, yeah, season 2 had a really disappointing first half and a decent second half. Nonetheless, the unforgivable start makes me have to leave this on a 6/10.
Jousif650
06/17/2017, 02:03 PM
I will keep it short. If you see anyone that gave this show less than 10 of 10 then you should know that he/she didn't watch the show or is under 18 years old or did read the manga and he knows everything already. This show is 10 of 10 in everything The story is perfect and continued that we left first season. The art are one of the best in anime. The soundtracks are so beautiful. Enjoyment: If you read the manga and watched the anime then you will not enjoy it too much because you know what will happen already, but if you are only animewatcher then you will really really enjoy it. Overall best anime of 2017.
HellLyter
06/17/2017, 11:28 AM
There are anime that truly leave a monumental impact. Not just on the industry, but for each individual viewer. Shows that are so addicting that you just can’t seem to stop watching them. Shows that combine many pivotal elements of storytelling together to create something that is genuinely incredibly well produced. Anime that make you wholeheartedly pleased to have become a part of the anime community. For me, Attack on Titan is one of these anime. Which essentially means that the four year gap between seasons felt like an EXCRUCIATINGLY long time… However in all seriousness, I perfectly understand why it took so long to produce thesecond season of Attack on Titan (AOT). A few anime sequels that I’ve seen have felt rushed and poorly put together. The plot lines becomes less cohesive, characters become more dull, and the animation quality either remains the same or dips in quality. These sequels are usually made within a year or two of the original’s initial airing date. Now while I’m sure that AOT fans would have much preferred an earlier release date for their beloved show, I respect the creators for realizing that they would have received far more backlash for releasing a swiftly produced anime that didn’t live up to the hype of its predecessor as opposed to putting a lot of time and effort into a sequel that matches the caliber of the original. In fact, we should all be rejoicing that WIT studio spent time making AOT season 2 as great as it could be instead of releasing a half-assed sequel just to make a quick buck. And you KNOW they would have profited off the sequel no matter how abysmal it might have been. Its Attack on Titan after all, you know, the most popular anime in existence? Since you probably already know the premise of this show, I won’t bother writing a lengthly (and boring) summary of it. AOT season 2 starts out directly after the last episode of season 1 and dives right into the story. While the first season focused on world building and brought about many mysteries, the second season begins unraveling some of them while revealing even bigger twists then the first season. Even though it was only 12 episodes, half the amount of season 1, I felt like the pacing was, for the most part, rather good. Action scenes weren’t too short or too long, and there were enough of them to keep me entertained while leaving enough time to properly develop the story. Flashbacks were used to further develop the characters, though I question the amount used in the anime, since it is only 12 episodes long. I just love the setting of AOT. There really is nothing quite like it. Well, I guess that knock-off show involving trains has a similar setting, but that doesn’t count. The interesting and well thought out setting along with the anime’s precise execution really gets the viewers invested in the story, and I constantly kept wondering things like “What exactly are the titans?” and “What’s in Eren’s basement?” Ok, that last one sounds really lame on paper, but its a legitimate question that I’m sure many viewers are curious about. Luckily the anime answers some of these mysteries (which I can’t talk about because of SPOILERS!), but in explaining things, even more questions are posed that make me want to go to my local bookstore and buy the entire Attack on Titan manga just to find out what the heck is going on. The most mediocre aspect of the first season for me was the characters. None of them really stuck out to me except for Mikasa, who is pretty awesome, but somewhat lacking in the personality department. Eren always felt a bit one dimensional to me and Armin only got a modicum of screen time, so I never really felt a connection with either of them. In the second season, we see even less of the main trio, but I actually agreed with this approach since it allowed for something that the first season desperately needed; developed side characters. Season two dedicates a lot of time in developing the side characters, particularly Reiner, Bertolt, Krista and Ymir. This really helped to flesh out these characters which caused me to start to feel a bit of a connection with them. I respect an anime that takes the time to fully evolve its side characters instead of having a bunch of generic wastes of space that no one cares about whatsoever. This development also provides many new perspectives on the AOT world instead of having us simply see Eren’s somewhat narrow minded “I GOTTA GET STRONG AND KILL EVERY LAST ONE OF THOSE DAMN TITANS!” perspective, which was quite refreshing. Linked Horizon returns to preform the opening theme song for Attack on Titan. I initially wasn’t all that impressed with the piece (it needed a bit more YEAGAR!), however as I continued to listen to it, the song really started to grow on me. Behind the anime’s masterful soundtrack is Hiroyuki Sawano. He has consecutively produced many brilliant compositions for other anime, including the first season of AOT, and the quality of his music is no different here. AOT’s soundtrack boasts many powerful orchestral pieces that help to amplify the atmosphere for many situations presented in the anime. The music is so good that I found myself on multiple occasions being captivated by the power and beauty of a few of the compositions present in the show. The sheer emphasis on detail for some of the animated scenes in the anime (primarily when nothing was moving so that it looked like something taken straight out of a manga) is breathtakingly good. The overall visual presentation of the show is, to me, far superior to that of the other spring 2017 seasonal anime. However the animation is not without flaws. Probably the biggest problem that I’ve heard from the anime community regarding the visuals is a general dissatisfaction with the CGI colossal titan. I unfortunately have to concur, since I felt the the CGI was sort of choppy and didn’t fit in with the rest of the animation. My friend was even more disappointed, and he said that the CGI took away from the big armored and colossal titan reveal. Luckily the use of the CGI is very limited in the anime, and it started to look better to me anyway as the show progressed. Where AOT really shines is its entertainment value. This anime is the most exciting thing that I’ve seen in awhile. Part of this is due to the cliffhangers that appear at the end of literally every episode that left me constantly craving more. Whether it was developing the story, presenting a crazy plot twist, or showcasing an epic battle between titans, AOT never failed to keep my attention, a feat that very few things have ever been able to accomplish for me, so for that I give AOT major props. I love Attack on Titan. Even with all of its flaws, it still manages to be an incredible viewing experience. Even if the anime doesn’t quite suit your tastes, I almost guarantee that anyone who watches it will be thrilled by AOT’s exhilarating presentation. Its not one of the most popular anime of all time for no reason you know. If you decide to watch this anime or have already done so, I hope that you are as captivated by it as I am.
-HippySnob-
06/17/2017, 11:00 AM
What lies, of ending a huge massive, and mindblown series? Exactly We present you This series : Set of Arcs are perfectly well done, and get to see their related past and hidden traits from set of characters which exactly go on forth with the flow and mashed with the perfect improved OST that is nowhere to be less even good. Make it pointed out every plots and why the ending left us a huge set of details? First of all :- Ymir and Christa Taking down from their backgrounds about the depths revealing both secrets attain near mankind is a way huge misunderstanding that leads someone far near death. Crisis involves a huge traits on Ymir as a Dancing Titan, Just like the past set of Titan Shifters through Decades, Ymir's secret desires to make things right, whether it's a right decision to sacrifice oneself apart from each other. - Reiner -Seeing the Death of comrades leads them to astray as making himself fall as soldier or neither as a warrior. Reiner is actually one of the most interesting characters to me due to the way he involuntarily switches between soldier and warrior when he can't bear the weight of his sins… But with his arm, the steam itself might've given it up, but maybe he could've hidden it. Lastly : Eren's Coordinating Ability : -Massive Breakdown, and every flows, Decent and outstanding scenario as Eren Obtained the power of a Founding Titan that lies within his body. Some details shown at the last scenes from my point of view tells about Eren defies humanity taken down the wrong path that leads him being an inferior by his own father crumbling with a screams which apart on a sound bearing with a sense of guilt. Decent Remarks on How they Ended is a Top Well Done.
TheDoggoneGirl
06/17/2017, 10:54 AM
Another fantastic anime finished and now we wait for the next season which was confirmed will be in 2018. Yet again, I'm writing this review as an au courant with the manga. I'll try my best to not include spoilers. Hahaha. Anyhoo, here I go. Please bear with me. Story: 10000000/10 This season proved yet again that SNK is not about all the titan action. I noticed that there are a lot of 'salty fans' whining that this season is lacking a lot of action, so they rated it 1-4, or at least 5 because they feel like being nice despite the fact that they don'tgive a damn about all the important dialogues. Alright.. alright.. I've had enough with them action-tards, I'll just move on. This season lived up to the hype of every SNK fan, especially the manga readers. Remember, fellow readers how anxious we are before the season 2 release because the manga is so great that we're worried that Wit Studio might messed it up and make it like "Tokyo Ghoul season 2"? No worries anymore, lads! They satisfied us. This studio satisfied us. The people behind the adaptation of the manga didn't disappoint us. They made us cry. They made us hurt our hands from clapping throughout the episode. We're all okay. Everyone's okay! Everyone's happy! *hugs you all* Art: 10/10 C'mon. Do I really have to point out that this anime probably has the best ANIMATION EVER? Look at them beautiful characters and the action sequence. Come on now. Oh, you think this season's animation is awful compare to the previous season? Give us a favor and clean your glasses. Sound: 10/10 Honestly, the soundtrack for this season ain't like the 1st season, but no doubt Hiroyuki Sawano proved again why he's THE HANS ZIMMER OF THE EAST! No comments further. Just hands down to our own HANS ZIMMER! Character: 10/10 This is probably the only anime which I can remember all of the characters' names -- which you can tell how well-written and how memorable the characters are. Character developments not just from the MCs, but also the supporting characters? You got it! One of the biggest factors that makes this show so iconic is because of its characters; everyone loves every character in this show. Even the bad ones, you get to like them. Darnit this anime. Enjoyment: 10/10 An anime that will make you cry, hurt your insides, leave you traumatized, and you will be thankful for it? Hell to the yeah! Torture us more, please! Overall: 10000000000/10 Jesus. This anime is just the G.O.A.T. for me! And I loved that this anime is getting everything it deserves like the fans, the hype, the attention, the awards, and etc. Let's be honest, SNK brought a lot of non-anime fans in the anime universe. If you're hating on this season because of the plot holes and the unanswered questions, I suggest start reading the manga? LOVE TO ALL THE SNK HATERS! Keep on hating, you're just making this anime more popular! Now, my fellow SNK-tards, it's time to buy them all SNK merch and the DVD, and of course time to mark your calendars because we're gonna have A SEASON 3! P.S. Thanks for reading my ridiculously long review, but I will always give my best to prove to all the d-bags who keep hating on this show because they thought it didn't deserve the praises it's been getting that this show is one, if not the greatest anime EVER!
Veronin
06/17/2017, 10:00 AM
Attack on Titan's first season never really sat right with me. A series more interested in cinematics (orchestrals, screaming aplenty) than it did in conveying a message or allowing its audience to care for the characters beyond whatever grisly death they inevitably succumb to. It was loud, its presence ever more so, and so I distanced myself from what seemed standard action movie cuisine. After over three years of silence, its second season comes as something a bit more surprising. It trims away its grimy, cacophonous exterior and presents something, somewhat, more refined. The killing has found a purpose. The world the characters inhabit possesses somesemblance of depth. There exists a story with a direction, which is exactly why it will disappoint fans who were expecting it to perpetually wander amidst blood and steel. To be sure, Eren and crew killing (and conversely being killed) is a formula that proved moderately entertaining in the first season, if only mindlessly so. But a second season? A third? Would it still be exciting, or would people begin to tire of it? I was in the latter camp, and so I find myself glad the goalposts were changed altogether. That's not to imply that all of AoT's flaws have been erased. The characterisation remains a sore spot for the series, with Eren continuing to scream nonsense at the top of his lungs, incapable of anything but being a hot-blooded child who is somehow the centrepiece of everything in the world. There's nothing to his character except his being angry all the time, which is why I make no intentions of defending his presence. So who is there to defend instead? Mikasa and Armin, the two other primary characters, while less frustrating and less offensive to listen to, don't possess much that wasn't already immediately apparent. They are flat, as are the side characters, so numerous and disposable that I found myself Googling the name of one of the story's new villains because I couldn't for the life of me remember who they even were. Other characters-- Sasha-- are so devoid of character that the only thing they are defined by is the quantity of food they eat. And while the second season gives you marginally more reason to empathise with them throughout their numerous backstory scenes, it still remains difficult to care much about the fates of any of them - a significant issue in a story centred upon war. It is why I never thought much other than "ew, gross" and "wow, that sucks" when any of the characters (of which there were dozens) were chewed, dismembered, and/or squished by abhorrent-looking humanoids. This is why I think the best way to appreciate Attack on Titan is to focus less on the pieces, and more on the board itself. Attack on Titan's setting is genuinely fascinating, and uncovering its secrets is likely to be the greatest delight for viewers unsatisfied with mere violence. While walled-off communities on the verge of extinction isn't entirely new to anime (Space Battleship Yamato went there in 1974, and Macross in 1982), the massive scale of the cities behind the walls creates ample room for an animated (yet ever so bleak) world to exist. Discovering how the world's agriculture functions, its geography, the state of politics within the Castle, the cultists' activities, and the design of the soldiers' Vertical Manoeuvring Equipment is some of the most fun I've had with an anime in this year or last. More Attack on Titan isn't exactly a proposition that gives me thrills and tingles, but books and other media focusing on its world is something I would absolutely be interested in. A rich setting it is, and with the scale of the world now extending far beyond the walls, there is almost limitless potential. Potential, I suppose, which will probably never extend into its largely mediocre story. A mediocre story is still a step up from last season, perhaps. The violence is now more of an accessory to the plot, rather than the inverse, which allows things to follow down a more linear road instead of one winding and circling around ad infinitum. Eren and his allies, as well as his enemies, now have a mission that extends beyond survival. There are antagonists excluding the Titans mindlessly chewing every fleshy thing in sight, which creates a more interesting dynamic, certainly, as the villains are treated as human beings rather than mindless lunatics bent on world destruction, as is seemingly the case in nearly every anime that has ever existed. Some fans may be disappointed that they aren't given a villain to detest, but I've always been of the opinion that a conflict in which no true 'good' and 'bad' side exists is a more compelling tale to tell. The second season's highlight is no doubt its halfway point, a twist so suddenly and casually revealed that it is natural to doubt one's ears, provided you hadn't already guessed one of their blatantly obvious identities well-beforehand. The ensuing fight scene is neat, as it carries a level of emotional weight so lacking in anything that existed previous. But the extent to which some people have been praising the scene, as though it is the craziest and most "epic" thing that has ever appeared in anime, is certainly without much merit. (It also deserves to be mentioned how downright silly some scenes can be, such as when Armin and Mikasa 'emotionally' eat their rations upon the wall. Moments like this make it considerably harder to take everything else seriously.) The production quality of Attack on Titan's second season is a minor downgrade from the first's, a fairly disappointing detail when considering the three-year wait and shorter-than-expected episode count. The aforementioned reveal doesn't hit as hard as it should when one of the villains, who is supposed to be menacing, is suddenly given the cheap CGI treatment. The fight scene fares better, with its eyes moving and monstrous fist pausing in slow-motion, but by that point the damage the first impression has created is irreversible. Mediocre animation for AoT may very well be stellar in contrast to the average seasonal anime, but standards are different here, and the ballpark much larger. If loud orchestrals are your jam, then things have not changed all too much between 2013 and 2017. The music is still loud and climactic, and the opening, while not quite as memorable as the first two, is a solid addition to the series from both a visual and musical standpoint. But if you're a bit like me, and don't exactly enjoy noise constantly pumping into your eardrums, then Attack on Titan can be a great way to receive a headache. And this is coming from someone who listens to The Money Store on occasion. It would be a lie to claim I didn't enjoy my time with Attack on Titan. But I am uncertain how much of that is a result of my fascination with the setting, and what, if any of my enjoyment pertains to the actual anime. To claim Attack on Titan is something of great critical merit isn't something I could do without being disingenuous. Decent? Certainly, and a noticeable step above the turgid Hollywood fare its first season was, with the introduction of new antagonists and an actual, tangible story. But for those who waited years for more Titan slaying, I do start to wonder: were they ever really giving the rest of the medium a look?
3xTripple
06/17/2017, 08:25 AM
TLDR Second Season wasn’t as good as the first. It was slow paced, didn’t have nearly as much action, and focused mainly on character development. The opening song goes back to the show’s origins by having a opening track that sound incredibly similar to the first theme. Probably one of this season’s biggest drawbacks is that all of season two basically happened in a single romeo-juliet-styled week (all of Romeo and Juliet took place in about one week). Because of the slowness, it wasn’t nearly as exciting as season one which showcased the mysterious nature of walls getting kicked down by abnormal titans and othertitans further destroying a civilization that’s already cornered. In season one, we watched as Eren grew into a soldier, saw Mikasa’s badassery, met Levi who was even more of a badass, and there was so much we didn’t know about the AoT world. Sadly, you don’t really get much of that fast paced intensity this time. Story: 6/10 The entire 12-episode season basically takes place in about a week in the show’s time. Right after season one ends and Annie is locked up somewhere out of sight, Eren is off recovering in bed. Various things happen like flipping titans, and more human transforming titans. This season focuses more on the side characters of the series than the main characters from the original series. Apart from the story only being about a week in length, we only saw flashbacks of the past to build the characters. Personally, I hate flashbacks but some of the flashbacks of certain characters’ pasts were necessary to the story. This season, we only got to see Eren transform like one time the ENTIRE season. Eren was annoying as hell this season and felt like more of a side character than a main character. The only relatively shocking thing was a big reveal that happened suddenly and unexpectedly. If this was a 24 episode season, then it would’ve been fine to have such prolonged character development. However, since it was 12 episodes, it was bit of a let down for me. Going to have to give this category a six. Characters: 8/10 The characters all seemed to have real depth and personalities. Personally, I do not like Eren Jaeger much anymore because he was pretty damn annoying the entire season. However, despite disliking him he still comes across as a realistic character with real flaws. One of this show’s strong points is that all of the characters have a good amount of depth to them. However, it seemed like this season didn’t really make full use of the personalities of more prominent characters like Levi, Hange, Mikasa, Armin and Eren. Art: 9/10 The art seems to be about the same as the first season’s art. There are some times when the titans are noticeably CG. For example, you would probably easily be able spot the difference between the CG and the hand drawn art, and that difference was pretty awkward at times. Other than that the art is still the great art that you remember from season one. The lighting is top quality, the angles are super impressive, action leaves you sitting on the edge of your chair, etc. Sound: 9/10 The in-anime soundtracks are pretty much the same as season one. Sawano Hiroyuki composed the soundtracks so you can expect them to be cinematic, powerful, and punchy. The voice actors/actresses all did a fantastic job this season as well as the first. You really feel the emotions of each character come through in their voices. Sound effects were all top quality as well. Enjoyment: 7/10 I don’t really like how slow it was this season. It ended much too soon, and was kind of a let down in my opinion. All of that fast-paced story buildup in season one, followed by the most epic fight scene at the end… followed abnormally slow character development season two and has an ending buildup that kind of felt like it should’ve been a normal episode, not the climax? I just can’t give this any higher than a 7 for enjoyment. Overall: 8/10 Despite that show having some serious pacing issues and focusing too much on character development, the show was actually pretty good overall, as you would expect from one of the most famous anime series.
DarthInvader
06/17/2017, 07:55 AM
TL;DR: Does it really matter what I write? You have waited 4 years, endured 2 trashy live action movies and restrained yourself from reading the manga to find out what's in Erin's basement. So go watch the anime to find that answer! But knowing you, you will stick around and read this review. So in short, Game of Thrones meets Inception/Memento and has a forbidden love-child they didn't reveal to the world because they were scared it will not live up to hype and success of their first child. [Story: 5/10 , Characters: 7/10, Art: 9/10, Sound: 8/10, Enjoyment: 8/10] How can an anime as bombastic& overhyped as Shingeki no Kyojin live up to its thrilling sadistic nature? Simple, wait four years, give it to the same director and shove in a billion flashbacks while compressing more manga material than season 1 with 25 episodes into just 12 episodes in season 2 and hope for deus ex machina to save the day. Seriously, this anime was the talk of the town as it took the anime world by storm. The creators milked so much money out of it before releasing the sequel, 4 whole years later, that you would think they will be nice? Of course not. These sadistic people just love to torture everyone, both inside their post-apocalyptic world and outside. However, you should watch it, not because you will but because you have to… if you want to know what's in that god-damn basement. Story wise, the anime picks up literally where it left off in season 1. We see a smooth continuation and no pumping the breaks. Titans don't pump their breaks, why should you? We have a new threat and it's the all powerful Monkey Titan. He is blessed with both brain & braum that likes to fling things with perfect precision like a quarterback trying to score a touchdown. This titan means no monkey business for he is bringing an army to take down humanity. How will our soldiers stand up against him? By focusing completely on other issues besides him in this anime, like why everyone wants Krista as their waifu. Jokes aside, this anime is broken down in two arcs and the second arc is more focused on the secondary characters with a new threat being "now anyone can be a Titan." Seriously, people are just popping out of nowhere revealing they are a Titan and it keeps us on the edge trying to figure out who is and who isn't a titan. Unlike first season, where it was all action & thrill, this season the story moves at a slower pace that builds this mystery horror element and viewers feel the genuine terror of living in this post-apocalyptic world where anything can happen. However, the glaring issue is the amount of flashbacks that are in each episodes. It almost ruins it. We will have an episode where titans have surrounded the characters and they are about to fight only to cue in a flashback of epic unnecessary proportion that really doesn't do much. Just because it works a few time doesn't mean you should always do it. Seriously, Tetsurou Araki, just stop it. Also, the anime is not presented in a linear pattern like in the manga as the director jumps from chapter 30 to chapter 50 back to chapter 40. It was a clusterfudge but it worked… somehow. The twists and turns were there but the best part was the obvious reveal that was brilliantly executed to leave a mark for a long time. Regardless of how bizarre the storytelling was for this season, the character development this season was on point. The studio heard the fans anguish and completely removed Erin from the first half of the anime and focused entirely on the side characters. We not only learn the purpose or goal behind the major side characters but their past history that shaped them to be this way. Their actions actually makes sense. Now we will feel some remorse when they may or may not die in the future unlike in season 1 where viewers just laughed at random characters getting devoured by titans. Mikasa transforms into this full yandere GF that no guys should date and Krista becomes the waifu people will change their sexuality to be with her. Sadly we don't see much of Levi nor gladly we see much of Erin. However, the latter change was better for the anime. Erwin is a complete badass and as the anime goes on, viewers will know why. All I'll say is *SUSUMEEEE* !!! To no one's surprise, the saving grace for this anime is once again their animation and sound. Wit Studio, despite working with a questionable lower budget, manages to deliver phenomenal animation. The manga is really well adapted frame for frame and the hand-drawn animation is vibrant and rich in colour & texture. You have to see it in 1080p or you will be doing yourself injustice. The characters, the titans, the backgrounds, the cinematography and the fighting animations are just on fleek. Anyone who will watch the judo fight between the two titans will get a massive something just watching it. If they weren't pulling breaks with the animation the sound wasn't either. The OP & ED songs were first hard to get accustomed to since no OP songs can live up to its first but it grows on you. The background OST is utterly horrifying as it builds this terror with its sadistic tone. You have to love orchestra based OST. It's truly revolutionizing. Most anime sequels suffer in this department but thankfully SnK 2 did not, and it made their transition fluid. Overall, this show is has its flaws but you can just enjoy it for what it is. It's not a masterpiece but it's highly enjoyable. It is infuriating for a viewer to be edged and edged with endless cliffhanger style episodes but ultimately you finish it anyway because who edges themselves to the point of no return and not finish, right? So, Is attack on titan overrated? Debatable. Is attack on titan overhyped? Unquestionable. Is it still a show you would love to binge? Definitely! Anyways, give it a watch and let me know later how you like it. *SHINZUO SASAGEYO!!!* P.S. Thank you for reading. I hope you found this short and supaishi review helpful!
Captain220
06/17/2017, 07:52 AM
Do you not know? Have you not heard? The LORD is the everlasting God, the creator of the ends of the Earth. He will not grow tired or weary, and his understanding no one can fathom. He gives strength to the weary and increases the power of the weak. Even youths grow tired and weary, and young men stumble and fall; but those who hope in the LORD will renew their strength. They will soar on wings like eagles; they will run and not grow weary, they will walk and not be faint. - Isaiah 40:28-31 The second coming of Christ hath solemnly smiled upon us andI am very passionate about this. The plot thickens, although not really. The series is kicked off with some pretentious monologue by Armin reminding us of what the general outline of the show looked like, probably either because the producers have little to no faith in their audience's mental capacity and just assume everyone has forgotten the plot over the span of 4 years or they just didn't have an episode's worth of material. Titan appears out of nowhere, titan eats human. Good? Good. Annie Leon-who? In case anyone does remember, last's season finale left off with a completely unnecessary cliffhanger that only put even more expectations on this season to deliver. tl;dr IT DOESNNNNNNNNNN'T Among monkeys, loose plot threads and other things, the big focus of this season seems to be on the titan shapeshifters. A mechanic that was first introduced to the series when everyone's second favorite main character got swallowed whole (deadweight Armin at it again), before being resurrected in full, non-CGI titan glory. Fastforward 20 something episodes later, and it is a technique utilized by literally half of the 104th Trainees Squad members. Despite losing its initial charm, the colossal and armored titan have been presented since the very first episode while the series was at its peak and thus still managing to retain a candle of relevancy. Colossal Titan : Begins breach of Shiganshina first episode, catalyst of all destruction, all-around menacing presence Armored Titan : Unstoppable force, mows down the gate of Wall Maria causing impending doom upon thousands, exhales steam Ymir/Ymir Titan : Dyke, ??? What a revelation, seriously. I wholeheartedly wonder if the atrocious lack of screen time and presence of her character during the entirety of the series prior to the reveal are to be attributed to the author wanting her to remain a mysterious figure or downright not giving a shit. But wait, they showed us that 12 minute flashback between her and Historia to showcase just how powerful their relationship was, talk about depth. That's another thing, as soon as there's some groundbreaking reveal it is either cut short by a flashback or even cliffhanger (which are proven to be able to last up to a grand total of 4 years). Both reveals this season start off at an alright pace before being brushed off to the side because of Muh explanations. When half of episode 5 after Ymir's big reveal proves to be a boring flashback that realistically correlates to nothing of substance regarding our current situation apart from some meager hints regarding Historia (this is Ymir's big moment, mind you), SOME VIEWERS MIGHT GET DISENGAGED. WHOOP DE FUCKING DO. Now imagine if the finale of first season's episode 5 were cut short by a cliffhanger, and rather than Eren jumping into a titan's mouth to save Armin the episode was proceeded by a whopping half an episode's worth of some "mandatory" flashback dating back to that one schooltrip they held in 5th grade. Just for brevity's sake, you know? Because who wants non-meandering content anyway. I also love how the meeting to discuss whether Ymir's a titan and where her loyalties lie was essentially the exact same as the one in season one regarding Annie. Eren is always shoved into this role of the dumbass optimist who's like "B-but, muh friends.." while he sits in disbelief as everyone else clobbers him with facts and it's pretty funny, if nothing else. It's really just used as a tool to make certain characters like Hanji stand out as great strategists and/or intellectually-capable, when in reality it just makes Eren seem like a stupid brat who's constantly in denial even when the obvious is made obvious. But Anni--I mean Ymir's a friend, how could she?! After Ymir helps saves the lives of countless soldiers, she is then briefly treated to a life of imprisonment, just before being swallowed whole by the Colossal titan. But it's Ymir, so you don't care. Connie titan when? Obviously, the big selling point of these 12 episodes is supposed to be Eren's grandiose throwdown versus Reiner and Bertholdt, friends who he once looked up to turned enemies, for reasons.. unbeknownst. What carries this plotpoint is the fact that Eren never needed to have a fleshed out relationship with either Reiner or especially Bertholdt for it to work, which he didn't. The mystery behind both the Colossal and Armored titans was present from the first day whilst the Attack on Titan was at its highpoint. I would've walked out a happy man, had, you know, the actual revelation not been so piss poor. The way the reveal was handled holds complete contrast over anything the show's director, Tetsuou Araki is actually good at. The whole subtle and unconventional tone I imagine Isayama was building toward missed its mark entirely and assigning it to a man who's literally built his entire career off of making overblown and adrenaline inducing scenes and series surely isn't a good starting point. So far I have encountered not a single criticism as the people who are proclaiming it to be some nonchalant masterpiece of delivery and storytelling are running rampant. It's mere misjudgment over subtlety, but I digress. First off, the Armored Titan has an uncanny resemblance to Reiner Braun. While this idea seems to have been entirely scrapped in Berthold's case for some reason, they went to insane lengths to mimic Reiner's look to the itty bitty details in correlation to the Armored titan: the minimal contrast between white and blonde, the exact same cleancut hairstyle, a body physique that can hardly be attributed back to anyone in the show but him, and even the trademark glowy yellow eyes shared only with Pixies. The exact same problem plagued the first season in the shape of Annie; the hair length, color and eyes would already have drastically decreased the amount of possible suspects by tenfold, but the genius of Hajime Isayama even bothered drawing in her god damn crooked fucking nose. He clearly has either no faith in his audience's mental capacity or simply doesn't understand that the point of mystery is supposed to be withholding information until a given point rather than violently shoving it down the viewer's windpipe. Okay, fine. They physically resemble each other, what else? Bertholdt. While Reiner actually attempts giving off a faint sense of dread while some eerie music is playing in the background, Bertholdt just completely ruins it. Despite for once not resembling his titan counterpart, when the man is not looking constipated, he is completely sealing off any potential doubts in anyone's mind about any other possibilities about the situation. "Could Reiner possibly have lost his mind..?" Obviously not, because Bertholdt is just fucking screaming in his ear 24/7, "NO REINER DON'T TELL HIM NOOOO". Well, I guess that's cleared up. They're gonna transform now, right? Any minute now. This is kinda dragging on.. OH WAIT IS THAT MIKASA HOLY FUCK 10/10 WHAT A REVELATION. If you thought the "Humanity is at the brink of extinction" storyline is the weak link, think again. The cast of Attack on Titan is so evidently plagued by cliches and dumb action series tropes that you could pretty much associate any major character with a single adjective if you really wanted to. Calling my assessment here redundant would almost be a fair criticism considering that a similar point can be made in regards to arguably any popular seasonal anime born and molded by hype culture in recent memory. However, what makes AoT stick out like a sore thumb and possibly make it the biggest offender of this near-archetype turd is the broad scale of characters it decides to play the story out with. Operating on such vast cast of notable proportion can oftentimes lead to success (insert pseudo-elitist LotGH shoutout), but it can also damage a series by making it loose focus on primary objective. In this specific case when deciding to roll with a huge cast, you can choose from either 2 routes: - Put in a conscious amount of time and effort into character development and have an actual go at fleshing them out (talk about boring) or - Treat your entire cast as human cattle, excusing any lack of potential depth with pitiful sob stories. When midnight comes around, murder them for SHOCK FACTOR !!! (hell yeah) I realize that the line is very blurred in this case so feel free to take your time pondering which one we've been stuck with for a consecutive 37 episodes. As you may or may not already know, the story primarily revolves around an edge-riddled brat that is fueled by teenage angst as without it he loses all self and intrinsic meaning in this world. In the second season, he makes many a guest apearences throughout half of the season that he is in. All Eren Jaeger wishes for in life is to fulfill his petty vendetta by exterminating an entire species, and if that doesn't sound like a ludicrous pipedream of an egocentric teenager, I don't know what does. You would assume that being the protagonist of the story, he would have something worth noting in regards to his character, but he really doesn't. The entire backbone of his character lies the fundamentals of being dumb, bratty and angsty coupled with a motivation that stem from the final five, and it especially shows when he's even overshadowed by lifeless ragdolls such as Mikasa. There is nothing about Eren that makes him an interesting, distinct or compelling main character in the slightest. He is an angst powered locomotive; equipped with a smidgen of brash "personality", a petty sob story that's supposed to make you sympathize with him and of course, his desire for vengeance being placed on a pedestal above all else. That in mind, you sure as hell wouldn't be able to spell Eren without spelling Mikasa first, so give it up for arguably the best girl in the series by sheer process of elimination - Mikasa Ackerman. Mikasa is just the perfect recipe for success. She has the looks, the smarts, the skills. Everything. She can't grow or develop because she is already a God put upon this green earth. Most people excuse her lifelessness as compelling because she too has a sad backstory. Mommy and daddy got lynched, there goes my personality and compassion as a human being, boo fucking hoo. Despite being completely devoid of any human emotion what so ever, she still harbors a deeply-rooted love and respect for her not-so-related-by-blood brother, Eren. Although Eren admittedly arrived a bit late to the party, he made up for it by giving her some rugged old scarf. This admiration for Eren arouses a multitude of paradoxes. Can a person void of any underlying emotion really learn to love someone, if even themselves? Is it incest? The fundamental flaw of Mikasa's character is perfection and it works because people tend to drool over this type of shit all the time. Especially in the case of Attack on Titan, where it's not even far-fetched to call the show a global epidemic where people who don't even watch anime regularly tune in to see cartoons battling it out because, hype. No such person cares seeing a complex or relatable cast over unrealistic, Superman-esque characters like Mikasa kicking ass. The most the writer could've hoped to achieve with Mikasa was to use her as a tool for spreading some noble-like message such as female empowerment. Even then -- tough luck little girly, you're never going to be like Mikasa. Mikasa is God. What happens when you're a realistic character in the Attack on Titan universe? You either get friendzoned because the girl you're into has an incestuous crush on her half-brother, or you're just a total loser who cannot accomplish anything on their own apart from cuddle up in a blanket like the deadweight that you naturally are. Enter Armin, everyone's favorite punching bag. As stated, Armin suffers from the severe deformity known only as "Realism", making him a rather niche and tough character to support in or indulge in. Rather than being portrayed like a constant beacon of light and glamour as say Mikasa, he is instead shown to be a cowardly, weak-willed and frail kid. W-wow, c-c-could it be.. an actual human being? Burn the witch!! While Armin does not represent your wildest power fantasy, he is instead a connoisseur of humanity, a drop of realism and a look at what would have been. Despite proving a much needed breath of fresh air, his character is definitely far from revolutionary. The "weak boy gradually turns strong over time" formula has been done in a multitude of ways, a lot of which proving to be superior than in the case of Armin. However, I've really got no major complaints about his character. Cliche as it may, his development is infinitely more gradual and downright sublime when compared to most everyone else in the show and is probably only hindered by sometimes being overly smart for the sake of it and a lack of screen time. In other news, we also live in a world in which a character that is solely defined for eating potatoes is more universally liked than Armin by the community. Sometimes she eats a boiled potato, sometimes she settles for raw. Bravo, writers. You've really outdone yourselves with that one. With an increased focus on the supporting cast, you'd think there would be someone worth noting, but there really isn't. We get absolutely no concise development for any of the shapeshifters, nor do we get any clarification as to what their motivates could be. How does Ymir's story intervene with Reiner's? Is Bertholdt even a character? Lastly, this whole "Anyone can die at any given point" gimmick is so untrue and falls completely flat when you realize that not once did a main character die and legitimately stay dead at any given point in the series. It is among the most substanceless claims someone can make about this show. Sure, fodder are often killed. Should you care? No. For a show that tackles a storyline of humanity at the brink of extinction, it sure is unrealistic for none of the main characters to ever actually die. The furthest the show has been willing to go up to this point was Marco, who was in essence a mere stepping stone for Jean throughout the 5 episodes he was in. I hope this false notion of AoT not being scared to kill anyone off disappears soon, because it is easily one of the most backwards things I've ever heard someone say about the show. More on Levi : The show's rising superstar isn't so rising anymore as he is down in the dumps and doesn't seem to be getting up anytime soon. Please check in later. Fin. While the first season of Attack on Titan had many a gems like "Reluctant Heroes", "Vogel im Käfig" and the Armored Titan theme, this season has.. a remixed version of Vogel im Käfig? I'm gonna be blunt and say that the OST is underwhelming at best and a complete and utter rehash of its predecessor. Not once did I hear a song play and go "Woah! That's a really good song that I just cannot wait to illegally download, awesome!!" like with the first season. I saw the fine folk over at Reddit praising it so maybe I'm just dead wrong, who knows. For argument's sake let's assume that I am 100% in the right and the OST sucks dick and is the most overrated thing since Rem. Anyone with differing opinions may be burned at the stake. DAT VOGEL IM KAFIG REMIX THOOO. I was sold on every performance apart from Kamiya Hiroshi's Levi, because God damn, that man just has no range at all. Good thing he got barely any screentime this time around because honestly, no one wants to hear a brooding Araragi. Coincidentally, I would also argue for this being Yuki Kaji's best performance to date by a longshot, so good on him. Too bad the guy is like the arbiter of bad roles which becomes painfully noticeable once you realize Koichi was the probably the best he's ever been involved in. The ending is quite nice but the opening is very visually questionable, seeing as you have like dinosaurs running around and stuff. If they're so keen on regurgitating songs, maybe they should've just stuck with Guren no Yumiya. As disappointing as the music is, it completely flails in comparison to the animation. The last thing I would've expected AoT not to deliver on is the production value, but alas, here we are. After an upheaval of 4 years, Wit Studio has repeatedly been milking the saggy tit of this shriveled old cow, and shamelessly so. Even Kabaneri of the Iron Fortress who many, including myself had considered to be Attack on Titan's proudly retarded brother, still proved to be a commercial success within Japan. However, due to the low salary and therefore shortage of animators as well as a scary deadline or some stupid shit, we are left with no one to turn to but CGI. 𝘊𝘭𝘢𝘯𝘨 𝘪𝘯𝘵𝘦𝘯𝘴𝘪𝘧𝘪𝘦𝘴 Now, this wouldn't have been so bad if it had been reduced to merely a couple of horses running about, but the Colossal titan? The biggest titan known to man looking like he came straight out of a Playstation game? They try covering it up pretty desperately by some cool 3D maneuver gear stunts, but whenever that giant red thing just pops up in the frame it takes me out of the moment entirely whilst completely ruining any immersion that might have previously been had, simultaneously leaving me mesmerized and ashamed to be part of the human race. Lowkey hyperbole aside, it was quite nice to see not as many individual still shots just placed randomly throughout like last season, which is pretty much the only improvement I can name. The titan designs still look as.. "original" as ever, ranging all the way from borderline creepy to mildly autistic, with few and far between. Attack on Titan used to and still does hold a very special place in a lot of people's hearts for being that one big gateway show. Having watched it right after it finished airing, I still vivdly remember the passion and excitement I once felt towards it oozing out of every single pore of my body. Despite the numerous impressive feats it has managed to accumulate within the industry in terms of both financial value and Westernized viewership, the fact still remains that it is easily one of, if not the single most overrated anime of the past decade. Content-wise it is an absolute shitstain that treats itself way too seriously for its' own good when in reality is nothing more than an inconsistently entertaining dumb turd of an action series. The story is plagued by the author's raging boner for mysteries and unsolved plotpoints combined with annoying and overused distasteful flashbacks and especially cliffhangers that occur every single episode for the majority of the latter half of the season and exist solely to spray perfume over said previously aforementioned smelly turd in hopes of making an abundantly lackluster product seem a bit more refined. A cast of caricatures that by merely existing take a big gnarly dump all over the very concept of character development, with the typical consumer's reaction being, "Man, did you see that? Levi just took out a QUADRILLION titans in the span of 5 seconds, I'm favoriting that man right this very instant !!! Oh, why is Armin scared?" It's a failed rehash of the first season in every way imaginable and doesn't even compare to it in terms of hype or shock factor, the elements that initially gave the series limbs to stand on. Reiner is armored titen cuz he big and Bert is colossal cuz he tall, hurr durr. All in all, disappointing, but not unexpected. Fingers crossed that 2021 will be a better year for anime!
keragamming
06/17/2017, 07:45 AM
Season 2 has come and gone and this three month was really enjoyable, but do not fear, season 3 is already announced for 2018! Now on to the review. Story 10/10: Snk season 2 picks up right where season 1 left off, and it give the viewers a bit more insight about the titans in the walls. The thing with snk is that its story is slowly unravelling for both the characters and the viewers, we learn of the ape titan that can speak and that titans obey his orders, we also learn that without a doubt titans are humans, we learn that Ymir who is nowknown as a titan shifter knows a lot of secrets that she is hiding and that she is over 60 years old. We also got the reveal of the arrmored and the iconic collosal titan which are characters that we saw from the very first season, this really should be the turning point for many persons that this series is not just about humans fighting titans/ It's way more than that and as the story progresses the plot gets more complicated, what really shines for this series is how well it foreshadows or give hints to the viewers of future plot event, and imo the series gets more enjoyable when you learn more things in future plot and then rewatch an earlier season and you will see how the author cleverly hinted at certain things, like for eg, the identity of all three of the titan shifters, if you go and rewatch the first season you will realise all those hints were being drop, overall just rewatch the first season and you will see how well put together the story is, the best way to explain snk story is that it is a like a puzzle that is slowly being put together, and sometimes you the viewers if you pay more attention to it can fill in some of the blanks with the info you got so far, because this series doesn't leave viewers in the dark without giving the readers hints. It also makes you question what is going on or the motive behind the titan shifters, why do they want to kill everyone inside the walls? What is their motive? What we did find out at the end of the episode is that Eren can control titans, and that is the reason why the Annie, Reiner and Bertholdt wanted to capture Eren. I always like series that makes you question yourself and makes ponder about certain things. Art 8/10: I thought the art was solid overall, there is some bad shots that I've seen throughout the series, but I've notice that when it doesn't look good is when the characters are not close up, also the Cgi was not to my liking it puts me off in some scenes, but overall it didn't affect my enjoyment much since most of the cgi was use on horse scenes, which lasted just for a few seconds, but what really annoyed me was the collosal titan cgi, it looks horrible! Though sometimes it doesn't look bad, but overall I will like them to scrap that and make the collosal titan fully hand drawn like the first season. Overall art and animation was solid imo and not much complaint. Sound 9/10: The soundtracks in season 2 is great, and I'm glad that they didn't completely got rid of the old soundtracks, because that would might make us loose the snk feel to it, What Sawano did was smart, he remix some of the old soundtrack and also added new soundtracks in this season, the only disapppointment is that we didn't get enough new soundtrack imo, now the reason could be is that this season is 12 episode instead of 25, so less soundtrack, but overall I was please with the soundtracks in this season. Characters 8/10: Imo, I feel this season really flesh out more of the side characters and give more focus to them, the main cast for this season got little screen time for the entire first half of season 2, but this was actually a good thing, we got a lot of character development and characterization for all these characters in this season, though a flaw that I saw in this season is that there were too many flashback, which is a method also use to develop a character and also the anime staff added fillers in the flashback to extend it a bit more, this is a flaw when it comes to adapting a source material, they want the season to end at a certain point, and so the anime staff pad out the flashback with stuff the viewers already know of and this is really annoying imo, this is a legit critcism that I agree with. Enjoyment 10/10: For me, what really made me enjoy this season is because, me being a manga reader already know what happens in future events, and thus watching season 2 is like rereading the series but instead with soundtrack and animation etc, and as I said before seeing all the foreshadowing and understanding the vague discussion going on between certain characters just makes me appreciate this series more and that is why I really enjoy it so much. This is where the series starts to shift in tone and I can see why some persons may not like this season as much as the first and vice versa, and in the next season it will be taking another shit in the story as well, really interested to see anime only reaction to season 3. Overall 10/10: This series is a masterpiece despite its flaws, a masterpiece doesn't mean it has to be a perfect series, because the truth is, there is no perfect series. This series is very ambitious in where the overall story is going, and I know not everyone will appreciate this series like me, because opinion, but I am very happy a series like this exist, it is what made me become a hardcore anime fan, and I hope when this series is complete persons will appreciate what the author was going for and not what they wanted it to be, 2018 can't come any sooner. Thanks for reading. ;)
ZephSilver
06/17/2017, 07:26 AM
Anticipation. Blistered, sunburnt skin adorns them, the lumbering thud of footsteps echoes louder with each passing second, their eyes set on a village lying dormant up ahead. Exposed flesh shifting between the woods, no expressed interest for the plant life or animals grazing at their feet. Warped facial expressions, a thousand-yard stare, distorted features, twisted limbs; an ungodly creature, a true force of nature. Deformed giants with one thing in mind. Beady eyes stare back at the impending danger, irises frantically shifting from each other to the threat slowly approaching with each step, the military cradled behind stone walls planning their first strike. In the dead ofsilence, every sound amplified. Every second longer than the last. A cacophonous mixture of bated breath, the clanking of metal harnesses strapped to their bodies, housing blades and gas canisters that will eventually propel them towards the enemy. Cold sweat rolls down their cheek, hanging off the chin with nervous anticipation. Faces to the left and right, the unspoken acknowledgment made by brothers-in-arms that this will probably be their final resting place. Too late to back down, too late to think about it. The giants draw near, young scouts fall into dead silence, the slightest whimper exposing their position, sweaty palms firmly gripping their weaponry's handles, blades erected waiting for the signal to go. The longest minute of their lives. Action. The signal is given, piston-propelled grappling-hooks pierces its way through a firm surface, a loud unified roar ushering them into battle — "Attack!" — Humanity's final defense catapulting through the sky, wings of freedom crest embroid on their backs, as they stare down the mass collection of imposing figures. The battle begins, blades being embedded into the necks of targets as they fall to their knees. Men carelessly swinging into the jaws of another, blindsided in the fray as the Titan crunches down, blood confetti sprays out, showering the field with the unholy reality of the situation at hand. Human debris piles up next to the simmering sounds of corroding titan flesh. Steam billowing out bloated corpses as it blankets the field, men and Titan alike stuck in the disarray of a free-for-all. Fear and adrenaline push men forward where their bodies refuse to budge, while others cower in defeat, accepting the grim outcome of their faith. An insatiable desire to consume keep Titans swarming where an absence of "self" resides. The fight rages on. There's no chess game at play here. No battle of wits. No war cry to rally any remaining fighting spirit. All that's left in the midst of chaos is an animalistic drive to kill or be killed. Men swinging their blades frantically, bodies jettisoned by wire towards the unknown hidden behind plumes of smoke. Uncaring giants solely driven by a gluttonous appetite, grabbing at any signs of human life, unfazed by the burning ash of their reduced numbers laid to waste by the prey they feast on. All concerns are eclipsed, all formalities discarded, idealism abandoned, time holds still, the nightmare stretches on endlessly... until there's no one left to keep it alive. Aftermath. Scattered limbs litter the ground with no owners to claim them. The earth soaks up the battered dregs of human remains, leaving only remnants to be discovered by those unfortunate enough to stumble upon it. Regurgitated balls of bodily fluids perched on top fallen victims, disfigured men trapped inside, destined to stay nameless. Steam gently ascends to the sky, departing from the mass graveyard positioned below. Men on horseback approach the sorrowful sight, disgusted but desensitized to what's become far too common of an occurrence in their day to day lives. A ghoulish figure hunched over, tearing into the flesh of a nameless scout, unconcerned with the men gathering around it. Quickly being dispatched by them, they see no triumph in their action, only another hopeless notch under humanity's belt. Their time for peace has long departed, leaving it its place a constant dread of the unknown. From the sporadic home invasions of Titans to even the secrets concerning the walls themselves. Things that were once thought of as reassurances now only add to the anxiety pending up with each violent encounter. When your home turf is compromised, where else can you turn? When your overseers keep potentially harmful secrets from you, who can you trust? The mystery compounded, the fights more brutal, and the stakes set higher than ever. This is the kind of world Attack on Titan gives birth to. A place dictated by stonefaced laws of Darwinism in every regard. A place that's adored the world over by the audiences that flock to it. Reception. Attack on Titan left big shoes to fill since its 2013 debut. Almost overnight, it became one of the most popular anime titles of all time, effectively surpassing the glass ceiling set over the medium at large to become a noticeable player in the stratosphere of everyday pop culture. Even if that success was to a lesser degree when compared to the likes of "the big 3" and the Dragon Ball franchise that made its way out as well, its impact was still noticeable, both domestically and overseas. This, alongside works like Sword Art Online, has positioned it as one of the poster-child images of what "anime" is to non-anime fans of the 2010s. Occupying shelf space in your local Hot Topic, being mentioned in passing by those oblivious to the entire culture at large, a conversation starter to introduce others to an active community that bubbles on the surface but never making enough big waves to become acknowledged on a mainstream level. The show's relevance in recent years cannot be understated. It's a new footnote that continues the narrative, helping push the medium and partakers of it a step closer to accessibility in other avenues of a broader mainstream culture. Because of its exposure, for many, Attack on Titan became their initial gateway title into the anime medium. And as such, a milestone entry when searching for that same thrill that it offered up on its initial encounter. For better or for worse, AoT shaped the landscape of future anime entries, many of which seeking to retain the newfound fanbases that sprouted because of it. And while there was a sleuth of cheap knock-offs offered up to keep the flame burning since then, nothing was capable of whetting the appetite in the same way it did. 4-years and many cheap imitations later, AoT has reemerged once again! But the question is, is it 4-years too late? 4-years may not seem like a long time in the grand scheme of things, but for media, it's practically a millennium. A lot could happen in 4-years. New emerging trends develop, talented figures could make their debut appearance, a shift in the landscape in favor of real-world sociopolitical events could occur, and most importantly, the demands of people can evolve as they foster different tastes and interests. You don't have to look far to see these occurrences happening. In the movie industry, more specifically, tentpole blockbusters, superhero films have effectively become the new age westerns, to the point where watching them becomes a ritualistic event shared by a mass majority, making those that don't participate outsiders to watercooler conversations. In music, the new "wave" in the past few years has been trap-inspired production and dancehall-influenced rhythms, a transition that's proven to be so successful that even megastars that dominate the pop charts are flocking to get in on the action. Even in our own backyard, in the world of anime, creating "subversions" or reimaginings of established formulas, from the likes of MMO-inspired premises to superhero stories, is the popular thing to do at the moment, with many recent hits owing their success, to some degree or another, to that directional push. Media is a beast that's constantly shifting in order to appease the masses, unless the pedigree of the product in question is of a high caliber, expecting it to stay still until your return is foolhardy, and from a marketing standpoint, a huge risk to take. So, did Attack on Titan's gamble pay off? Well, it all depends on where you stand as a viewer. Fortunately for Attack on Titan, the efforts of its bottom-rung imitators served a purpose. Like the MMO and superhero shows that dominate the current landscape in anime, post-apocalyptic stories are still in high demand as well. The manner in which it is received, however, is a completely separate issue. You see, within that 4-year period, those rose-colored lenses that many fans may have had during its initial run may no longer be there, or at the very least, those "lenses" have since been washed out to something closer to transparency, as it usually does when someone grows older and become accustomed to certain things. Where they could have been hoodwinked with a few plot twists and shocking moments before, the chances of that level of susceptibility dwindles as time passes. With every encounter made with something employing the same general gimmick, the magic is now met with a response succumbed to apathy. Each time something that appears novel makes itself known, the next encounter of the same content slowly morphs into a future cliche in the making. It's the gift and the curse that comes with transitioning oneself towards a more seasoned mindset. There still may be an eager audience waiting to see the story unfold but that's usually accompanied with a higher level of skepticism, making the work of any follow-up season that much harder to live up to the initial "hype" that came with its debut. It's for that reason that the infamy of the "sophomore slump" exists, and to no one's surprise, Attack on Titan's 2nd season is met with a divisive mixture of applauds and woes. So, reader, do you gawk at the attempts made by the 2nd season to employ the same bag of tricks, or do you approach in a way that many veteran viewers do when watching something as flamboyant as Attack on Titan? If you're reading this review, I'm going to make the assumption that you're not comprised of the mass majority that doesn't care either way. As far as your viewpoint goes when discussing AoT after finishing this review, I leave that bit of trivializing up for you to decide. Everything moving forward is just me pleading my case and my stance on the matter, so take from it what you will. The reception I have for AoT's 2nd season is pretty straightforward, I love every minute of it! It's just as nutty, over-the-top and gratuitously violent as I remembered. It's a show that brings me back to a simpler time in my life, where excessive violence and theatrics were the only things that stimulated my viewing habits. A time in my life where movies like The Matrix and Equilibrium were as coveted as holy scripture and any verbal disapproval of it was treated like sacrilegious acts. Attack on Titan 2nd season is just awesome! Schlocky, cumbersome, inconsistent, poorly-written, overacted, exploitative, childish, melodramatic, hammy, riddled with plotting and tonal issues... BUT still fucking awesome! And while I do love it wholeheartedly, those issues I mentioned don't just magically go away, and seeing that this is a review and not a drunken get-together with friends where we scream "FUCK YEAH!!!" at the top of our lungs, as we view the poor inhabitants of AoT being chomped in half by giant nake people, I will judge it accordingly. Fidelity. What a pleasant surprise. I think I express the sentiments of many when I say that I approach most sequels with a great deal of apprehension. More often than not, sequels tend to disappoint and for understandable reasons when examined. If it follows the 1st installment verbatim, it's simply seen as a rehash, if it veers off course too much then it runs the risk of not capturing the essence that made the 1st great. It's that old adage expressed by many “You’ve got your whole life to write your first record, and only a few years to write the second.” So when I sat down to be immediately met with the familiarity of AoT's flare for the dramatic still intact, I was more than pleased. Even after the first season, where I felt that the show may have exhausted every possible gruesome fatality or creative action scene in its arsenal, this follow-up season somehow managed to ratchet up the stakes and tension, while keeping the locations and bloodbath battles fresh and exciting. The spirit of AoT was carried over seamlessly and with its usual offering of plot twists and shock factor moments being placed center-stage, there was never an episode that passed where I wasn't enjoying myself. This consistency stood true for the art and animation as well. With new locations and settings being introduced, the expansion that was already given from season one is further complimented here. Employing the same European-like building structures and familiar environments, marathoning both seasons would yield very little in the way of distracting changes. It's fresh but familiar. Changing things up when necessary but never to the point of alienation. Although, there was an issue present that might turn some people off. The usage of CGI is far more prevalent this time around, and admittedly, lazily implemented at times as well. For example, there are scenes of men on horseback at some point, during which, when the camera pulled back for an aerial shot, you could see them galloping above the surface of the ground, giving this look of a 3D rendered image being dragged across a landscape in post-production. This hovering effect is amateurish for a studio that's usually praised for doing above average in the visual department. Where it set the standard in season one, in season two, it's barely maintaining it. The CGI used for the giant titan was also distracting. Not for the actual look of the Titan itself but for the framerate, which wasn't succinct with the animated shots of characters around it. Other than the issues found with the CGI, the rest of the production was very appealing. I am slightly disappointed though, knowing that with 4-years given to create a stellar product, Wit Studio ended up shortchanging themselves. And it's not like they had to touch up on their skills in this department, they've already proven that they're capable of meshing CGI with 2D animation just fine with their bootleg Titan show, Kabaneri, of last year. So to give their main cash-cow second-class treatment seemed like a huge disservice. Whatever the reason behind the copout service may be, here's hoping it doesn't continue with future installments. Thankfully, everything else was up to snuff, making those blemishes far more palatable than it would have been otherwise. Content. The story continues off with the discovery of new mysterious events that slowly makes itself known to the viewer. Everything has been called into question, as the Titan face exposed from within the wall at the end of season one plunges everyone into deeper secrets surrounding the church and the following occurrences that led up to the aftermath of Annie's capture. Tensions rise, as paranoia slowly seeps into the Scout regiments. No one could be fully trusted. With Annie being a Titan, the possibility of more traitors in the mix becomes a high possibility. The war has shifted on both sides now, with Titans moving in headfirst and the fear of more enemies hidden within the ranks just lurking out of focus. And the rest of the story effectively follows a barrage of plot twists one after the other, of which, any type of hints would effectively spoil the surprise, so I'll leave that bit of discovery up for you to witness yourself. AoT does what it's best known for, delivering on nail-biting cliffhanger moments one after another. There's never a shortage of reveals being discovered here. Some that's a bit obvious for those paying attention and others that are completely left-field if the anime is your only exposure to the material at hand. Accompanying men into battle, we're given a fantastic musical backing, with thunderous drums, booming brass sections, and blood-curdling violin chords, all being wrapped up and carried off by the unified echo of a haunting studio choir; all of this crashing headfirst with electrifying musical underpinnings, creating a futuristic orchestric sound. And in the heat of battle, this soundtrack does an amazing job at giving everything a vintage feel while positioning it firmly in the 21st century. It's a clash of classical meets new that's unified under the sound of constant dread and ascension. This makes it one of AoT's best highlights. Despite the shortcomings of the show's characters and storytelling, this aspect remains a spotless feature, something destined to age incredibly well for years to come. And since I just mentioned it, and there's only so long that I could dance around the subject matter before pointing at obvious pressing issues, time to discuss the aspects that constantly keeps AoT from reaching the ambitious heights that its universe desperately attempts to cling to. Sloppy. First and foremost, Attack on Titan's screenplay is written as if the Caps Lock key was left on the entire time. If this review was written in the way the characters were made to emote, EVERYTHING WOULD JUST BE WRITTEN IN ALL CAPS JUST LIKE THIS SENTENCE. And I'm sure I don't need to express just how distracting or ridiculous that could get for those wanting something a bit more serious. Couple that constant barking with some overexaggerated facial expressions, where the characters are given their best "rape face" expressions, and you will be none the wiser had you just seen a clip and thought you were looking at an anime parody of shounens. Truth be told, part of the reason why I enjoy AoT has to do with this very feature. That schmaltzy level of overacting has always been something I found amusing, but unfortunately, that's not the show's intent, as it displays no comedic bone in its body for any of these exaggerated scenes. This isn't Jojo's Bizarre Adventure where everything hints towards a tinge of comedic self-awareness—no, in Attack on Titan, everything is played seriously, causing it to come off like a circus performance where everyone is dressed in all leather. This can make some dramatic moments hard to invest into. And it's for that reason that I ask how you're consuming Attack on Titan. Because if your approach demands no room for levity or laughter, chances are, many scenes here may make you want to gouge your eyes out. Anyone that could view an armless Eren beating the living snot out of someone with his arm stumps, while foaming at the mouth like a rabid animal, rapey-face set to maximum, and STILL take it seriously, despite all this, has my admiration. I keel over in laughter seeing moments like that. It's a show that can't escape the innate hilarity of some of its content. For me, part of the fun of AoT is seeing that constant struggle to capture authenticity and seriousness, despite the content suggesting otherwise. Viewing it in this way may not be the original intent of the staff and creators, but it's entertainment at the end of the day, how I choose to enjoy it is entirely up to me. Which brings me to the other issue that the show can't shake: poorly written characters. Armin is the only character in all of Attack on Titan with a proper character arc. There's no arguing this, no IFs ANDs or BUTs, this is just a fact. Out of everyone presented, he remains the only member of AoT's cast that was given any sort malleable personality, an internal reflection, and eventual growth that STAYED that way. For everyone else, Eren included, there's only a phantom resemblance of a character arc, but in reality, their constant dominating character traits actually cause them to have the adverse effect. Instead of showing character development, they end up going through character regression instead. For the easiest example, let's take a look at Eren. In the 1st season, they made it a point to show that he's a hardheaded young man who's willing to throw himself into the heat of battle whenever someone or something agitates him. Constantly short-tempered and outspoken, he's made out to be a very unlikable person to many around him. His hostile behavior usually led to him getting into physical brawls with older authority figures and even his fellow peers. Understandably, at first, he only had a few friends that took to his side, those being Mikasa and Armin respectively. And even then, it could be argued that during that time, those two friends were only earned due to certain circumstances. Because of Eren's pivotal role in Mikasa's past when they first met, she felt a sense of obligation and appreciation for his actions, which eventually led to an appreciation for him as a person as a result. And after being placed under the same roof, it was easy to nurture a relationship, given that they got time to know each other on a day-to-day basis. In Armin's case, Eren represented the bravery he lacked in himself, as he constantly stood up for him when he couldn't bring himself to do anything but cower at any bully that enters his space. He basically saw him as the big brother he never had. In both cases, Eren's pigheaded resilience and loyalty to those he cares for were what won them over. And so, a rebellious character trait was quickly established. One that led to positive outcomes in very limited situations. Later on, as the series progressed, he was placed in circumstances where that very personality was used as a catalyst for his growth, more specifically, when he was placed in situations where his pigheaded attitude endangered the lives of people around him. The biggest highlight of this comes with the time he spent under Levi's camp, as well as his transformational moments as a Titan. long story short, his outbursts began to affect more than just his pride, it caused several irreversible incidents where his actions were directly connected to the issue at hand. This eventually culminated, to what looked at the time, like Eren turning a new chapter in his life. He's now more calm, even mindful of the ones around him. He understood that his behavior isn't doing anyone any good. And as his bandaged body sat upright in bed with Mikasa staying by his side comforting him, Eren's journey in the first season came to a reasonable point of conclusion. Fast forward to the second season and all of that was immediately flushed down the toilet for an instant character reset. Any semblance of growth shown was immediately replaced back with the same hot-blooded behavior and hammy overacting he was notoriously known for. This form of character regression isn't excused as someone stuck in their old ways, it's the act of behind-the-scene creators understanding Eren's marketability as an angry youth. People are weary of any kind of change and so Eren was forced to remain two-dimensional, regardless of any personal revelations he may have had. And before there's confusion on what qualifies as growth, no, receiving a backstory isn't it. A backstory only helps when the character in question grows further from the present day acquaintance with which we first encountered them. The rest of the characters can effectively be boxed into neurotic personality traits or future cannon fodder. It's the type of show that relies on the ensemble cast to carry the personality that any given individual may lack. Think of it like colors in a rainbow, everyone involved is basically an individual color, making them basic when alone but exciting when placed together. It's a common trick to use when there are too many characters involved and not enough time dedicated to any of them. And speaking of the narrative, possibly the biggest complaint launched at Attack on Titan ties into this. Honestly speaking, AoT has very little in the way of a well-written story. It's a show that's overly reliant on over-the-top plot twists, mystifying everything as to appear purposeful, and a gratuitous about of shocking deaths and revelations made at the drop of a hat to keep audience attentiveness. And as it is in the case of the overacting, this too is something I enjoy about the show. It's like a constant wack at a visual piñata, with each hit revealing something unknown inside. To me, that's the reason AoT is such an entertaining piece of media, it's its ability to constantly unveil new, and often ridiculous, plot revelations. Each time you return, it has something new to offer, regardless of how familiar it may get to other moments prior. But again, that's just the way I choose to consume and enjoy the show. As for the pedigree of writing on display, it's absolutely abysmal. It's a show that's reliant on your acceptance to a myriad of plotting inconsistencies, excessive mental gymnastics in regards to many of its plot twists, and a high suspension of disbelief for the mechanics of its universe. If you're an astute viewer, there would be many times when you're forced to call into question the validity of the events playing out. And if you choose to take the show seriously and hate it as a result, you would completely be entitled to do just that. Contention. I usually distance myself from the community and their consensus in regards to any show when I'm working on a think-piece about it, but with Attack on Titan, that's proven to be virtually impossible, especially for someone like myself that's made it a habit to publicly airing out my opinions. Several people approached me with their thoughts on the show and after awhile, I began to notice the thread of a narrative taking form, which admittedly, affected the way I approached this review as a result. And for the sake of bringing clarity to what I think has become a misinformed argument that's been generated towards this second season, I will address that general complaint here and now. If you felt like the quality of this season has significantly dipped since the debut of the 1st, please rest assured that it haven't, it's you as a viewer who's grown beyond the content at hand. All these complaints launched at the show now are just as applicable to what was given from the very beginning in 2013. Season one had just as much diluted plotting, expository verbal dumps, long periods of substance-less content and character victimizing. It's only now that you're older does those issues become more apparent. 4-years is a long time, and in that time, you're bound to grow up as a viewer, even if you still find yourself indulging in the same kind of content. Your awareness of it has simply matured since then. Quality-wise, both seasons of Attack on Titan are on the same level. The only difference found are minor and not worth elevating the first installment leagues ahead of this follow-up. And with that being addressed, it's time I wrap this review up. Conclusion. If you were to ask me what my favorite anime viewing experiences were based solely off of entertainment value and absolutely nothing else, Attack on Titan would easily rank up there with Death Note and Kaiji. As an overblown piece of media, the show is a constant roller coaster ride of violence and plot twists, all beautifully set to a great soundtrack and nice visuals. Content-wise, it has very little to offer, and honestly, without the constant barrage of bloody fatalities and sensationalized violence, I would probably get bored with it. But as it stands, this anime represents "hype-inducing" content for me in the truest sense of the term. It's a hammy, grindhouse-inspired work of artistically shot ultraviolence. Like a big lovable oaf, a show oblivious to just how ridiculous every situation presented is. It's pure spectacle, plain and simple. It's one of my favorite pieces of schlock of all time and a show I will revisit many times to come because of that.
Stark700
06/17/2017, 06:51 AM
Unless you’ve been living under a rock for the past 4 years, then you’ll know that Shingeki no Kyojin (Attack on Titan) has been renewed for a second season. And with that, the show returns in full force. Remember the titans that terrorized humanity when they made their appearance from season one? Or when Eren transformed into a Titan himself and played a pivotal role to help humanity? How about the time when Eren and his friends realized that one of their comrades is also their greatest enemy? Shingeki no Kyojin wastes no time in giving the fans what they want and that’s a sequelto talk about for years to come. Make no mistake. The second season jumps right into the meat of the show like a bullet train. It doesn’t rely on boring narratives to recap dialogues but instead presents them through events. The first few episodes reintroduces the main characters such as Eren, Mikasa, Armin, Reiner, Bertolt, Sasha, Hange, etc. Time hasn’t passed long either since the defeat of the Female Titan. However, we are introduced to new enemies and conflicts. One of the more noticeable fans will notice is perhaps from the trailer – a beast-like Titan covered with fur. Other conflicts in the second season includes the evolving mystery of certain characters. The secrets they hold close gets more and more complicated as the story progresses and we learn their motivations. Furthermore, the second season builds more into the character relationships outside of the main cast. To say the least, Season 2 isn’t just about the war against Titans but how certain characters’ roles can impact the entire world. Snk Season 2 attempts to do a lot of things. At times, it feels like a fantasy war-drama while other times, it feels like a mystery story. When you mix a lot of genres together, the show can be interpreted from many angles. Mystery will no doubt be one of the key factors that keeps the story engaging for the viewers. From this season, we’ll discover revelations about certain characters and what influences them to become what they are. These are often told through flashbacks and is done effectively through insightful storytelling. It shows rather than tell about events. Furthermore, it makes us understand the characters better. Now for some fans, this could be a sign that the show will fall victim to “slow pacing”. It’s slightly true as I do wish some episodes to pick up the pace more. It can hold the show back for fans especially if it’s a character that they don’t care about. However, it’s also important since SnK doesn’t toss away characters in favor of just the main cast. Major supporting characters such as Sasha, Ymir, and Krista gets more characterization that was not seen from the previous season. In addition, the series still spends time to get viewers to understand more about the trio of our main cast – Eren, Mikasa, and Armin. Unfortunately with just 12 episodes, don’t expect the second season to give all the characters their chance to shine. If you’re a fan of Levi, then I’m afraid I got some bad news. Despite the engaging story, season 2’s mystery elements aren’t exactly difficult to decipher. It’s actually quite easy to piece certain pieces together. Every episode builds more and more into the story but some hints will be much more obvious than others. It leaves open to some predictable outcomes. However, I would also argue that season 2 succeeds at building up the suspense regardless how the outcome comes out to be. It injects psychology into the show through effective usage of narrative, dialogues, body language, and character interactions. In some of the later episodes, we can see how certain characters show their true selves in ways that will be very memorable. It’s made even more effective through the timing of certain scenes. Directing a show like Shingeki no Kyojin requires a creative mind to connect the script and I have to say, it did that pretty damn well. Finally, I am satisfied by the faithfulness of the adaptation as it adapts many manga chapters that I had anticipated. In fact, some episodes are actually adapted even better than the manga thanks to the cleverly timings of key events. To sum up the production quality of the show, it’s pretty easy to say that Shingeki no Kyojin Season 2 is a firm example of how dark fantasy should look like. I actually had some complaints regarding the first season’s quality but those are pretty much are nonexistent in this sequel. Every episode looks fluid ranging from the intense action, character expressions, and choreography. To an extent, even the CG is done well and that’s no easy accomplishment for many shows. Character expressions highlight characters personality as it gets the fans more excited about them. Season 2 pulls that off flawlessly with characters such as Eren, Mikasa, Reiner, and Ymir. I can also safely say that the Titans in this season look just as intimidating as fans can remember, if not more. Known for its high level production quality, season 2’s soundtrack doesn’t come far off either. Theme songs sounds familiar compared to the previous season but has more symbolism and scenes poured into showcase its story. Like most fans of the show, expectations for the OST should be high as Hiroyuki Sawano returns with his craft. It lives up to those expectations especially in some of the key moments that will leave you in awe. Finally, character voice mannerism just works wonderfully as the cast fits right into the shoes of their roles especially for characters like Reiner and Ymir. As I mentioned before, there’s a good amount of psychology that season 2 brings and some characters’ voices really brings to a level that’s larger than life. Once again, Shingeki no Kyojin gives what the fan want ever since the first season ended in 2013. It’s been 4 years but upon watching the first few episodes, it felt like yesterday. It does its job at selling its story with its variety of genres mixed in together. With such a colorful cast of characters, it gets the fans excited to see what their roles will be. With a studio like Production IG, it’s safe to say that the quality remains in good hands. Now, I am slightly bothered by the length of the sequel. It’s half of what season 1 turned out to be and after all the waiting, it felt like a slap in the face for fans. Still, I’d say that the wait is worth it as time didn’t do its damage and it deserves a pat on the back.

Shingeki no Kyojin Season 2 進撃の巨人 Season2

2017 spring | Episodes: 12 | Score: 8.5 (1942029)

Updated every Saturdays at 22:00 | Status: Finished Airing

Type: TV

Streaming: Crunchyroll | Netflix | Shahid

Synopsis

Voice Actors

Ishikawa, Yui

Inoue, Marina

Kaji, Yuuki

News

Reviews

Dislexic_Potato
05/11/2024, 03:03 PM
My god what a snoozefest. The first season of this show was overrated enough but the fact that this season is almost in the top 100 highest rated anime of all time is hilarious. Eren's whining is as insufferable as ever, the few cool characters like Mikasa and Levi don't get enough screentime and scenes feel severely dragged out. Nevermind that, the show expects you to care about characters that haven't been fleshed out which is the greatest sin of all. I might force myself to watch season 3 since people hype it up so much but man I'm begging AoT fans to watch their 2ndanime.
degenburneracct
08/05/2022, 02:17 PM
Def the weakest season in the series. While it kicks off at a pace so fast that the plot literally starts before the end of season 1, it kind of grinds to a halt quickly. Sure it's cool that there's a few eps filling out minor characters, but I don't think you have to sacrifice plot development to do this. Season 2 disagrees. While the first arc develops the show's mystery by going "hey check this thing out, that's weird huh?", the second arc does what the show does best: answering questions you wanted to know with more confusing questions until you're just sitting there like"wtf is going on" and then a bunch of big dudes punch each other in the face. The season worked a lot better for me on my second watch. Scenes have a lot more weight when you actually understand the importance of the info they're dumping on you. The "hints" are honestly more like easter eggs than foreshadowing. Not ideal when trying to piece together a story the first time around, but it's a good fun time to try and catch the five Hundred billion little details connected to future plot points.
Graine
10/18/2021, 01:46 PM
Season 2 of Attack on Titan is a mess. I'm tempted to say, "this is where the show jumps the shark", but I have not yet experienced the later seasons. I guess, season 2 is about that point in the story where the creator decided that his story should have some more twists to it. Unfortunately, Attack on Titan seems to only be able to pull off two kinds of twists: Type A) The twists that are painfully obvious. Type B) The twists that end up deflating the weight of the story and almost ruin the wonderful setting of the show. The writing in general seems awfully sloppyhere and very much gives off the feel of "just making shit up as I go". Lots of "do you remember that one life defining moment we had? Here's a flashback sequence of it, because we haven't actually established it (aka the writer only just now came up with it)". The lack of patience and proper buildup is astounding. If a thing is set up, it will either pay off immediately during the span of one episode or it will be brushed aside and left unresolved for the rest of the season. I wonder why the story went out of it's way to prevent Annie from acting as the source of our exposition by having her encased in crystal. It basically made the victory at the end of season 1 feel hollow and bitter. But the exposition Annie could have organically delivered gets dumped on us very soon afterwards (in manga release timeframe anyways) by other characters, so her whole cocoon maneuver seems like a net negative for the flow of the story. At the time, I thought the Season 1 ending was bold. "There are no real victories in war" -kinda thing. Now, I think it's painfully obvious that it was just the writer stalling for some more time to scramble together some sort of plan. I am almost certain that Rainer's split personality was an afterthought that had to be worked into the story in order for the character's actions to make any kind of sense in hindsight. Ymir turns her coat so many times in such a short period of time that the coat is basically just flickering on her. I suppose she is supposed to come off as volatile, to keep the audience on the edge of their seats, but it just comes across illogical and frustrating instead. Attack on Titan still has a lot of great things going for it. The art style and animation is still gorgeous and the Hiroyuki Sawano soundtrack is still A+ quality. The setting, despite season 2's best efforts, is still excellent and the titans are still one of the most horrific monsters I've ever seen in any media. All of this the show still has. But what is actually happening on the screen, in the present, is so tremendously stupid at times that the positive qualities almost don't matter. That is what makes AOT season 2 so frustrating, it completely fumbles with handling the fantastic framework for an epic story that it built for itself during season 1.
themegamancave
08/18/2017, 09:59 AM
Attack on Titan has an unfortunate truth surrounding it. Critics and fanboys surmise their opinions, incessantly hurling them at each other in hopes of smothering people into submission. One thing not present enough with this anime is a middle ground. In Season 2 we saw a surprising 12 episodes, a missing producer and a far different plot direction. The question is, did these things work for or against the franchise, and is it still the same old AoT that millions of viewers addictively engulfed several years ago? I feel it’s time to address the elephant in the room and provide a brutally honest review ofthe anime, and stop populating MAL with reviews embellished with buzzworthy absolutes like “the show is shit” or “arguably the best written series of all time”. DISCLAIMER- This is a very honest review. You’ve been warned. Right off the bat, the viewers are thrown into the second season with one of the worst transitions I can remember. I actually went back and watched the final episode of Season 1 followed by the first of Season 2 and was blown away by how disjointed it flows. So many unanswered questions (the walls, what exactly happened to Annie, how Eren feels about the whole thing) filled the air that I honestly couldn’t keep up with them all. It was a complete trainwreck. Possibly part of the issue is due to some changes in staffing regarding the anime, but it’s evident something went wrong. In this season, the viewers experience some short, but detailed backstory on Connie, Sasha, Ymir and others. Unfortunately, with the evident time pressure, it detracted largely from the story. The pacing is lethargic, often focusing on key battle scenes in order to create the facade that the plot is moving forward. It’s extremely hard to tell how much time is elapsing between various events, and as the final episode concluded, to have waited 4 years for what we got is embarrassing. Possibly the most glaring inadequacy is the truncated 12 episodes this season. In an anime with such a large cast as this, it really isn't enough time to get the job done. For the sake of metaphoric comparisons I could equate Attack on Titan’s short run time to my own high school reunion. In essence you have two hours to talk to about 50 people, and before you know it you've relinquished a bulk of your time catching up with one or two people. This results in a speedy greeting for the remainder, or you possibly not talking to them at all. This is precisely what the writers were forced to do with much of the anime’s cast. Characters like Levi and Armin make mere cameos, and the season spends most of its time progressing a short amount of actual story. The plot also suffers, as events can’t be properly explained within the amount of time 12 episodes allots. WARNING- SPOILERS IN THE NEXT PARAGRAPH The one aspect I can’t forgive from a writing perspective is how sloppy the Bertolt and Reiner reveal was. Similar to some complaints I had about Kabaneri of the Iron Fortress, it seemed to come so far out of left field that it felt reactionary. I understand the manga already contained this part of the story, but the appearance in the anime seemed sporadic and unexplained. It’s one thing to leave your audience questioning and on suspense, but another to come off as contrived or “simply doing things because the manga had it here in the timeline”. I felt much more surprised at Ymir’s titan introduction since I completely forgot she even existed. She was made to be a one-off character in my eyes, but as she transformed, her relationship with Krista and ghostly appearances all started to click. Bertolt and Reiner just doesn’t make sense to me. Hopefully, this gets cleaned up in Season 3 but it would’ve been a lot more cohesive without as much perceived randomness. OKAY, NO MORE SPOILERS! YOU’RE SAFE NOW! The more Attack on Titan progresses, the bigger issues I develop for Eren. In the anime’s infancy I thought Eren could become more than the trope he seems to currently be fitting. Ah, the revenge-blinded hero that will do anything to stop his foes… I can’t say I’ve ever heard of this before! He’s transforming into an angstier version of Kirito. Instead of just being the best at everything he does, Eren often gets beat, whines about it, recovers and then Leroy Jenkins’ his way back into combat again. There’s no internal dilemmas, no monologues about how he’s feeling (sans one instance in this seasons when everyone’s getting attacked at the end), just a vanilla-scripted MC. At least Mikasa maintains some enigmatic qualities by not continuously shooting her mouth off with an angry case of tourettes. If there is one thing the producer got right, it’s the action. Attack on Titan features some of the best choreographed fight scenes in anime, and Season 2 dials up the gore to 11. The emotions of the characters in battle are raw and realistic, with each spurt of adrenaline properly conveyed to the viewer. However, by saying this I also acknowledge how much the series is lacking in almost every other facet. It’s becoming that flashy toy kids play with for 5 minutes until they realize it only does about one thing. There’s no thinking involved, the foreshadowing is haphazard or non-existent, and it’s really unfortunate to see. With the budget this franchise has, it could easily hold the same uniform public praise as a show like Game of Thrones. The animation, story and characters COULD ALL BE EXCELLENT. But alas, we are left with luke-warm excitement and thoughts of how it could be better. I hope I’m not the only one that noticed the cringeworthy CGI involving the colossal titan during the 5th or 6th episode. Certainly an example of CG done wrong. However, while omitting this error, the anime’s art style seems relatively intact. The color palette still consists of opaque shades of brown, gray and green, with special attention given to character expressions and action scenes. The shots of a parade of Survey Corps members stampeding on horseback, or the ominous backdrop of roaming titans still launches AoT into a league of its own in the art direction category. Action scenes are fluid and suspenseful, and the gore is still as ubiquitous as the first season. I can only hope that as the series continues and media technology advances, the art directors stay true to their roots in this series, because a style that so accurately emulates its subject matter can be hard to come by. The music is epic once again. Linked Horizon returns to delight us with their fanfarish ballad to open the anime. “Sasageyo, sasageyo!” The remaining OST is fitting and seeks to emphasize the emotion present within its corresponding scene. Though, I will admit that I didn’t get the same sense of urgency or fear the background music portrayed during some of the more chaotic instances in Season 1. Nothing extremely offputting, but noticeable nonetheless. AoT’s seiyuus continue to impress with their grit and raw, emotional talent. Yuki Kaji’s resounding screams as Eren are evidence of his talent, and Hiroshi Kamiya is always smug and serious as Levi. I can only imagine how much fun the actors had when making this series, in terms of being able to use their full abilities. With any anime, my level of enjoyment is the most important factor when determining whether or not I’d recommend something. For the bulk of AoT fans, the second season will “partially” fill the void that the last 4 years since the anime’s debut has left. For some of you, possibly the more analytical types, the flaws begin to pile up. An extremely short runtime, half-assed character development and transition issues from the first season all work against AoT in this installment. Personally I enjoy the series, the world it exists in and the action, but Studio Wit is going to have to give the next season a much better effort if it wants to ensure its fans stay hungry for more, and have a more consistent adaptation schedule. Delaying one of the most popular anime in history for the trainwreck (pun intended) Kabaneri of the Iron Fortress in 2016 isn’t a good place to start. AoT always gets my blood pumping with its suspense and enthralling fight scenes, but can it keep the consistency? Hopefully Season 2 is not a precursor for things to come... Story-3 Characters-4 Art-8 Sound-10 Enjoyment-7 Overall-6.0
AlexPaulLEWZ
06/27/2017, 06:44 PM
"Sasageyo! Sasageyo! Shinzou wo sasageyo!" ("Dedicate, oh, dedicate! For this cause, your heart you must dedicate!") You are in a world where Titans, giant humanlike creatures that prey upon humans continue to exist, driving humanity to the brink of extinction. You only have one choice: to fight. You now already have some kind of advantage: A Titan enraged against other Titans, a soldier whom Titans have no chance winning against, hope of territory reclaiming and a very beautiful woman named Krista (the latter seems to be a joke). Will you still be satisfied and keep on living life like caged animals? Or you continue to fight? Fightingfor your freedom you long hope? (Even though there's a large chance you got killed by the Female Titan.) And thus continues the events in Shingeki no Kyojin (Again, I won't be using Attack on Titan because Shingeki no Kyojin doesn't translate to this) in its second season. Again, I wonder: Is the story any good? Or is it better than the first season? Maybe even worse? Maybe so horrible you wouldn't want to watch it? I wouldn't know. In order to fully enjoy Shingeki no Kyojin, I waited for the second season to be completed and watched it along the first season. I completed it in six days because it was so good. The story still centers around Eren Jaeger, a kid who've joined the Survey Corps with his best friends Mikasa Ackerman and Armin Arlert, along with the remaining Top 10 members of the 104th Cadet Training Squad: Jean, Ymir, Krista, Connie, Reiner, Bertolt, etc.. He also has the ability to turn into a Titan with the capacity of intelligence and immense strength, shown when he plugged up the wall in Trost District. As usual, being a second season, new characters and new revelations surround it. Many shocking things happened while at the the same time, unforgettable and awesome. Many of the battle scenes were well-played by the characters along with the deaths I didn't want to happen. Why!? Why should the characters who are supposed to be omega-strong died? Maybe because it's natural for they have a race far superior to them, preying them? That oppresion must not prevail! At least that's my opinion. Again, the art was so great that I can't get over it. The battle scenes that portray humans defending against Titans with their lives was again so spectacular that, again, I can't get over it. Especially the Levi scenes on the first season, which were very well-drawn. A mere 24-minute episode got extended to about 35 minutes because of constant rewinding. After all, who wouldn't like someone killing monstrous giants with blades shaped like cutter blades while simultaneously balancing on two detractable ropes with gas fuel? I want it too. The character designs was to die for, even more highlighting than the first season. The character designs for Eren and the other seems to have remained as it is, but in my perspective...is it me or Mikasa and Krista's designs were far too improved I finally lost my wits? Am I too biased? I hope not. MIKASA AND KRISTA FOR LIFE! AGAIN! The OSTs and music was also beautiful. What really piqued my attention was the opening, which didn't have German lyrics, but really bedazzled me on its bridge. Care to read some? "Sugishi hi wo aragau mono, yatsura ha kuchiku subeki teki da." I really can't get over it. Once again, I commend the ways and styles of Nippon's music industry in making music to be used in anime. Too great to be hated. At least to me. Characters. The human poulation is in decline because of the Titans. More than two hundred thousand died trying to recapture Wall Maria, even though I think that that plan was kind of a cover up, for the government is trying to suppress human population due to depleting resources. Such unfairness. Nevertheless, I really liked the characters, main, side and the members of the Survey Corps. Need I say more? The overall enjoyment I experienced watching Shingeki no Kyojin Season 2 is a bit low compared to the first season, but still high, even though it has a cliffhanger at the end and raised many to ask many questions. Why is that? I don't know. Overall, this anime is to be commended for its complex storyline, great art, music, battle scenes and characters, but not forgetting the meaning it holds within. At least there's one. Kudos. Watch the second season. It'll be worth your time. Now I'll be waiting for the third season.
Inferno792
06/22/2017, 12:33 AM
The sequel to Attack on Titan or Shingeki no Kyoujin was probably the most awaited anime series of the decade. I don't think I'm exaggerating when I say that because the first season just made a stupendous impact on the anime industry. Fans waited, and waited, and waited, for a second season to come and after four long years(God knows what the studio was doing for this long), we finally got a second season to one of our favorite, or for some people, one of their most hated anime. And let me tell you, as a huge fan of the first season and the seriesin general, Attack on Titan Season 2 is a colossal disappointment. The hype that most people had, or at least that I had, was already dissipated when a few days before the anime was to begin, it was announced that this season was going to be one cour. This wasn't just because it was a kick in the backside for those who've patiently waited for four years to only get 12 episodes, but also because those who've read the manga knew that 12 episodes would only let the plot hanging and would move the story nowhere. Unless they skipped lots of details, there was no way we were going to get the action and excitement that we'd longed for after having finished season 1. I put this behind me, like a lot of others, and made up my mind that 12 episodes were better than nothing. The season started in an explosive way and made me remember once again why I loved season 1 so much. The titans, the screams, the expressions of terror on the faces of characters, the fear that one of the characters that I liked might die. All these things along with the amazing battles were the reason why Season 1 had become one of my favorites. And we were thrown into it right away. As the season progressed though, the story began to stagnate and the fears that I held before the season began surfaced. The story just went nowhere. By the time I was at episode 10, I was already not following the series weekly. There were episodes in between that gave me the chills and the feels of the first season and I couldn't help but crave for more when I watched those episodes/scenes. But they were far too little. And I knew that this would be the case for most of the season. The manga content that was adapted for Season 2 was mostly exposition and the action was nowhere near enough to satisfy my thirst. It just had those long minutes of silence, which to be honest isn't what Attack on Titan is, or what made it so successful in the first season. On to the characters, this is an area that was probably the most disappointing for me along with the lack of action. If they could've had character development done well through the course of the 12 episodes, I think that might've made up for the lack of action. For me though, this didn't happen. Our protagonists Eren and Mikasa don't change. They didn't change much throughout Season 1, but you could excuse that. However, the utter lack of character development for anyone, even our protagonists is extremely disappointing. Eren never grows out of his "I'll erase every titan off the face of the earth" shit, and he doesn't really even try to think of reasons why Titans exist. He's just obsessed with killing them and that's all there is to him in the season. Mikasa doesn't get too much screentime but even she's the same "Eren I'll protect you from the world". The only characters that did get somewhere were Krista Lenz and Ymir. I thought they were fleshed out pretty well and had their past revealed a little bit. Having said all that, the animation of Season 2 just went up a notch from Season 1, and Season 1 was done pretty darn well. The art was detailed and the animation fluid. The OST was similar to season 1 with some differences added. They let us get a feel of the events happening extremely well and help up immerse in the world of titans. Both of these get almost a perfect score. Now, I did enjoy certain parts of Attack on Titan Season 2, but overall, it was a real disappointment for a fan. It had its moments when it caught me in the scene and had an effect similar to that of Season 1, however those moments were far too sparse. I'm predicting and hoping that Season 3 will be much more action packed and have our characters develop more. Even if the season was 2 cour, we were always going to have these episodes where the world was explained to us in the first cour, but we wouldn't have to wait another ......so many years to get to the real stuff. Anyway, if you liked the first Season, you must watch this(as you will, haha), because I'm sure whatever they have in store for Season 3 is going to be better than this, at least for me.
BemusedFrog
06/19/2017, 08:47 PM
When Attack on Titan originally aired, the anime community was thrust into disarray as we experienced something that rarely happens: Everyone was watching. The show had managed to permeate the mainstream, and the hype was nearly immeasurable. Four years later, it's safe to say its sequel isn't garnering nearly as much attention. Thus it may come as a surprise to hear that AoT season 2 addresses nearly all of the flaws of the first season, and in only half the length of its predecessor, managed to entirely outdo itself. The season starts out with a fundamental shift in tone from what we had become accustomedto. Instead of the high octane, action packed nature of the show which had become its primary driving force, season 2 sets the stage by introducing a mysterious new threat into the fray. In addition, it reinstates the primal threat of the titans that the first season started to lose sight of. Titans are terrifying creatures, beasts that indiscriminately dismember and devour humans; it's important that the viewer fears them as well, or else what we're watching is oddly deformed giant humanoids flailing about the walls. Thankfully, It accomplishes this through its delivery of one of the most gruesomely horrific opening scenes I've seen in Attack on Titan's history. And after that, it doesn't shy away from that instilled fear, or back off to give us a break. As I alluded to, this season slows down a lot. But, it's better off for it. AoT S2 explores and expands upon its more mysterious and somewhat overlooked cast of characters, unraveling their underlying motivations, vulnerabilities, desires, conflicts, and secrets in intimate detail. In half the length, S2 manages to develop its cast much more impressively than its prequel. The first season had some issues with balancing high-paced action with substance. These problems have been rectified. Moreover, it capitalizes on this fine writing by granting the characters the opportunity to make significant decisions that affect the plot. Needless to say, the various revelations and developments that occur within this season would not have had nearly the same weight had the characters remained underdeveloped. As far as the story goes, I was pleasantly surprised by its compactness. In my less optimistic moments, I expected the short 12 episode season to be marred by a rushed, incoherent, plot-hole filled mess of a plot. However, the slower-paced and more grounded approach of this season played to the advantages of its single cour run. It is unrealistic to expect real "closure" as there is too much left in the story to be told, so the key takeaway for me was seeing how season 2 could wrap all the ideas it presented into 12 episodes in a satisfactory way. I have to commend the studio for this point. You don't get this level of refinement without a hell of a lot of prep work. One of the most impressive aspects of AoT, for me, is how well crafted the scenes typically are. Sometimes a specific anime, for whatever reason, brings out the absolute best a studio can deliver. We saw it happen with Shaft and the Monogatari series. The same thing seems to be happening here. And season 2 somehow manages to raise the bar on this point as well. As a frame of reference, one scene in particular simply has a group of people riding on the backs of slowly moving horses at night. Initial interpretations of this synopsis would probably read as follows: "Boring." Yet my hands were sweating as I watched. The show seems to be able to craft scenes that hit all of the right notes in all of the right spots, and I believe this largely comes down to the studio's intense passion for this series and a keen attention to detail. Even the most subtle of cues, such as the precise moment of when to play a specific track in the background, or none at all, is not overlooked. As such, it comes as no surprise that AoT S2 presents one of the most beautifully sculpted fight scenes I've had the pleasure of watching (upon viewing I trust you'll be able to tell which scene this is). Attack on Titan was special. It amassed a level of popularity that transcended it atop all other competition in its medium. After four years, I had forgotten much about it. Attack on Titan season 2 reminded me of its quality, and taught me that it is indeed more special than I originally surmised.
Artrill
06/18/2017, 06:17 PM
[5.0/10] _____________________________________________________________________________________________________ For a series that's all about a plethora of characters yelling loudly, Attack on Titan definitely finds itself whining a lot this season. Even with the aptly titled final episode, "Scream", AoT rarely finds breathing room to develop its scenario or characters past bluntly exposited backstory or nauseatingly boring dialogue. For everything it lacks in subtlety, it thankfully makes up for in bravado, as this season, even in its shorter length, is louder, dumber, and more abrasive than the last. Don't get me wrong, I actually prefer shorter seasons in anime and I was happy to see that we won't be sitting through twentyfour episodes of Attack on Titan. Especially if Season 1 is any example, there would most likely be a very tedious air about it all. With a shorter, more compact season, AoT had the opportunity to tell a more impactful story with better animation, presentation, and a tighter narrative. Unfortunately, I can't say that it succeeded. Much like the first season, Attack on Titan feels incredibly inconsistent in presentation and narrative. One episode feels like it is totally inconsequential while another feels like everything is moving by at lightning pace. I rather have the pacing be fast, rather than crawling to the finish line like some abnormal titan, but this constant rubber-banding can become tedious. Season 2's shortened length definitely proves beneficial to the short narrative being told. _____________________________________________________________________________________________________ [Story, character, and resolution] There is a distant focus on our protagonist as the writers adapt a more wide scope of characters onto the screen, trying their best to create sympathetic and morally intriguing humans that pepper this sprawling landscape. I very much enjoyed this change, since our protagonists, Eren, Mikasa, and Armin aren't very interesting or charismatic. There's a squeaky blond kid who shouts a lot, the main protagonist Eren, fueled by revenge, who shouts a lot, and Mikasa, who's soft spoken but also totally insipid as a character. They're a complete bore. Although the first half of the season really struggled to maintain my interest, I still appreciated them trying to develop a vast array of characters. I will unfortunately say that they don't do this too well. A lot of the episodes focused on certain characters, especially our favorite potato-lover, Sasha, feel totally redundant and misplaced. Her conflict or specific idiosyncrasies don't come off as clear or well-thought out and she gets completely sidelined as the season continues. On the other hand, Reiner and Bernholdt get a lot more attention and end up providing much of the shows fast-paced narrative, which is welcome. Although their characters and motivations are left so vague that it often feels stilted, as in, I don't find the way they speak to be realistic of the situation they are in. They purposefully keep things vague which makes it sound like they are hiding from the viewer, rather than the characters. The last group of characters that gets the most focus is Christa and Ymir, who are responsible for probably the most compelling, albeit cheesy story of the season. Spurned lovers and the like. Some of their choices made them seem stupider than what the writers may have wanted, however, in the end, at least there was some emotion there. Comparing that to our protagonist and their motivations, that is a major positive. ... As the season progresses, there is an obvious escalation happening, and Erin is unfortunately at the center of it. While I will say that the latter half of the season is more entertaining from a popcorn fun perspective, it is also where the show becomes completely off the rails as a story. More on that in later sections. There are constant monologues during the fights, which create for tension-less encounters that are often back-ended by meaningless cliffhangers that lead to nothing. Each episode ends on a cliffhanger and each cliffhanger rings less and less true or interesting. It's a crutch that most Shounen action series have. Erin is often praised by the characters, however, I never felt as though he should be. He is painted as completely bullheaded, yet that is a positive. In one scene one character monologues to another about how Erin would charge into a fight against five people all stronger than him and risk his life, but that's a good thing, apparently. To me, it just comes off as stupid. It doesn't make me like this already shallow, revenge-driven character more. Mikasa is virtually just the girl who's a badass during the inconsequential action scenes and then is reserved to just yelling "Erin" really loudly during the parts that yield narrative results. Of course during the climax she gets sidelined because god forbid these characters ever work together. The entire climax felt cheap. _____________________________________________________________________________________________________ [Presentation] I'm getting the boring parts out of the way before I talk about some of the more interesting elements of the series and what comparisons I can draw from it. The presentation here is fine. Much like the rest of the series it is horribly uneven, drifting from impressive animation to some really hokey and pathetic CG filler scenes that pepper most of the series. Every episode we got one or two filler cuts where a bunch of characters ride their horses along a texture wrap, and they're horses look really stiff and lifeless. The entire thing gives me flashbacks to Berserk(2016). It looks awful. On the other hand, when WIT decides to put in some time there are some pretty engaging and fun action scenes, albeit poorly choreographed, as most of the time I really didn't understand the distance between objects. Coming off the heels of Kabaneri, I really was hoping for more in terms of animated fidelity here. Kabaneri, the last, and probably equally mediocre series that WIT worked on had significantly more impressive animation, character design, and set pieces, which made Attack on Titan feel like a pale imitation, which is all the more strange since Kabaneri was the actual imitation. It was really clear that most of the effort was put into the first episode and the last few, since those are the episodes with the most consistent level of animation. As I said, when WIT decides to put that work in, it looks great. There are plenty of spectacularly designed and perhaps unintentionally hilarious Titans that waddle about on screen, and I maintain the notion that the titans are perhaps one of the coolest baddies I've seen. There are some genuinely fun designs here and those are often backed up by funny animation cycles which makes some of these abnormal creatures more memorable than many of the human characters. ... The music is about as solid as ever. The OP is a shadow of season 1's initial opening, but it is still fine. The ED is better, and I appreciate that these openings and ending credits are actually attempting to be relevant, rather than just a super-cut of the characters flying through the air and posing. The musical cues are amazing. From the electric guitar riffs to the awesome distorted violins, each one is memorable and never fails to bring your attention back to what is happening on screen. The shift into the orchestral themes of the series are alright, although I can't say they are as engaging. _____________________________________________________________________________________________________ [Character death and you] Oh man, I remember having an argument with someone on reddit about the character deaths in the series. They, for some absurd reason were set on the notion that Attack on Titan was successful due to its characters being in constant threat of dying. He compared it to the likes of Game of Thrones, which I found preposterous since I don't believe Attack on Titan's characters are under any threat whatsoever. Game of Thrones has revolutionary narrative structure, visuals, and compelling character motivations, dialogue, and so on. Attack on Titan doesn't really have any of that, but more important, GoT truly excels with keeping you on the edge of your seat with character deaths solely because it lacks a protagonist. There is no "plot armor" here because there is no main character. Attack on Titan obviously has main characters which are obviously in no real danger, so that fear is coming from nowhere but from the viewers mind. So with this in mind, none of that concept ends up ringing true. Characters in Attack on Titan do die, and I appreciate the length of which the director and animators go to show that death in this show is brutal. But it really doesn't feel as though everyone is at risk. With that being said, the violence here is actually pretty entertaining. I say that with the idea that violence in television and film is inherently entertaining and anime really kind of sucks at violence. Attack on Titan is far from what I'd call a "gory" series, however, it is definitely a few nice steps above what I'd say is a "regularly bloody anime". The censorship rules in Japanese television, which are unfortunately in affect for most anime, are really disheartening, since nothing really feels spectacularly gory. All the blood here looks like ketchup and there are no guts or bones or anything like that. All the humans can get dismembered with a spurt of ketchup and that's that. This is surprising to me since Japan is definitely a body-horror oriented audience, with the "horror" genre being huge in Manga and some of the greatest horror films in Japan having these elements. But that's a problem for another day. Attack on Titan at least tries to shock its audience with the horrors transpiring, and while they aren't really that effective when compared to the likes of, once again Game of Thrones, or even a significantly inferior and somewhat awful series like The Walking Dead. Even through all these unfortunate restrictions I still found myself enjoying some of the more horrific elements in the series, which is definitely a positive since not many anime really impress me in that aspect. _____________________________________________________________________________________________________ [Shounen action cliches] Inevitably, we have to touch on Shounen action shows and the cliches that come with them. Attack on Titan is undoubtedly a Shounen action series with the target demographic of boys ages thirteen through seventeen. Which is expected, as by definition Shounen is a teenage-oriented show. With that said, Attack on Titan is far from a mature series, despite it's 17+ rating. Sure there is blood and a hint of moral gray, but it really never strays any further than that. The themes are blunt, the story is clear, and there isn't much depth beyond man-eating titans and the crazy plot-twists that end up coming with that. Which leads me to my next point, and a trope of Shounen action that I call "escalation". Where the show starts at one point in terms of situation and narrative, and then as the story progresses it escalates the drama and action to the point of absurdity. When Attack on Titan started it was a series oriented around survival. Man versus beast, and that was the show at its best. For the first five episodes of the series, I really loved it. However, as it progressed and that escalation started occurring it shifted from survival to flat-out action and became more of a flesh-mecha. That unfortunately cheapened a lot of elements from the show, and I personally just don't find that concept all too interesting. It continued like this and as the season 2 finale shows, it really isn't stopping this escalation. I'm convinced that in a few seasons we'll have the moon reveal itself to be a titan and crash down into the earth as Eren becomes an amalgamation of all the titans to fight it. Or something like that. It really could go anywhere, and that escalation unfortunately ruined a lot of potentially good shows. For example, Full Metal Alchemist:Brotherhood became absurd towards the end, breaking any and all verisimilitude and left me disappointed. As the series progresses, AoT feels as though it will begin to do the same. The plot developments are all either really obvious or so hilarious ridiculous that you can't help but laugh at them. Which isn't a big positive for a show that is incredibly devoid of humor through much of its run-time. _____________________________________________________________________________________________________ [Conclusion] I have a natural bias against superhero programming. I'm going to be honest here. That doesn't mean I don't enjoy some or fully avoid others, it just means that by concept, superhero shows rarely interest me in concept. The idea that some random kid gets insane powers without even trying is lame to me. I much rather see people work to get where they are. Attack on Titan became a superhero show the second Erin got this ridiculous power out of nowhere and now is, as plenty of characters made it clear, the "last hope of humanity." It really plays as generic and uninteresting. Even the moral conflicts are all just cliches at this point. So with Erin inhabiting this role, I find myself with a blase ideology when watching this series. I have absolutely no interest in this escalation specifically because I know it will escalate. However, Attack on Titan still manages to keep things fresh by throwing some decently engaging fight scenes and some characters that I find myself a little more interested in than our protagonists. Christa and Ymir's story this season was definitely cheesy, but it was a nice kind of cheese, like a fine a ricotta, rather than the stale american that this show often forces down my throat. Attack on Titan is a shounen through and through, and that occasionally prevents me from really just enjoying it for its action. It is the little things, here. For example, when a character is in a scary situation with Titans piling on top of them and then another character tries to speak to them, all the titans just kind of stop moving to let them finish talking. These blatant over-sites aren't as innocuous as you may think, since each moment that rips you out of the scene adds up to you not treating this show with any respect or care, making for a fake experience. The finale continues to elevate the series' stakes without managing to create a world in which those stakes feel feasible. The twist was obvious, however, the implications of it are yet to be explained and I'm sure they'll need another thirteen episodes of the already announced third season to do so. A lot was supposedly happening this season, and some of it was pretty fun, however, the plethora of honestly disorienting flashbacks and blunt, repetitive dialogue created a lack of interest that continued through the season. This made the entire experience feel grand, yet completely mediocre at the same time. Unless it really fumbles, I feel like this is the kind of attitude Attack on Titan will have for its run-time. It is undoubtedly carried by its genuinely creative premise and spectacular monsters, however, it falls short in the narrative and dialogue, making the entire experience palatable, but not something you'd want to eat every day.
Thevsamovies
06/17/2017, 06:23 PM
Updated version of my previous top review: SnK season 2 has been a rough ride. As a fan of season 1, I really wanted this season to be good. On one hand, the latter half of the season was action packed and full of great development - just what I wanted. On the other, the first half of the season was extremely poorly written. So I'll separate this review into two halves. 1st half (ep 1-6) First of all, don't expect the world to be well built or realistic. After all, there are absolutely no men guarding the wall, as the entire ordeal within the first few episodesrevolves around them trying to find a hole in the wall, even though there should be men constantly guarding the wall in case of a surprise titan invasion. If there weren't men guarding the wall, then that would mean that they thought it was impossible for the titans to break through the wall - which would mean their first thoughts shouldn't have been that the titans just broke straight through the wall with a huge hole. In fact, the only men you really get to see this season are those from the recon corps. I, personally, like to believe that everyone else has been wiped out by some sort of plague or meteor shower. The plot progresses so messily this season that it's certainly possible; but I'll cover that later. For the first time we also get to explore the land outside of the enclosed town districts, and it isn't really what you'd expect. Do you remember that food shortage from season 1? Well, rest assured, it makes perfect sense - considering there is absolutely NO farmland present at all; so of course they wouldn't be able to get food. You'd imagine that inside the walls, with such limited space that the humans have, there would be loads of farms and towns - but you're wrong. There are no towns, or cities, and the only places we do see are remote villages for some reason. In addition, the only time farmland is actually addressed is when Sasha's village forest is going to be destroyed and replaced with farmland, because apparently no one can use the wide open fields with absolutely NOTHING on them. Speaking of Sasha, prepare for a bunch of random background character backstories to be thrown in for no reason. I watched the entire second season and I still don't know what the purpose of Sasha's backstory was, and I don't know what an entire episode was dedicated just to focus on her. Actually, to be honest, I don't even know why Sasha exists as a character. The constantly-eating gimmick isn't even funny. I've heard a lot of people talk about how they enjoyed the fact that more of the background characters were focused on this season - mostly because they hate Eren as a protagonist. First of all, to those types, I recommend you abandon the show all together because Eren will never develop as a protagonist. The entire season 2 went by and Eren received no character development as far as I could tell. He's still the same "kill all titans!" kinda guy he was last season. The side characters aren't any better though. If you expect proper character development, suspense, and gradually building up towards climactic scenes full of emotion, then throw your dreams out the window. Character development is done almost exclusively through flashbacks, and those flashbacks happen right during the most important reveals and climactic scenes they could manage. There are quite a few times where entire scenes will be ruined by an disruptive flashback or "12 hours ago" message because the writers seemingly FORGOT to develop the characters or information leading up to the scenes. Reveals lack any subtlety or suspense in this show. They throw information at you in an extremely rushed and disorderly fashion. Also, you end up feeling nothing towards the side characters because the only time they're developed is through very unoriginal events like a FLASHBACK TO TRAINING CAMP WHERE TWO GIRLS GOT LOST IN A BLIZZARD. You DEFINITELY haven't heard of something like that before. Oh, by the way, for all of you who took an interest in Annie - forget about her. They do nothing with her the entire season and just forget about her. So, yeah, for the first six episodes the story is a complete mess. There's a concerning absence of people in the universe and the flow of the story has killed all momentum. Don't expect any of the good aspects of season 1 to be present. Now, as for the rest of the season? Well, it gets a lot better. Suddenly the authors remember how to do unobtrusive flashbacks and character development. The characters are cool and a lot of the nice aspects from season one are able to be seen, along with a new mix of more fleshed out side characters. Plus, the art is WAY upgraded. There has been some great scenes in this show. As for the sound? The opening isn't actually good, though you get used to it after a while. The ED, which I accidentally ended up listening to when I forgot to click onto the next episode, was terrible. The regular OST is cool as usual. So, yeah, season 2 had a really disappointing first half and a decent second half. Nonetheless, the unforgivable start makes me have to leave this on a 6/10.
Jousif650
06/17/2017, 02:03 PM
I will keep it short. If you see anyone that gave this show less than 10 of 10 then you should know that he/she didn't watch the show or is under 18 years old or did read the manga and he knows everything already. This show is 10 of 10 in everything The story is perfect and continued that we left first season. The art are one of the best in anime. The soundtracks are so beautiful. Enjoyment: If you read the manga and watched the anime then you will not enjoy it too much because you know what will happen already, but if you are only animewatcher then you will really really enjoy it. Overall best anime of 2017.
HellLyter
06/17/2017, 11:28 AM
There are anime that truly leave a monumental impact. Not just on the industry, but for each individual viewer. Shows that are so addicting that you just can’t seem to stop watching them. Shows that combine many pivotal elements of storytelling together to create something that is genuinely incredibly well produced. Anime that make you wholeheartedly pleased to have become a part of the anime community. For me, Attack on Titan is one of these anime. Which essentially means that the four year gap between seasons felt like an EXCRUCIATINGLY long time… However in all seriousness, I perfectly understand why it took so long to produce thesecond season of Attack on Titan (AOT). A few anime sequels that I’ve seen have felt rushed and poorly put together. The plot lines becomes less cohesive, characters become more dull, and the animation quality either remains the same or dips in quality. These sequels are usually made within a year or two of the original’s initial airing date. Now while I’m sure that AOT fans would have much preferred an earlier release date for their beloved show, I respect the creators for realizing that they would have received far more backlash for releasing a swiftly produced anime that didn’t live up to the hype of its predecessor as opposed to putting a lot of time and effort into a sequel that matches the caliber of the original. In fact, we should all be rejoicing that WIT studio spent time making AOT season 2 as great as it could be instead of releasing a half-assed sequel just to make a quick buck. And you KNOW they would have profited off the sequel no matter how abysmal it might have been. Its Attack on Titan after all, you know, the most popular anime in existence? Since you probably already know the premise of this show, I won’t bother writing a lengthly (and boring) summary of it. AOT season 2 starts out directly after the last episode of season 1 and dives right into the story. While the first season focused on world building and brought about many mysteries, the second season begins unraveling some of them while revealing even bigger twists then the first season. Even though it was only 12 episodes, half the amount of season 1, I felt like the pacing was, for the most part, rather good. Action scenes weren’t too short or too long, and there were enough of them to keep me entertained while leaving enough time to properly develop the story. Flashbacks were used to further develop the characters, though I question the amount used in the anime, since it is only 12 episodes long. I just love the setting of AOT. There really is nothing quite like it. Well, I guess that knock-off show involving trains has a similar setting, but that doesn’t count. The interesting and well thought out setting along with the anime’s precise execution really gets the viewers invested in the story, and I constantly kept wondering things like “What exactly are the titans?” and “What’s in Eren’s basement?” Ok, that last one sounds really lame on paper, but its a legitimate question that I’m sure many viewers are curious about. Luckily the anime answers some of these mysteries (which I can’t talk about because of SPOILERS!), but in explaining things, even more questions are posed that make me want to go to my local bookstore and buy the entire Attack on Titan manga just to find out what the heck is going on. The most mediocre aspect of the first season for me was the characters. None of them really stuck out to me except for Mikasa, who is pretty awesome, but somewhat lacking in the personality department. Eren always felt a bit one dimensional to me and Armin only got a modicum of screen time, so I never really felt a connection with either of them. In the second season, we see even less of the main trio, but I actually agreed with this approach since it allowed for something that the first season desperately needed; developed side characters. Season two dedicates a lot of time in developing the side characters, particularly Reiner, Bertolt, Krista and Ymir. This really helped to flesh out these characters which caused me to start to feel a bit of a connection with them. I respect an anime that takes the time to fully evolve its side characters instead of having a bunch of generic wastes of space that no one cares about whatsoever. This development also provides many new perspectives on the AOT world instead of having us simply see Eren’s somewhat narrow minded “I GOTTA GET STRONG AND KILL EVERY LAST ONE OF THOSE DAMN TITANS!” perspective, which was quite refreshing. Linked Horizon returns to preform the opening theme song for Attack on Titan. I initially wasn’t all that impressed with the piece (it needed a bit more YEAGAR!), however as I continued to listen to it, the song really started to grow on me. Behind the anime’s masterful soundtrack is Hiroyuki Sawano. He has consecutively produced many brilliant compositions for other anime, including the first season of AOT, and the quality of his music is no different here. AOT’s soundtrack boasts many powerful orchestral pieces that help to amplify the atmosphere for many situations presented in the anime. The music is so good that I found myself on multiple occasions being captivated by the power and beauty of a few of the compositions present in the show. The sheer emphasis on detail for some of the animated scenes in the anime (primarily when nothing was moving so that it looked like something taken straight out of a manga) is breathtakingly good. The overall visual presentation of the show is, to me, far superior to that of the other spring 2017 seasonal anime. However the animation is not without flaws. Probably the biggest problem that I’ve heard from the anime community regarding the visuals is a general dissatisfaction with the CGI colossal titan. I unfortunately have to concur, since I felt the the CGI was sort of choppy and didn’t fit in with the rest of the animation. My friend was even more disappointed, and he said that the CGI took away from the big armored and colossal titan reveal. Luckily the use of the CGI is very limited in the anime, and it started to look better to me anyway as the show progressed. Where AOT really shines is its entertainment value. This anime is the most exciting thing that I’ve seen in awhile. Part of this is due to the cliffhangers that appear at the end of literally every episode that left me constantly craving more. Whether it was developing the story, presenting a crazy plot twist, or showcasing an epic battle between titans, AOT never failed to keep my attention, a feat that very few things have ever been able to accomplish for me, so for that I give AOT major props. I love Attack on Titan. Even with all of its flaws, it still manages to be an incredible viewing experience. Even if the anime doesn’t quite suit your tastes, I almost guarantee that anyone who watches it will be thrilled by AOT’s exhilarating presentation. Its not one of the most popular anime of all time for no reason you know. If you decide to watch this anime or have already done so, I hope that you are as captivated by it as I am.
-HippySnob-
06/17/2017, 11:00 AM
What lies, of ending a huge massive, and mindblown series? Exactly We present you This series : Set of Arcs are perfectly well done, and get to see their related past and hidden traits from set of characters which exactly go on forth with the flow and mashed with the perfect improved OST that is nowhere to be less even good. Make it pointed out every plots and why the ending left us a huge set of details? First of all :- Ymir and Christa Taking down from their backgrounds about the depths revealing both secrets attain near mankind is a way huge misunderstanding that leads someone far near death. Crisis involves a huge traits on Ymir as a Dancing Titan, Just like the past set of Titan Shifters through Decades, Ymir's secret desires to make things right, whether it's a right decision to sacrifice oneself apart from each other. - Reiner -Seeing the Death of comrades leads them to astray as making himself fall as soldier or neither as a warrior. Reiner is actually one of the most interesting characters to me due to the way he involuntarily switches between soldier and warrior when he can't bear the weight of his sins… But with his arm, the steam itself might've given it up, but maybe he could've hidden it. Lastly : Eren's Coordinating Ability : -Massive Breakdown, and every flows, Decent and outstanding scenario as Eren Obtained the power of a Founding Titan that lies within his body. Some details shown at the last scenes from my point of view tells about Eren defies humanity taken down the wrong path that leads him being an inferior by his own father crumbling with a screams which apart on a sound bearing with a sense of guilt. Decent Remarks on How they Ended is a Top Well Done.
TheDoggoneGirl
06/17/2017, 10:54 AM
Another fantastic anime finished and now we wait for the next season which was confirmed will be in 2018. Yet again, I'm writing this review as an au courant with the manga. I'll try my best to not include spoilers. Hahaha. Anyhoo, here I go. Please bear with me. Story: 10000000/10 This season proved yet again that SNK is not about all the titan action. I noticed that there are a lot of 'salty fans' whining that this season is lacking a lot of action, so they rated it 1-4, or at least 5 because they feel like being nice despite the fact that they don'tgive a damn about all the important dialogues. Alright.. alright.. I've had enough with them action-tards, I'll just move on. This season lived up to the hype of every SNK fan, especially the manga readers. Remember, fellow readers how anxious we are before the season 2 release because the manga is so great that we're worried that Wit Studio might messed it up and make it like "Tokyo Ghoul season 2"? No worries anymore, lads! They satisfied us. This studio satisfied us. The people behind the adaptation of the manga didn't disappoint us. They made us cry. They made us hurt our hands from clapping throughout the episode. We're all okay. Everyone's okay! Everyone's happy! *hugs you all* Art: 10/10 C'mon. Do I really have to point out that this anime probably has the best ANIMATION EVER? Look at them beautiful characters and the action sequence. Come on now. Oh, you think this season's animation is awful compare to the previous season? Give us a favor and clean your glasses. Sound: 10/10 Honestly, the soundtrack for this season ain't like the 1st season, but no doubt Hiroyuki Sawano proved again why he's THE HANS ZIMMER OF THE EAST! No comments further. Just hands down to our own HANS ZIMMER! Character: 10/10 This is probably the only anime which I can remember all of the characters' names -- which you can tell how well-written and how memorable the characters are. Character developments not just from the MCs, but also the supporting characters? You got it! One of the biggest factors that makes this show so iconic is because of its characters; everyone loves every character in this show. Even the bad ones, you get to like them. Darnit this anime. Enjoyment: 10/10 An anime that will make you cry, hurt your insides, leave you traumatized, and you will be thankful for it? Hell to the yeah! Torture us more, please! Overall: 10000000000/10 Jesus. This anime is just the G.O.A.T. for me! And I loved that this anime is getting everything it deserves like the fans, the hype, the attention, the awards, and etc. Let's be honest, SNK brought a lot of non-anime fans in the anime universe. If you're hating on this season because of the plot holes and the unanswered questions, I suggest start reading the manga? LOVE TO ALL THE SNK HATERS! Keep on hating, you're just making this anime more popular! Now, my fellow SNK-tards, it's time to buy them all SNK merch and the DVD, and of course time to mark your calendars because we're gonna have A SEASON 3! P.S. Thanks for reading my ridiculously long review, but I will always give my best to prove to all the d-bags who keep hating on this show because they thought it didn't deserve the praises it's been getting that this show is one, if not the greatest anime EVER!
Veronin
06/17/2017, 10:00 AM
Attack on Titan's first season never really sat right with me. A series more interested in cinematics (orchestrals, screaming aplenty) than it did in conveying a message or allowing its audience to care for the characters beyond whatever grisly death they inevitably succumb to. It was loud, its presence ever more so, and so I distanced myself from what seemed standard action movie cuisine. After over three years of silence, its second season comes as something a bit more surprising. It trims away its grimy, cacophonous exterior and presents something, somewhat, more refined. The killing has found a purpose. The world the characters inhabit possesses somesemblance of depth. There exists a story with a direction, which is exactly why it will disappoint fans who were expecting it to perpetually wander amidst blood and steel. To be sure, Eren and crew killing (and conversely being killed) is a formula that proved moderately entertaining in the first season, if only mindlessly so. But a second season? A third? Would it still be exciting, or would people begin to tire of it? I was in the latter camp, and so I find myself glad the goalposts were changed altogether. That's not to imply that all of AoT's flaws have been erased. The characterisation remains a sore spot for the series, with Eren continuing to scream nonsense at the top of his lungs, incapable of anything but being a hot-blooded child who is somehow the centrepiece of everything in the world. There's nothing to his character except his being angry all the time, which is why I make no intentions of defending his presence. So who is there to defend instead? Mikasa and Armin, the two other primary characters, while less frustrating and less offensive to listen to, don't possess much that wasn't already immediately apparent. They are flat, as are the side characters, so numerous and disposable that I found myself Googling the name of one of the story's new villains because I couldn't for the life of me remember who they even were. Other characters-- Sasha-- are so devoid of character that the only thing they are defined by is the quantity of food they eat. And while the second season gives you marginally more reason to empathise with them throughout their numerous backstory scenes, it still remains difficult to care much about the fates of any of them - a significant issue in a story centred upon war. It is why I never thought much other than "ew, gross" and "wow, that sucks" when any of the characters (of which there were dozens) were chewed, dismembered, and/or squished by abhorrent-looking humanoids. This is why I think the best way to appreciate Attack on Titan is to focus less on the pieces, and more on the board itself. Attack on Titan's setting is genuinely fascinating, and uncovering its secrets is likely to be the greatest delight for viewers unsatisfied with mere violence. While walled-off communities on the verge of extinction isn't entirely new to anime (Space Battleship Yamato went there in 1974, and Macross in 1982), the massive scale of the cities behind the walls creates ample room for an animated (yet ever so bleak) world to exist. Discovering how the world's agriculture functions, its geography, the state of politics within the Castle, the cultists' activities, and the design of the soldiers' Vertical Manoeuvring Equipment is some of the most fun I've had with an anime in this year or last. More Attack on Titan isn't exactly a proposition that gives me thrills and tingles, but books and other media focusing on its world is something I would absolutely be interested in. A rich setting it is, and with the scale of the world now extending far beyond the walls, there is almost limitless potential. Potential, I suppose, which will probably never extend into its largely mediocre story. A mediocre story is still a step up from last season, perhaps. The violence is now more of an accessory to the plot, rather than the inverse, which allows things to follow down a more linear road instead of one winding and circling around ad infinitum. Eren and his allies, as well as his enemies, now have a mission that extends beyond survival. There are antagonists excluding the Titans mindlessly chewing every fleshy thing in sight, which creates a more interesting dynamic, certainly, as the villains are treated as human beings rather than mindless lunatics bent on world destruction, as is seemingly the case in nearly every anime that has ever existed. Some fans may be disappointed that they aren't given a villain to detest, but I've always been of the opinion that a conflict in which no true 'good' and 'bad' side exists is a more compelling tale to tell. The second season's highlight is no doubt its halfway point, a twist so suddenly and casually revealed that it is natural to doubt one's ears, provided you hadn't already guessed one of their blatantly obvious identities well-beforehand. The ensuing fight scene is neat, as it carries a level of emotional weight so lacking in anything that existed previous. But the extent to which some people have been praising the scene, as though it is the craziest and most "epic" thing that has ever appeared in anime, is certainly without much merit. (It also deserves to be mentioned how downright silly some scenes can be, such as when Armin and Mikasa 'emotionally' eat their rations upon the wall. Moments like this make it considerably harder to take everything else seriously.) The production quality of Attack on Titan's second season is a minor downgrade from the first's, a fairly disappointing detail when considering the three-year wait and shorter-than-expected episode count. The aforementioned reveal doesn't hit as hard as it should when one of the villains, who is supposed to be menacing, is suddenly given the cheap CGI treatment. The fight scene fares better, with its eyes moving and monstrous fist pausing in slow-motion, but by that point the damage the first impression has created is irreversible. Mediocre animation for AoT may very well be stellar in contrast to the average seasonal anime, but standards are different here, and the ballpark much larger. If loud orchestrals are your jam, then things have not changed all too much between 2013 and 2017. The music is still loud and climactic, and the opening, while not quite as memorable as the first two, is a solid addition to the series from both a visual and musical standpoint. But if you're a bit like me, and don't exactly enjoy noise constantly pumping into your eardrums, then Attack on Titan can be a great way to receive a headache. And this is coming from someone who listens to The Money Store on occasion. It would be a lie to claim I didn't enjoy my time with Attack on Titan. But I am uncertain how much of that is a result of my fascination with the setting, and what, if any of my enjoyment pertains to the actual anime. To claim Attack on Titan is something of great critical merit isn't something I could do without being disingenuous. Decent? Certainly, and a noticeable step above the turgid Hollywood fare its first season was, with the introduction of new antagonists and an actual, tangible story. But for those who waited years for more Titan slaying, I do start to wonder: were they ever really giving the rest of the medium a look?
3xTripple
06/17/2017, 08:25 AM
TLDR Second Season wasn’t as good as the first. It was slow paced, didn’t have nearly as much action, and focused mainly on character development. The opening song goes back to the show’s origins by having a opening track that sound incredibly similar to the first theme. Probably one of this season’s biggest drawbacks is that all of season two basically happened in a single romeo-juliet-styled week (all of Romeo and Juliet took place in about one week). Because of the slowness, it wasn’t nearly as exciting as season one which showcased the mysterious nature of walls getting kicked down by abnormal titans and othertitans further destroying a civilization that’s already cornered. In season one, we watched as Eren grew into a soldier, saw Mikasa’s badassery, met Levi who was even more of a badass, and there was so much we didn’t know about the AoT world. Sadly, you don’t really get much of that fast paced intensity this time. Story: 6/10 The entire 12-episode season basically takes place in about a week in the show’s time. Right after season one ends and Annie is locked up somewhere out of sight, Eren is off recovering in bed. Various things happen like flipping titans, and more human transforming titans. This season focuses more on the side characters of the series than the main characters from the original series. Apart from the story only being about a week in length, we only saw flashbacks of the past to build the characters. Personally, I hate flashbacks but some of the flashbacks of certain characters’ pasts were necessary to the story. This season, we only got to see Eren transform like one time the ENTIRE season. Eren was annoying as hell this season and felt like more of a side character than a main character. The only relatively shocking thing was a big reveal that happened suddenly and unexpectedly. If this was a 24 episode season, then it would’ve been fine to have such prolonged character development. However, since it was 12 episodes, it was bit of a let down for me. Going to have to give this category a six. Characters: 8/10 The characters all seemed to have real depth and personalities. Personally, I do not like Eren Jaeger much anymore because he was pretty damn annoying the entire season. However, despite disliking him he still comes across as a realistic character with real flaws. One of this show’s strong points is that all of the characters have a good amount of depth to them. However, it seemed like this season didn’t really make full use of the personalities of more prominent characters like Levi, Hange, Mikasa, Armin and Eren. Art: 9/10 The art seems to be about the same as the first season’s art. There are some times when the titans are noticeably CG. For example, you would probably easily be able spot the difference between the CG and the hand drawn art, and that difference was pretty awkward at times. Other than that the art is still the great art that you remember from season one. The lighting is top quality, the angles are super impressive, action leaves you sitting on the edge of your chair, etc. Sound: 9/10 The in-anime soundtracks are pretty much the same as season one. Sawano Hiroyuki composed the soundtracks so you can expect them to be cinematic, powerful, and punchy. The voice actors/actresses all did a fantastic job this season as well as the first. You really feel the emotions of each character come through in their voices. Sound effects were all top quality as well. Enjoyment: 7/10 I don’t really like how slow it was this season. It ended much too soon, and was kind of a let down in my opinion. All of that fast-paced story buildup in season one, followed by the most epic fight scene at the end… followed abnormally slow character development season two and has an ending buildup that kind of felt like it should’ve been a normal episode, not the climax? I just can’t give this any higher than a 7 for enjoyment. Overall: 8/10 Despite that show having some serious pacing issues and focusing too much on character development, the show was actually pretty good overall, as you would expect from one of the most famous anime series.
DarthInvader
06/17/2017, 07:55 AM
TL;DR: Does it really matter what I write? You have waited 4 years, endured 2 trashy live action movies and restrained yourself from reading the manga to find out what's in Erin's basement. So go watch the anime to find that answer! But knowing you, you will stick around and read this review. So in short, Game of Thrones meets Inception/Memento and has a forbidden love-child they didn't reveal to the world because they were scared it will not live up to hype and success of their first child. [Story: 5/10 , Characters: 7/10, Art: 9/10, Sound: 8/10, Enjoyment: 8/10] How can an anime as bombastic& overhyped as Shingeki no Kyojin live up to its thrilling sadistic nature? Simple, wait four years, give it to the same director and shove in a billion flashbacks while compressing more manga material than season 1 with 25 episodes into just 12 episodes in season 2 and hope for deus ex machina to save the day. Seriously, this anime was the talk of the town as it took the anime world by storm. The creators milked so much money out of it before releasing the sequel, 4 whole years later, that you would think they will be nice? Of course not. These sadistic people just love to torture everyone, both inside their post-apocalyptic world and outside. However, you should watch it, not because you will but because you have to… if you want to know what's in that god-damn basement. Story wise, the anime picks up literally where it left off in season 1. We see a smooth continuation and no pumping the breaks. Titans don't pump their breaks, why should you? We have a new threat and it's the all powerful Monkey Titan. He is blessed with both brain & braum that likes to fling things with perfect precision like a quarterback trying to score a touchdown. This titan means no monkey business for he is bringing an army to take down humanity. How will our soldiers stand up against him? By focusing completely on other issues besides him in this anime, like why everyone wants Krista as their waifu. Jokes aside, this anime is broken down in two arcs and the second arc is more focused on the secondary characters with a new threat being "now anyone can be a Titan." Seriously, people are just popping out of nowhere revealing they are a Titan and it keeps us on the edge trying to figure out who is and who isn't a titan. Unlike first season, where it was all action & thrill, this season the story moves at a slower pace that builds this mystery horror element and viewers feel the genuine terror of living in this post-apocalyptic world where anything can happen. However, the glaring issue is the amount of flashbacks that are in each episodes. It almost ruins it. We will have an episode where titans have surrounded the characters and they are about to fight only to cue in a flashback of epic unnecessary proportion that really doesn't do much. Just because it works a few time doesn't mean you should always do it. Seriously, Tetsurou Araki, just stop it. Also, the anime is not presented in a linear pattern like in the manga as the director jumps from chapter 30 to chapter 50 back to chapter 40. It was a clusterfudge but it worked… somehow. The twists and turns were there but the best part was the obvious reveal that was brilliantly executed to leave a mark for a long time. Regardless of how bizarre the storytelling was for this season, the character development this season was on point. The studio heard the fans anguish and completely removed Erin from the first half of the anime and focused entirely on the side characters. We not only learn the purpose or goal behind the major side characters but their past history that shaped them to be this way. Their actions actually makes sense. Now we will feel some remorse when they may or may not die in the future unlike in season 1 where viewers just laughed at random characters getting devoured by titans. Mikasa transforms into this full yandere GF that no guys should date and Krista becomes the waifu people will change their sexuality to be with her. Sadly we don't see much of Levi nor gladly we see much of Erin. However, the latter change was better for the anime. Erwin is a complete badass and as the anime goes on, viewers will know why. All I'll say is *SUSUMEEEE* !!! To no one's surprise, the saving grace for this anime is once again their animation and sound. Wit Studio, despite working with a questionable lower budget, manages to deliver phenomenal animation. The manga is really well adapted frame for frame and the hand-drawn animation is vibrant and rich in colour & texture. You have to see it in 1080p or you will be doing yourself injustice. The characters, the titans, the backgrounds, the cinematography and the fighting animations are just on fleek. Anyone who will watch the judo fight between the two titans will get a massive something just watching it. If they weren't pulling breaks with the animation the sound wasn't either. The OP & ED songs were first hard to get accustomed to since no OP songs can live up to its first but it grows on you. The background OST is utterly horrifying as it builds this terror with its sadistic tone. You have to love orchestra based OST. It's truly revolutionizing. Most anime sequels suffer in this department but thankfully SnK 2 did not, and it made their transition fluid. Overall, this show is has its flaws but you can just enjoy it for what it is. It's not a masterpiece but it's highly enjoyable. It is infuriating for a viewer to be edged and edged with endless cliffhanger style episodes but ultimately you finish it anyway because who edges themselves to the point of no return and not finish, right? So, Is attack on titan overrated? Debatable. Is attack on titan overhyped? Unquestionable. Is it still a show you would love to binge? Definitely! Anyways, give it a watch and let me know later how you like it. *SHINZUO SASAGEYO!!!* P.S. Thank you for reading. I hope you found this short and supaishi review helpful!
Captain220
06/17/2017, 07:52 AM
Do you not know? Have you not heard? The LORD is the everlasting God, the creator of the ends of the Earth. He will not grow tired or weary, and his understanding no one can fathom. He gives strength to the weary and increases the power of the weak. Even youths grow tired and weary, and young men stumble and fall; but those who hope in the LORD will renew their strength. They will soar on wings like eagles; they will run and not grow weary, they will walk and not be faint. - Isaiah 40:28-31 The second coming of Christ hath solemnly smiled upon us andI am very passionate about this. The plot thickens, although not really. The series is kicked off with some pretentious monologue by Armin reminding us of what the general outline of the show looked like, probably either because the producers have little to no faith in their audience's mental capacity and just assume everyone has forgotten the plot over the span of 4 years or they just didn't have an episode's worth of material. Titan appears out of nowhere, titan eats human. Good? Good. Annie Leon-who? In case anyone does remember, last's season finale left off with a completely unnecessary cliffhanger that only put even more expectations on this season to deliver. tl;dr IT DOESNNNNNNNNNN'T Among monkeys, loose plot threads and other things, the big focus of this season seems to be on the titan shapeshifters. A mechanic that was first introduced to the series when everyone's second favorite main character got swallowed whole (deadweight Armin at it again), before being resurrected in full, non-CGI titan glory. Fastforward 20 something episodes later, and it is a technique utilized by literally half of the 104th Trainees Squad members. Despite losing its initial charm, the colossal and armored titan have been presented since the very first episode while the series was at its peak and thus still managing to retain a candle of relevancy. Colossal Titan : Begins breach of Shiganshina first episode, catalyst of all destruction, all-around menacing presence Armored Titan : Unstoppable force, mows down the gate of Wall Maria causing impending doom upon thousands, exhales steam Ymir/Ymir Titan : Dyke, ??? What a revelation, seriously. I wholeheartedly wonder if the atrocious lack of screen time and presence of her character during the entirety of the series prior to the reveal are to be attributed to the author wanting her to remain a mysterious figure or downright not giving a shit. But wait, they showed us that 12 minute flashback between her and Historia to showcase just how powerful their relationship was, talk about depth. That's another thing, as soon as there's some groundbreaking reveal it is either cut short by a flashback or even cliffhanger (which are proven to be able to last up to a grand total of 4 years). Both reveals this season start off at an alright pace before being brushed off to the side because of Muh explanations. When half of episode 5 after Ymir's big reveal proves to be a boring flashback that realistically correlates to nothing of substance regarding our current situation apart from some meager hints regarding Historia (this is Ymir's big moment, mind you), SOME VIEWERS MIGHT GET DISENGAGED. WHOOP DE FUCKING DO. Now imagine if the finale of first season's episode 5 were cut short by a cliffhanger, and rather than Eren jumping into a titan's mouth to save Armin the episode was proceeded by a whopping half an episode's worth of some "mandatory" flashback dating back to that one schooltrip they held in 5th grade. Just for brevity's sake, you know? Because who wants non-meandering content anyway. I also love how the meeting to discuss whether Ymir's a titan and where her loyalties lie was essentially the exact same as the one in season one regarding Annie. Eren is always shoved into this role of the dumbass optimist who's like "B-but, muh friends.." while he sits in disbelief as everyone else clobbers him with facts and it's pretty funny, if nothing else. It's really just used as a tool to make certain characters like Hanji stand out as great strategists and/or intellectually-capable, when in reality it just makes Eren seem like a stupid brat who's constantly in denial even when the obvious is made obvious. But Anni--I mean Ymir's a friend, how could she?! After Ymir helps saves the lives of countless soldiers, she is then briefly treated to a life of imprisonment, just before being swallowed whole by the Colossal titan. But it's Ymir, so you don't care. Connie titan when? Obviously, the big selling point of these 12 episodes is supposed to be Eren's grandiose throwdown versus Reiner and Bertholdt, friends who he once looked up to turned enemies, for reasons.. unbeknownst. What carries this plotpoint is the fact that Eren never needed to have a fleshed out relationship with either Reiner or especially Bertholdt for it to work, which he didn't. The mystery behind both the Colossal and Armored titans was present from the first day whilst the Attack on Titan was at its highpoint. I would've walked out a happy man, had, you know, the actual revelation not been so piss poor. The way the reveal was handled holds complete contrast over anything the show's director, Tetsuou Araki is actually good at. The whole subtle and unconventional tone I imagine Isayama was building toward missed its mark entirely and assigning it to a man who's literally built his entire career off of making overblown and adrenaline inducing scenes and series surely isn't a good starting point. So far I have encountered not a single criticism as the people who are proclaiming it to be some nonchalant masterpiece of delivery and storytelling are running rampant. It's mere misjudgment over subtlety, but I digress. First off, the Armored Titan has an uncanny resemblance to Reiner Braun. While this idea seems to have been entirely scrapped in Berthold's case for some reason, they went to insane lengths to mimic Reiner's look to the itty bitty details in correlation to the Armored titan: the minimal contrast between white and blonde, the exact same cleancut hairstyle, a body physique that can hardly be attributed back to anyone in the show but him, and even the trademark glowy yellow eyes shared only with Pixies. The exact same problem plagued the first season in the shape of Annie; the hair length, color and eyes would already have drastically decreased the amount of possible suspects by tenfold, but the genius of Hajime Isayama even bothered drawing in her god damn crooked fucking nose. He clearly has either no faith in his audience's mental capacity or simply doesn't understand that the point of mystery is supposed to be withholding information until a given point rather than violently shoving it down the viewer's windpipe. Okay, fine. They physically resemble each other, what else? Bertholdt. While Reiner actually attempts giving off a faint sense of dread while some eerie music is playing in the background, Bertholdt just completely ruins it. Despite for once not resembling his titan counterpart, when the man is not looking constipated, he is completely sealing off any potential doubts in anyone's mind about any other possibilities about the situation. "Could Reiner possibly have lost his mind..?" Obviously not, because Bertholdt is just fucking screaming in his ear 24/7, "NO REINER DON'T TELL HIM NOOOO". Well, I guess that's cleared up. They're gonna transform now, right? Any minute now. This is kinda dragging on.. OH WAIT IS THAT MIKASA HOLY FUCK 10/10 WHAT A REVELATION. If you thought the "Humanity is at the brink of extinction" storyline is the weak link, think again. The cast of Attack on Titan is so evidently plagued by cliches and dumb action series tropes that you could pretty much associate any major character with a single adjective if you really wanted to. Calling my assessment here redundant would almost be a fair criticism considering that a similar point can be made in regards to arguably any popular seasonal anime born and molded by hype culture in recent memory. However, what makes AoT stick out like a sore thumb and possibly make it the biggest offender of this near-archetype turd is the broad scale of characters it decides to play the story out with. Operating on such vast cast of notable proportion can oftentimes lead to success (insert pseudo-elitist LotGH shoutout), but it can also damage a series by making it loose focus on primary objective. In this specific case when deciding to roll with a huge cast, you can choose from either 2 routes: - Put in a conscious amount of time and effort into character development and have an actual go at fleshing them out (talk about boring) or - Treat your entire cast as human cattle, excusing any lack of potential depth with pitiful sob stories. When midnight comes around, murder them for SHOCK FACTOR !!! (hell yeah) I realize that the line is very blurred in this case so feel free to take your time pondering which one we've been stuck with for a consecutive 37 episodes. As you may or may not already know, the story primarily revolves around an edge-riddled brat that is fueled by teenage angst as without it he loses all self and intrinsic meaning in this world. In the second season, he makes many a guest apearences throughout half of the season that he is in. All Eren Jaeger wishes for in life is to fulfill his petty vendetta by exterminating an entire species, and if that doesn't sound like a ludicrous pipedream of an egocentric teenager, I don't know what does. You would assume that being the protagonist of the story, he would have something worth noting in regards to his character, but he really doesn't. The entire backbone of his character lies the fundamentals of being dumb, bratty and angsty coupled with a motivation that stem from the final five, and it especially shows when he's even overshadowed by lifeless ragdolls such as Mikasa. There is nothing about Eren that makes him an interesting, distinct or compelling main character in the slightest. He is an angst powered locomotive; equipped with a smidgen of brash "personality", a petty sob story that's supposed to make you sympathize with him and of course, his desire for vengeance being placed on a pedestal above all else. That in mind, you sure as hell wouldn't be able to spell Eren without spelling Mikasa first, so give it up for arguably the best girl in the series by sheer process of elimination - Mikasa Ackerman. Mikasa is just the perfect recipe for success. She has the looks, the smarts, the skills. Everything. She can't grow or develop because she is already a God put upon this green earth. Most people excuse her lifelessness as compelling because she too has a sad backstory. Mommy and daddy got lynched, there goes my personality and compassion as a human being, boo fucking hoo. Despite being completely devoid of any human emotion what so ever, she still harbors a deeply-rooted love and respect for her not-so-related-by-blood brother, Eren. Although Eren admittedly arrived a bit late to the party, he made up for it by giving her some rugged old scarf. This admiration for Eren arouses a multitude of paradoxes. Can a person void of any underlying emotion really learn to love someone, if even themselves? Is it incest? The fundamental flaw of Mikasa's character is perfection and it works because people tend to drool over this type of shit all the time. Especially in the case of Attack on Titan, where it's not even far-fetched to call the show a global epidemic where people who don't even watch anime regularly tune in to see cartoons battling it out because, hype. No such person cares seeing a complex or relatable cast over unrealistic, Superman-esque characters like Mikasa kicking ass. The most the writer could've hoped to achieve with Mikasa was to use her as a tool for spreading some noble-like message such as female empowerment. Even then -- tough luck little girly, you're never going to be like Mikasa. Mikasa is God. What happens when you're a realistic character in the Attack on Titan universe? You either get friendzoned because the girl you're into has an incestuous crush on her half-brother, or you're just a total loser who cannot accomplish anything on their own apart from cuddle up in a blanket like the deadweight that you naturally are. Enter Armin, everyone's favorite punching bag. As stated, Armin suffers from the severe deformity known only as "Realism", making him a rather niche and tough character to support in or indulge in. Rather than being portrayed like a constant beacon of light and glamour as say Mikasa, he is instead shown to be a cowardly, weak-willed and frail kid. W-wow, c-c-could it be.. an actual human being? Burn the witch!! While Armin does not represent your wildest power fantasy, he is instead a connoisseur of humanity, a drop of realism and a look at what would have been. Despite proving a much needed breath of fresh air, his character is definitely far from revolutionary. The "weak boy gradually turns strong over time" formula has been done in a multitude of ways, a lot of which proving to be superior than in the case of Armin. However, I've really got no major complaints about his character. Cliche as it may, his development is infinitely more gradual and downright sublime when compared to most everyone else in the show and is probably only hindered by sometimes being overly smart for the sake of it and a lack of screen time. In other news, we also live in a world in which a character that is solely defined for eating potatoes is more universally liked than Armin by the community. Sometimes she eats a boiled potato, sometimes she settles for raw. Bravo, writers. You've really outdone yourselves with that one. With an increased focus on the supporting cast, you'd think there would be someone worth noting, but there really isn't. We get absolutely no concise development for any of the shapeshifters, nor do we get any clarification as to what their motivates could be. How does Ymir's story intervene with Reiner's? Is Bertholdt even a character? Lastly, this whole "Anyone can die at any given point" gimmick is so untrue and falls completely flat when you realize that not once did a main character die and legitimately stay dead at any given point in the series. It is among the most substanceless claims someone can make about this show. Sure, fodder are often killed. Should you care? No. For a show that tackles a storyline of humanity at the brink of extinction, it sure is unrealistic for none of the main characters to ever actually die. The furthest the show has been willing to go up to this point was Marco, who was in essence a mere stepping stone for Jean throughout the 5 episodes he was in. I hope this false notion of AoT not being scared to kill anyone off disappears soon, because it is easily one of the most backwards things I've ever heard someone say about the show. More on Levi : The show's rising superstar isn't so rising anymore as he is down in the dumps and doesn't seem to be getting up anytime soon. Please check in later. Fin. While the first season of Attack on Titan had many a gems like "Reluctant Heroes", "Vogel im Käfig" and the Armored Titan theme, this season has.. a remixed version of Vogel im Käfig? I'm gonna be blunt and say that the OST is underwhelming at best and a complete and utter rehash of its predecessor. Not once did I hear a song play and go "Woah! That's a really good song that I just cannot wait to illegally download, awesome!!" like with the first season. I saw the fine folk over at Reddit praising it so maybe I'm just dead wrong, who knows. For argument's sake let's assume that I am 100% in the right and the OST sucks dick and is the most overrated thing since Rem. Anyone with differing opinions may be burned at the stake. DAT VOGEL IM KAFIG REMIX THOOO. I was sold on every performance apart from Kamiya Hiroshi's Levi, because God damn, that man just has no range at all. Good thing he got barely any screentime this time around because honestly, no one wants to hear a brooding Araragi. Coincidentally, I would also argue for this being Yuki Kaji's best performance to date by a longshot, so good on him. Too bad the guy is like the arbiter of bad roles which becomes painfully noticeable once you realize Koichi was the probably the best he's ever been involved in. The ending is quite nice but the opening is very visually questionable, seeing as you have like dinosaurs running around and stuff. If they're so keen on regurgitating songs, maybe they should've just stuck with Guren no Yumiya. As disappointing as the music is, it completely flails in comparison to the animation. The last thing I would've expected AoT not to deliver on is the production value, but alas, here we are. After an upheaval of 4 years, Wit Studio has repeatedly been milking the saggy tit of this shriveled old cow, and shamelessly so. Even Kabaneri of the Iron Fortress who many, including myself had considered to be Attack on Titan's proudly retarded brother, still proved to be a commercial success within Japan. However, due to the low salary and therefore shortage of animators as well as a scary deadline or some stupid shit, we are left with no one to turn to but CGI. 𝘊𝘭𝘢𝘯𝘨 𝘪𝘯𝘵𝘦𝘯𝘴𝘪𝘧𝘪𝘦𝘴 Now, this wouldn't have been so bad if it had been reduced to merely a couple of horses running about, but the Colossal titan? The biggest titan known to man looking like he came straight out of a Playstation game? They try covering it up pretty desperately by some cool 3D maneuver gear stunts, but whenever that giant red thing just pops up in the frame it takes me out of the moment entirely whilst completely ruining any immersion that might have previously been had, simultaneously leaving me mesmerized and ashamed to be part of the human race. Lowkey hyperbole aside, it was quite nice to see not as many individual still shots just placed randomly throughout like last season, which is pretty much the only improvement I can name. The titan designs still look as.. "original" as ever, ranging all the way from borderline creepy to mildly autistic, with few and far between. Attack on Titan used to and still does hold a very special place in a lot of people's hearts for being that one big gateway show. Having watched it right after it finished airing, I still vivdly remember the passion and excitement I once felt towards it oozing out of every single pore of my body. Despite the numerous impressive feats it has managed to accumulate within the industry in terms of both financial value and Westernized viewership, the fact still remains that it is easily one of, if not the single most overrated anime of the past decade. Content-wise it is an absolute shitstain that treats itself way too seriously for its' own good when in reality is nothing more than an inconsistently entertaining dumb turd of an action series. The story is plagued by the author's raging boner for mysteries and unsolved plotpoints combined with annoying and overused distasteful flashbacks and especially cliffhangers that occur every single episode for the majority of the latter half of the season and exist solely to spray perfume over said previously aforementioned smelly turd in hopes of making an abundantly lackluster product seem a bit more refined. A cast of caricatures that by merely existing take a big gnarly dump all over the very concept of character development, with the typical consumer's reaction being, "Man, did you see that? Levi just took out a QUADRILLION titans in the span of 5 seconds, I'm favoriting that man right this very instant !!! Oh, why is Armin scared?" It's a failed rehash of the first season in every way imaginable and doesn't even compare to it in terms of hype or shock factor, the elements that initially gave the series limbs to stand on. Reiner is armored titen cuz he big and Bert is colossal cuz he tall, hurr durr. All in all, disappointing, but not unexpected. Fingers crossed that 2021 will be a better year for anime!
keragamming
06/17/2017, 07:45 AM
Season 2 has come and gone and this three month was really enjoyable, but do not fear, season 3 is already announced for 2018! Now on to the review. Story 10/10: Snk season 2 picks up right where season 1 left off, and it give the viewers a bit more insight about the titans in the walls. The thing with snk is that its story is slowly unravelling for both the characters and the viewers, we learn of the ape titan that can speak and that titans obey his orders, we also learn that without a doubt titans are humans, we learn that Ymir who is nowknown as a titan shifter knows a lot of secrets that she is hiding and that she is over 60 years old. We also got the reveal of the arrmored and the iconic collosal titan which are characters that we saw from the very first season, this really should be the turning point for many persons that this series is not just about humans fighting titans/ It's way more than that and as the story progresses the plot gets more complicated, what really shines for this series is how well it foreshadows or give hints to the viewers of future plot event, and imo the series gets more enjoyable when you learn more things in future plot and then rewatch an earlier season and you will see how the author cleverly hinted at certain things, like for eg, the identity of all three of the titan shifters, if you go and rewatch the first season you will realise all those hints were being drop, overall just rewatch the first season and you will see how well put together the story is, the best way to explain snk story is that it is a like a puzzle that is slowly being put together, and sometimes you the viewers if you pay more attention to it can fill in some of the blanks with the info you got so far, because this series doesn't leave viewers in the dark without giving the readers hints. It also makes you question what is going on or the motive behind the titan shifters, why do they want to kill everyone inside the walls? What is their motive? What we did find out at the end of the episode is that Eren can control titans, and that is the reason why the Annie, Reiner and Bertholdt wanted to capture Eren. I always like series that makes you question yourself and makes ponder about certain things. Art 8/10: I thought the art was solid overall, there is some bad shots that I've seen throughout the series, but I've notice that when it doesn't look good is when the characters are not close up, also the Cgi was not to my liking it puts me off in some scenes, but overall it didn't affect my enjoyment much since most of the cgi was use on horse scenes, which lasted just for a few seconds, but what really annoyed me was the collosal titan cgi, it looks horrible! Though sometimes it doesn't look bad, but overall I will like them to scrap that and make the collosal titan fully hand drawn like the first season. Overall art and animation was solid imo and not much complaint. Sound 9/10: The soundtracks in season 2 is great, and I'm glad that they didn't completely got rid of the old soundtracks, because that would might make us loose the snk feel to it, What Sawano did was smart, he remix some of the old soundtrack and also added new soundtracks in this season, the only disapppointment is that we didn't get enough new soundtrack imo, now the reason could be is that this season is 12 episode instead of 25, so less soundtrack, but overall I was please with the soundtracks in this season. Characters 8/10: Imo, I feel this season really flesh out more of the side characters and give more focus to them, the main cast for this season got little screen time for the entire first half of season 2, but this was actually a good thing, we got a lot of character development and characterization for all these characters in this season, though a flaw that I saw in this season is that there were too many flashback, which is a method also use to develop a character and also the anime staff added fillers in the flashback to extend it a bit more, this is a flaw when it comes to adapting a source material, they want the season to end at a certain point, and so the anime staff pad out the flashback with stuff the viewers already know of and this is really annoying imo, this is a legit critcism that I agree with. Enjoyment 10/10: For me, what really made me enjoy this season is because, me being a manga reader already know what happens in future events, and thus watching season 2 is like rereading the series but instead with soundtrack and animation etc, and as I said before seeing all the foreshadowing and understanding the vague discussion going on between certain characters just makes me appreciate this series more and that is why I really enjoy it so much. This is where the series starts to shift in tone and I can see why some persons may not like this season as much as the first and vice versa, and in the next season it will be taking another shit in the story as well, really interested to see anime only reaction to season 3. Overall 10/10: This series is a masterpiece despite its flaws, a masterpiece doesn't mean it has to be a perfect series, because the truth is, there is no perfect series. This series is very ambitious in where the overall story is going, and I know not everyone will appreciate this series like me, because opinion, but I am very happy a series like this exist, it is what made me become a hardcore anime fan, and I hope when this series is complete persons will appreciate what the author was going for and not what they wanted it to be, 2018 can't come any sooner. Thanks for reading. ;)
ZephSilver
06/17/2017, 07:26 AM
Anticipation. Blistered, sunburnt skin adorns them, the lumbering thud of footsteps echoes louder with each passing second, their eyes set on a village lying dormant up ahead. Exposed flesh shifting between the woods, no expressed interest for the plant life or animals grazing at their feet. Warped facial expressions, a thousand-yard stare, distorted features, twisted limbs; an ungodly creature, a true force of nature. Deformed giants with one thing in mind. Beady eyes stare back at the impending danger, irises frantically shifting from each other to the threat slowly approaching with each step, the military cradled behind stone walls planning their first strike. In the dead ofsilence, every sound amplified. Every second longer than the last. A cacophonous mixture of bated breath, the clanking of metal harnesses strapped to their bodies, housing blades and gas canisters that will eventually propel them towards the enemy. Cold sweat rolls down their cheek, hanging off the chin with nervous anticipation. Faces to the left and right, the unspoken acknowledgment made by brothers-in-arms that this will probably be their final resting place. Too late to back down, too late to think about it. The giants draw near, young scouts fall into dead silence, the slightest whimper exposing their position, sweaty palms firmly gripping their weaponry's handles, blades erected waiting for the signal to go. The longest minute of their lives. Action. The signal is given, piston-propelled grappling-hooks pierces its way through a firm surface, a loud unified roar ushering them into battle — "Attack!" — Humanity's final defense catapulting through the sky, wings of freedom crest embroid on their backs, as they stare down the mass collection of imposing figures. The battle begins, blades being embedded into the necks of targets as they fall to their knees. Men carelessly swinging into the jaws of another, blindsided in the fray as the Titan crunches down, blood confetti sprays out, showering the field with the unholy reality of the situation at hand. Human debris piles up next to the simmering sounds of corroding titan flesh. Steam billowing out bloated corpses as it blankets the field, men and Titan alike stuck in the disarray of a free-for-all. Fear and adrenaline push men forward where their bodies refuse to budge, while others cower in defeat, accepting the grim outcome of their faith. An insatiable desire to consume keep Titans swarming where an absence of "self" resides. The fight rages on. There's no chess game at play here. No battle of wits. No war cry to rally any remaining fighting spirit. All that's left in the midst of chaos is an animalistic drive to kill or be killed. Men swinging their blades frantically, bodies jettisoned by wire towards the unknown hidden behind plumes of smoke. Uncaring giants solely driven by a gluttonous appetite, grabbing at any signs of human life, unfazed by the burning ash of their reduced numbers laid to waste by the prey they feast on. All concerns are eclipsed, all formalities discarded, idealism abandoned, time holds still, the nightmare stretches on endlessly... until there's no one left to keep it alive. Aftermath. Scattered limbs litter the ground with no owners to claim them. The earth soaks up the battered dregs of human remains, leaving only remnants to be discovered by those unfortunate enough to stumble upon it. Regurgitated balls of bodily fluids perched on top fallen victims, disfigured men trapped inside, destined to stay nameless. Steam gently ascends to the sky, departing from the mass graveyard positioned below. Men on horseback approach the sorrowful sight, disgusted but desensitized to what's become far too common of an occurrence in their day to day lives. A ghoulish figure hunched over, tearing into the flesh of a nameless scout, unconcerned with the men gathering around it. Quickly being dispatched by them, they see no triumph in their action, only another hopeless notch under humanity's belt. Their time for peace has long departed, leaving it its place a constant dread of the unknown. From the sporadic home invasions of Titans to even the secrets concerning the walls themselves. Things that were once thought of as reassurances now only add to the anxiety pending up with each violent encounter. When your home turf is compromised, where else can you turn? When your overseers keep potentially harmful secrets from you, who can you trust? The mystery compounded, the fights more brutal, and the stakes set higher than ever. This is the kind of world Attack on Titan gives birth to. A place dictated by stonefaced laws of Darwinism in every regard. A place that's adored the world over by the audiences that flock to it. Reception. Attack on Titan left big shoes to fill since its 2013 debut. Almost overnight, it became one of the most popular anime titles of all time, effectively surpassing the glass ceiling set over the medium at large to become a noticeable player in the stratosphere of everyday pop culture. Even if that success was to a lesser degree when compared to the likes of "the big 3" and the Dragon Ball franchise that made its way out as well, its impact was still noticeable, both domestically and overseas. This, alongside works like Sword Art Online, has positioned it as one of the poster-child images of what "anime" is to non-anime fans of the 2010s. Occupying shelf space in your local Hot Topic, being mentioned in passing by those oblivious to the entire culture at large, a conversation starter to introduce others to an active community that bubbles on the surface but never making enough big waves to become acknowledged on a mainstream level. The show's relevance in recent years cannot be understated. It's a new footnote that continues the narrative, helping push the medium and partakers of it a step closer to accessibility in other avenues of a broader mainstream culture. Because of its exposure, for many, Attack on Titan became their initial gateway title into the anime medium. And as such, a milestone entry when searching for that same thrill that it offered up on its initial encounter. For better or for worse, AoT shaped the landscape of future anime entries, many of which seeking to retain the newfound fanbases that sprouted because of it. And while there was a sleuth of cheap knock-offs offered up to keep the flame burning since then, nothing was capable of whetting the appetite in the same way it did. 4-years and many cheap imitations later, AoT has reemerged once again! But the question is, is it 4-years too late? 4-years may not seem like a long time in the grand scheme of things, but for media, it's practically a millennium. A lot could happen in 4-years. New emerging trends develop, talented figures could make their debut appearance, a shift in the landscape in favor of real-world sociopolitical events could occur, and most importantly, the demands of people can evolve as they foster different tastes and interests. You don't have to look far to see these occurrences happening. In the movie industry, more specifically, tentpole blockbusters, superhero films have effectively become the new age westerns, to the point where watching them becomes a ritualistic event shared by a mass majority, making those that don't participate outsiders to watercooler conversations. In music, the new "wave" in the past few years has been trap-inspired production and dancehall-influenced rhythms, a transition that's proven to be so successful that even megastars that dominate the pop charts are flocking to get in on the action. Even in our own backyard, in the world of anime, creating "subversions" or reimaginings of established formulas, from the likes of MMO-inspired premises to superhero stories, is the popular thing to do at the moment, with many recent hits owing their success, to some degree or another, to that directional push. Media is a beast that's constantly shifting in order to appease the masses, unless the pedigree of the product in question is of a high caliber, expecting it to stay still until your return is foolhardy, and from a marketing standpoint, a huge risk to take. So, did Attack on Titan's gamble pay off? Well, it all depends on where you stand as a viewer. Fortunately for Attack on Titan, the efforts of its bottom-rung imitators served a purpose. Like the MMO and superhero shows that dominate the current landscape in anime, post-apocalyptic stories are still in high demand as well. The manner in which it is received, however, is a completely separate issue. You see, within that 4-year period, those rose-colored lenses that many fans may have had during its initial run may no longer be there, or at the very least, those "lenses" have since been washed out to something closer to transparency, as it usually does when someone grows older and become accustomed to certain things. Where they could have been hoodwinked with a few plot twists and shocking moments before, the chances of that level of susceptibility dwindles as time passes. With every encounter made with something employing the same general gimmick, the magic is now met with a response succumbed to apathy. Each time something that appears novel makes itself known, the next encounter of the same content slowly morphs into a future cliche in the making. It's the gift and the curse that comes with transitioning oneself towards a more seasoned mindset. There still may be an eager audience waiting to see the story unfold but that's usually accompanied with a higher level of skepticism, making the work of any follow-up season that much harder to live up to the initial "hype" that came with its debut. It's for that reason that the infamy of the "sophomore slump" exists, and to no one's surprise, Attack on Titan's 2nd season is met with a divisive mixture of applauds and woes. So, reader, do you gawk at the attempts made by the 2nd season to employ the same bag of tricks, or do you approach in a way that many veteran viewers do when watching something as flamboyant as Attack on Titan? If you're reading this review, I'm going to make the assumption that you're not comprised of the mass majority that doesn't care either way. As far as your viewpoint goes when discussing AoT after finishing this review, I leave that bit of trivializing up for you to decide. Everything moving forward is just me pleading my case and my stance on the matter, so take from it what you will. The reception I have for AoT's 2nd season is pretty straightforward, I love every minute of it! It's just as nutty, over-the-top and gratuitously violent as I remembered. It's a show that brings me back to a simpler time in my life, where excessive violence and theatrics were the only things that stimulated my viewing habits. A time in my life where movies like The Matrix and Equilibrium were as coveted as holy scripture and any verbal disapproval of it was treated like sacrilegious acts. Attack on Titan 2nd season is just awesome! Schlocky, cumbersome, inconsistent, poorly-written, overacted, exploitative, childish, melodramatic, hammy, riddled with plotting and tonal issues... BUT still fucking awesome! And while I do love it wholeheartedly, those issues I mentioned don't just magically go away, and seeing that this is a review and not a drunken get-together with friends where we scream "FUCK YEAH!!!" at the top of our lungs, as we view the poor inhabitants of AoT being chomped in half by giant nake people, I will judge it accordingly. Fidelity. What a pleasant surprise. I think I express the sentiments of many when I say that I approach most sequels with a great deal of apprehension. More often than not, sequels tend to disappoint and for understandable reasons when examined. If it follows the 1st installment verbatim, it's simply seen as a rehash, if it veers off course too much then it runs the risk of not capturing the essence that made the 1st great. It's that old adage expressed by many “You’ve got your whole life to write your first record, and only a few years to write the second.” So when I sat down to be immediately met with the familiarity of AoT's flare for the dramatic still intact, I was more than pleased. Even after the first season, where I felt that the show may have exhausted every possible gruesome fatality or creative action scene in its arsenal, this follow-up season somehow managed to ratchet up the stakes and tension, while keeping the locations and bloodbath battles fresh and exciting. The spirit of AoT was carried over seamlessly and with its usual offering of plot twists and shock factor moments being placed center-stage, there was never an episode that passed where I wasn't enjoying myself. This consistency stood true for the art and animation as well. With new locations and settings being introduced, the expansion that was already given from season one is further complimented here. Employing the same European-like building structures and familiar environments, marathoning both seasons would yield very little in the way of distracting changes. It's fresh but familiar. Changing things up when necessary but never to the point of alienation. Although, there was an issue present that might turn some people off. The usage of CGI is far more prevalent this time around, and admittedly, lazily implemented at times as well. For example, there are scenes of men on horseback at some point, during which, when the camera pulled back for an aerial shot, you could see them galloping above the surface of the ground, giving this look of a 3D rendered image being dragged across a landscape in post-production. This hovering effect is amateurish for a studio that's usually praised for doing above average in the visual department. Where it set the standard in season one, in season two, it's barely maintaining it. The CGI used for the giant titan was also distracting. Not for the actual look of the Titan itself but for the framerate, which wasn't succinct with the animated shots of characters around it. Other than the issues found with the CGI, the rest of the production was very appealing. I am slightly disappointed though, knowing that with 4-years given to create a stellar product, Wit Studio ended up shortchanging themselves. And it's not like they had to touch up on their skills in this department, they've already proven that they're capable of meshing CGI with 2D animation just fine with their bootleg Titan show, Kabaneri, of last year. So to give their main cash-cow second-class treatment seemed like a huge disservice. Whatever the reason behind the copout service may be, here's hoping it doesn't continue with future installments. Thankfully, everything else was up to snuff, making those blemishes far more palatable than it would have been otherwise. Content. The story continues off with the discovery of new mysterious events that slowly makes itself known to the viewer. Everything has been called into question, as the Titan face exposed from within the wall at the end of season one plunges everyone into deeper secrets surrounding the church and the following occurrences that led up to the aftermath of Annie's capture. Tensions rise, as paranoia slowly seeps into the Scout regiments. No one could be fully trusted. With Annie being a Titan, the possibility of more traitors in the mix becomes a high possibility. The war has shifted on both sides now, with Titans moving in headfirst and the fear of more enemies hidden within the ranks just lurking out of focus. And the rest of the story effectively follows a barrage of plot twists one after the other, of which, any type of hints would effectively spoil the surprise, so I'll leave that bit of discovery up for you to witness yourself. AoT does what it's best known for, delivering on nail-biting cliffhanger moments one after another. There's never a shortage of reveals being discovered here. Some that's a bit obvious for those paying attention and others that are completely left-field if the anime is your only exposure to the material at hand. Accompanying men into battle, we're given a fantastic musical backing, with thunderous drums, booming brass sections, and blood-curdling violin chords, all being wrapped up and carried off by the unified echo of a haunting studio choir; all of this crashing headfirst with electrifying musical underpinnings, creating a futuristic orchestric sound. And in the heat of battle, this soundtrack does an amazing job at giving everything a vintage feel while positioning it firmly in the 21st century. It's a clash of classical meets new that's unified under the sound of constant dread and ascension. This makes it one of AoT's best highlights. Despite the shortcomings of the show's characters and storytelling, this aspect remains a spotless feature, something destined to age incredibly well for years to come. And since I just mentioned it, and there's only so long that I could dance around the subject matter before pointing at obvious pressing issues, time to discuss the aspects that constantly keeps AoT from reaching the ambitious heights that its universe desperately attempts to cling to. Sloppy. First and foremost, Attack on Titan's screenplay is written as if the Caps Lock key was left on the entire time. If this review was written in the way the characters were made to emote, EVERYTHING WOULD JUST BE WRITTEN IN ALL CAPS JUST LIKE THIS SENTENCE. And I'm sure I don't need to express just how distracting or ridiculous that could get for those wanting something a bit more serious. Couple that constant barking with some overexaggerated facial expressions, where the characters are given their best "rape face" expressions, and you will be none the wiser had you just seen a clip and thought you were looking at an anime parody of shounens. Truth be told, part of the reason why I enjoy AoT has to do with this very feature. That schmaltzy level of overacting has always been something I found amusing, but unfortunately, that's not the show's intent, as it displays no comedic bone in its body for any of these exaggerated scenes. This isn't Jojo's Bizarre Adventure where everything hints towards a tinge of comedic self-awareness—no, in Attack on Titan, everything is played seriously, causing it to come off like a circus performance where everyone is dressed in all leather. This can make some dramatic moments hard to invest into. And it's for that reason that I ask how you're consuming Attack on Titan. Because if your approach demands no room for levity or laughter, chances are, many scenes here may make you want to gouge your eyes out. Anyone that could view an armless Eren beating the living snot out of someone with his arm stumps, while foaming at the mouth like a rabid animal, rapey-face set to maximum, and STILL take it seriously, despite all this, has my admiration. I keel over in laughter seeing moments like that. It's a show that can't escape the innate hilarity of some of its content. For me, part of the fun of AoT is seeing that constant struggle to capture authenticity and seriousness, despite the content suggesting otherwise. Viewing it in this way may not be the original intent of the staff and creators, but it's entertainment at the end of the day, how I choose to enjoy it is entirely up to me. Which brings me to the other issue that the show can't shake: poorly written characters. Armin is the only character in all of Attack on Titan with a proper character arc. There's no arguing this, no IFs ANDs or BUTs, this is just a fact. Out of everyone presented, he remains the only member of AoT's cast that was given any sort malleable personality, an internal reflection, and eventual growth that STAYED that way. For everyone else, Eren included, there's only a phantom resemblance of a character arc, but in reality, their constant dominating character traits actually cause them to have the adverse effect. Instead of showing character development, they end up going through character regression instead. For the easiest example, let's take a look at Eren. In the 1st season, they made it a point to show that he's a hardheaded young man who's willing to throw himself into the heat of battle whenever someone or something agitates him. Constantly short-tempered and outspoken, he's made out to be a very unlikable person to many around him. His hostile behavior usually led to him getting into physical brawls with older authority figures and even his fellow peers. Understandably, at first, he only had a few friends that took to his side, those being Mikasa and Armin respectively. And even then, it could be argued that during that time, those two friends were only earned due to certain circumstances. Because of Eren's pivotal role in Mikasa's past when they first met, she felt a sense of obligation and appreciation for his actions, which eventually led to an appreciation for him as a person as a result. And after being placed under the same roof, it was easy to nurture a relationship, given that they got time to know each other on a day-to-day basis. In Armin's case, Eren represented the bravery he lacked in himself, as he constantly stood up for him when he couldn't bring himself to do anything but cower at any bully that enters his space. He basically saw him as the big brother he never had. In both cases, Eren's pigheaded resilience and loyalty to those he cares for were what won them over. And so, a rebellious character trait was quickly established. One that led to positive outcomes in very limited situations. Later on, as the series progressed, he was placed in circumstances where that very personality was used as a catalyst for his growth, more specifically, when he was placed in situations where his pigheaded attitude endangered the lives of people around him. The biggest highlight of this comes with the time he spent under Levi's camp, as well as his transformational moments as a Titan. long story short, his outbursts began to affect more than just his pride, it caused several irreversible incidents where his actions were directly connected to the issue at hand. This eventually culminated, to what looked at the time, like Eren turning a new chapter in his life. He's now more calm, even mindful of the ones around him. He understood that his behavior isn't doing anyone any good. And as his bandaged body sat upright in bed with Mikasa staying by his side comforting him, Eren's journey in the first season came to a reasonable point of conclusion. Fast forward to the second season and all of that was immediately flushed down the toilet for an instant character reset. Any semblance of growth shown was immediately replaced back with the same hot-blooded behavior and hammy overacting he was notoriously known for. This form of character regression isn't excused as someone stuck in their old ways, it's the act of behind-the-scene creators understanding Eren's marketability as an angry youth. People are weary of any kind of change and so Eren was forced to remain two-dimensional, regardless of any personal revelations he may have had. And before there's confusion on what qualifies as growth, no, receiving a backstory isn't it. A backstory only helps when the character in question grows further from the present day acquaintance with which we first encountered them. The rest of the characters can effectively be boxed into neurotic personality traits or future cannon fodder. It's the type of show that relies on the ensemble cast to carry the personality that any given individual may lack. Think of it like colors in a rainbow, everyone involved is basically an individual color, making them basic when alone but exciting when placed together. It's a common trick to use when there are too many characters involved and not enough time dedicated to any of them. And speaking of the narrative, possibly the biggest complaint launched at Attack on Titan ties into this. Honestly speaking, AoT has very little in the way of a well-written story. It's a show that's overly reliant on over-the-top plot twists, mystifying everything as to appear purposeful, and a gratuitous about of shocking deaths and revelations made at the drop of a hat to keep audience attentiveness. And as it is in the case of the overacting, this too is something I enjoy about the show. It's like a constant wack at a visual piñata, with each hit revealing something unknown inside. To me, that's the reason AoT is such an entertaining piece of media, it's its ability to constantly unveil new, and often ridiculous, plot revelations. Each time you return, it has something new to offer, regardless of how familiar it may get to other moments prior. But again, that's just the way I choose to consume and enjoy the show. As for the pedigree of writing on display, it's absolutely abysmal. It's a show that's reliant on your acceptance to a myriad of plotting inconsistencies, excessive mental gymnastics in regards to many of its plot twists, and a high suspension of disbelief for the mechanics of its universe. If you're an astute viewer, there would be many times when you're forced to call into question the validity of the events playing out. And if you choose to take the show seriously and hate it as a result, you would completely be entitled to do just that. Contention. I usually distance myself from the community and their consensus in regards to any show when I'm working on a think-piece about it, but with Attack on Titan, that's proven to be virtually impossible, especially for someone like myself that's made it a habit to publicly airing out my opinions. Several people approached me with their thoughts on the show and after awhile, I began to notice the thread of a narrative taking form, which admittedly, affected the way I approached this review as a result. And for the sake of bringing clarity to what I think has become a misinformed argument that's been generated towards this second season, I will address that general complaint here and now. If you felt like the quality of this season has significantly dipped since the debut of the 1st, please rest assured that it haven't, it's you as a viewer who's grown beyond the content at hand. All these complaints launched at the show now are just as applicable to what was given from the very beginning in 2013. Season one had just as much diluted plotting, expository verbal dumps, long periods of substance-less content and character victimizing. It's only now that you're older does those issues become more apparent. 4-years is a long time, and in that time, you're bound to grow up as a viewer, even if you still find yourself indulging in the same kind of content. Your awareness of it has simply matured since then. Quality-wise, both seasons of Attack on Titan are on the same level. The only difference found are minor and not worth elevating the first installment leagues ahead of this follow-up. And with that being addressed, it's time I wrap this review up. Conclusion. If you were to ask me what my favorite anime viewing experiences were based solely off of entertainment value and absolutely nothing else, Attack on Titan would easily rank up there with Death Note and Kaiji. As an overblown piece of media, the show is a constant roller coaster ride of violence and plot twists, all beautifully set to a great soundtrack and nice visuals. Content-wise, it has very little to offer, and honestly, without the constant barrage of bloody fatalities and sensationalized violence, I would probably get bored with it. But as it stands, this anime represents "hype-inducing" content for me in the truest sense of the term. It's a hammy, grindhouse-inspired work of artistically shot ultraviolence. Like a big lovable oaf, a show oblivious to just how ridiculous every situation presented is. It's pure spectacle, plain and simple. It's one of my favorite pieces of schlock of all time and a show I will revisit many times to come because of that.
Stark700
06/17/2017, 06:51 AM
Unless you’ve been living under a rock for the past 4 years, then you’ll know that Shingeki no Kyojin (Attack on Titan) has been renewed for a second season. And with that, the show returns in full force. Remember the titans that terrorized humanity when they made their appearance from season one? Or when Eren transformed into a Titan himself and played a pivotal role to help humanity? How about the time when Eren and his friends realized that one of their comrades is also their greatest enemy? Shingeki no Kyojin wastes no time in giving the fans what they want and that’s a sequelto talk about for years to come. Make no mistake. The second season jumps right into the meat of the show like a bullet train. It doesn’t rely on boring narratives to recap dialogues but instead presents them through events. The first few episodes reintroduces the main characters such as Eren, Mikasa, Armin, Reiner, Bertolt, Sasha, Hange, etc. Time hasn’t passed long either since the defeat of the Female Titan. However, we are introduced to new enemies and conflicts. One of the more noticeable fans will notice is perhaps from the trailer – a beast-like Titan covered with fur. Other conflicts in the second season includes the evolving mystery of certain characters. The secrets they hold close gets more and more complicated as the story progresses and we learn their motivations. Furthermore, the second season builds more into the character relationships outside of the main cast. To say the least, Season 2 isn’t just about the war against Titans but how certain characters’ roles can impact the entire world. Snk Season 2 attempts to do a lot of things. At times, it feels like a fantasy war-drama while other times, it feels like a mystery story. When you mix a lot of genres together, the show can be interpreted from many angles. Mystery will no doubt be one of the key factors that keeps the story engaging for the viewers. From this season, we’ll discover revelations about certain characters and what influences them to become what they are. These are often told through flashbacks and is done effectively through insightful storytelling. It shows rather than tell about events. Furthermore, it makes us understand the characters better. Now for some fans, this could be a sign that the show will fall victim to “slow pacing”. It’s slightly true as I do wish some episodes to pick up the pace more. It can hold the show back for fans especially if it’s a character that they don’t care about. However, it’s also important since SnK doesn’t toss away characters in favor of just the main cast. Major supporting characters such as Sasha, Ymir, and Krista gets more characterization that was not seen from the previous season. In addition, the series still spends time to get viewers to understand more about the trio of our main cast – Eren, Mikasa, and Armin. Unfortunately with just 12 episodes, don’t expect the second season to give all the characters their chance to shine. If you’re a fan of Levi, then I’m afraid I got some bad news. Despite the engaging story, season 2’s mystery elements aren’t exactly difficult to decipher. It’s actually quite easy to piece certain pieces together. Every episode builds more and more into the story but some hints will be much more obvious than others. It leaves open to some predictable outcomes. However, I would also argue that season 2 succeeds at building up the suspense regardless how the outcome comes out to be. It injects psychology into the show through effective usage of narrative, dialogues, body language, and character interactions. In some of the later episodes, we can see how certain characters show their true selves in ways that will be very memorable. It’s made even more effective through the timing of certain scenes. Directing a show like Shingeki no Kyojin requires a creative mind to connect the script and I have to say, it did that pretty damn well. Finally, I am satisfied by the faithfulness of the adaptation as it adapts many manga chapters that I had anticipated. In fact, some episodes are actually adapted even better than the manga thanks to the cleverly timings of key events. To sum up the production quality of the show, it’s pretty easy to say that Shingeki no Kyojin Season 2 is a firm example of how dark fantasy should look like. I actually had some complaints regarding the first season’s quality but those are pretty much are nonexistent in this sequel. Every episode looks fluid ranging from the intense action, character expressions, and choreography. To an extent, even the CG is done well and that’s no easy accomplishment for many shows. Character expressions highlight characters personality as it gets the fans more excited about them. Season 2 pulls that off flawlessly with characters such as Eren, Mikasa, Reiner, and Ymir. I can also safely say that the Titans in this season look just as intimidating as fans can remember, if not more. Known for its high level production quality, season 2’s soundtrack doesn’t come far off either. Theme songs sounds familiar compared to the previous season but has more symbolism and scenes poured into showcase its story. Like most fans of the show, expectations for the OST should be high as Hiroyuki Sawano returns with his craft. It lives up to those expectations especially in some of the key moments that will leave you in awe. Finally, character voice mannerism just works wonderfully as the cast fits right into the shoes of their roles especially for characters like Reiner and Ymir. As I mentioned before, there’s a good amount of psychology that season 2 brings and some characters’ voices really brings to a level that’s larger than life. Once again, Shingeki no Kyojin gives what the fan want ever since the first season ended in 2013. It’s been 4 years but upon watching the first few episodes, it felt like yesterday. It does its job at selling its story with its variety of genres mixed in together. With such a colorful cast of characters, it gets the fans excited to see what their roles will be. With a studio like Production IG, it’s safe to say that the quality remains in good hands. Now, I am slightly bothered by the length of the sequel. It’s half of what season 1 turned out to be and after all the waiting, it felt like a slap in the face for fans. Still, I’d say that the wait is worth it as time didn’t do its damage and it deserves a pat on the back.

Shingeki no Kyojin Season 2 進撃の巨人 Season2

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Shingeki no Kyojin Season 2 進撃の巨人 Season2

North American Anime & Manga Releases for December

North American Anime & Manga Releases for February

Winners of the Newtype Anime Awards 2017

TV Anime 'Shingeki no Kyojin' Gets 3rd Season

Spring 2017 Simulcast List [Update 5/14]

Spring 2017 Preview

Q1 2017 Anime & Manga Licenses [Update 3/9]

PV Collection for Dec 19 - 25

'Shingeki no Kyojin 2nd Season' Delayed to Spring 2017

'Shingeki no Kyojin 2nd Season' to Air in 2016

'Shingeki no Kyojin' 2nd Season in Pre-Production